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Recommended: Tim Burton Analysis
Initially, as the movie begins Tim Burton introduces Will to us at a fairly young age. Even at this young age Will's character is fully developed as someone who is not very interested in his father's tall tales. This is seen in the film when Edward is telling his story about the Fish during the campfire scene. “Now I’ve tried everything on me.” This is stated by Edward telling his story of how he caught the Fish. Within this mise-en-scene we are shown various types of camera shots and movements, along with diegetic sounds and lighting effects. The opening of this scene is a long shot, along with a pan which informs us of the setting. An over the shoulder shot is then used to show that Edward is telling this tale to all of the kids at the …show more content…
campfire. *As the camera pans from left to right while zooming in on each child's face you can see the reactions on everyone's face. All in “aw” except for Will. The lighting of this scene is very odd due to the campfire setting.
With this, the lighting upon the other children's faces is straight on, showing their expressions and emotions. While on the other hand Will’s head is tilted away from everyone causing a slight change in the lighting on Will’s face. Thus casting more of a shadow and creating a darker presence on him. Because of this it builds Will’s character by showing how over time with the stories Will hears, his expressions and enthusiasm towards the stories fades. When Will was a young boy he truly admired his father's stories but when he kept telling them several times and to everyone he knew Will soon became fed up with his father. This frustration with his father builds up within Will resulting in the way Will’s character develops. This development of character plays a huge rule in the movie as it is the reason why Will leaves his father in the first place. Will is looking for the real stories not the childish ones his father tells him at bedtime. He just wants to know who his father really is.. . .. It is almost as if Will lives under his father's shadow with all the stories Edward tells. Especially when Will’s father always tells these stories during significant parts of his life. In situations like campfires, school dates and Will’s …show more content…
wedding. For example “For one night in your entire life the world didn’t revolve around Edward Bloom.” As this is said very harshly by Will a use of close up shots are also portrayed showing the emotion on Edwards and Will’s faces.
Along with the the shots of within this mise-en-scene each character is even furthermore developed by the use of lighting and colour. Between the conversation the light upon Edward is much brighter compared to the lighting on Will's face. You can see Edward more clearly due to the light effects. This relating to thr fact that we see Edwards personality shone more bright compared to Will thus the reason why the light effects on Will are more toned down compared to Edward. Along with the light effects the colours used on each person’s tie represents a part of the person's personality With the scene’s background so dark and both Edward’s and Will’s suits are black which causes them to blend in with the background but they key components that stand from the background are their heads and their ties. The tie that Edward was wearing was blue which is a colour that represents comfort, peacefulness and could possibly symbolize water. On the other hand Will’s black tie symbolizes how sophisticated he is and how he always wants the truth and nothing but the truth. All a father really wants for his child is to be happy and to look up to him, this is not the case in which Will is in. Edward is trying very hard to please Will with these extravagant
stories. But sadly these stories do not seem to make Will hay or proud but embarrassed of his father. This embarrassment and rage of just wanting to hear the truth from Will’s father is the cause of Will’s character development. This results in will slowly distanced himself from his father and his crazy stories making them “like strangers that knew each other very well.”
Tim Burton used a lot of symbolism throughout the story to show theme and as a result, we can know a lot more about Edward’s personality and about what he wants most. One thing that exhibits Ed’s childish side was the bushes; for example, the dinosaurs and the dolphins he created. The bush shaped hand that was in the dark mansion’s yard encapsulates Ed’s want for hands. Through these examples we can see the theme, sometimes your wants in life can shape what you do in your life because Ed’s wants showed through his actions.
The new phases of life and social context is predicated through the sum of feats and experiences as crises and adversity are usually the greatest motivator which propel individuals to become better than they were before. J.C. Burke’s ‘The Story of Tom Brennan’ (TSTB) is an example of the transitional process through entering a new, unknown area which acts as a catalyst for beneficial change. Obstructed by turmoil both mentally and physically, the protagonist Tom Brennan relieves his severe life in the town of Coghill achieving new standards in conjunction to Lisa Forrest’s article ‘Testing new waters after leaving the swimming pool’ (TNWALTS) is another type towards transitional change that explores the personal crisis and career changes over
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Terry Fox, he was the greatest, bravest and the most generous man who risked his life for saving thousands of people from cancer. He became the perfect example of seizing a fulfilling life by never giving up to achieving the goal. He was born in Winnipeg Manitoba on July 28 1958. He was a remarkable athlete, yet at the age of eighteen, he found that he had bone cancer. He lost a left leg and he was no longer able to run or move like before; nevertheless, he was inspired by other cancer patients at hospital and promised himself to do something good to the world. His marathon began on April 12, 1980 and he ran 5,373 kilometers in 143 days. Eventually, cancer forced him to stop running, yet he completed his dream of raising one dollar from each of Canada's 24 million people.
We see this technique later in the movie as well. When Willa Harper is in Spoon’s shop talking to Mrs. Spoon (though we cannot hear what they are saying), all of a sudden we hear a train whistle and see an image of a moving train. Then again we see Mrs. Harper and Mrs. Spoon and again the train. This was a bit odd to understand at first as the transitions between the scenes are very sharp and sudden it almost startles you....
...her and son is what ultimately makes the story so gripping with audiences and readers alike because of the subsequent evolution in the nature of their relationship as the story progresses. With each telling and retelling of Edward Bloom’s stories, the reader and William both gain a little more insight in the enigma who is Edward Bloom. Despite the resentment and anger that dominates William’s feelings for his father, his ability to strive to make peace and make sense of his mystifying father, who has always eluded his own comprehension, is significant to anyone who has ever felt disconnect with a dying family member.
The lighting is used as colour symbolism through Priestley’s decision to imitate the emotions in the act, ‘the lighting should be pink and intimate until the Inspector arrives, and then it should...
In “Good Will Hunting”, Gus Van Sant presents the characters’ state of mind and emotions through the use of their facial expressions and body language, allowing the responders to analyse and be part of the characters. This is evident in the scene where Shane McGuire, Will’s psychologist gets Will to repeat, “It’s not my fault”, which helped him to break through his childhood scars and enabled him to cry. Will’s facial expressions show his fear of admitting his desires to embrace his new opportunities in life, as it would be betraying his friends and class status. In the scene where Will and Skylar break up and he says hurtful things, Will is pushing her away because he doesn 't think he deserves her. The composer shows this by the use of Will and Skylar’s body language, reluctant to let their partners go but expressing the opposite physically. The utilisation of close up camera techniques is effectively used in illustrating the details of the characters’ body language and facial expressions, for the responders to analyse and gain greater understanding of the
To begin, Tim Burton uses lighting to send the mixed emotions of child like with darkness. Examples of lighting come from the two movies Edward Scissorhands and Charlie and the Chocolate Factory. In the movie Edward Scissorhands, Tim Burton uses a mix of lighting on Edward. At happier times,when Edward is performing haircuts, the lighting is high key and has a front lighting the face of Edward. This portrays Edward is good although Tim Burton contradicted this decision later showing that Edward is somewhat of an criminal. For example, low key and bottom lighting were used when Edward is walking towards the police as if to seem that he is a criminal. This shows how Tim Burton uses his mixed emotions to make the audience not know what to think of Edward. In Charlie and the Chocolate Factory, the outside
As well as his impressive set design, Zeffirelli also uses lighting as a tool to successfully create an effective portrayal of the play. During Hamlet’s to be or not to be speech, Hamlet frequently stops and takes pauses as a way to reflect on what he has just said. At first, Hamlet remains relatively calm but as his speech progresses, and he walks around the mortuary visiting different tombs, including his father’s, his anger level elevates. Zeffirelli uses an effective lighting technique that bathes this scene with darkness but a golden glowing light casts on the side of Hamlet’s face, bringing out the contrast between light and dark, and life and death. The way Hamlet’s...
In the center, a young preteen girl stares directly at the camera. This is Mann’s daughter, Jessie. She is leaning back to the left with her right arm across her body. Her left arm is bent at the elbow with a white, candy cigarette gingerly placed between her fingers. She is wearing a white, frilly dress with a watch on her right arm and a ring on her finger. She is also wearing a butterfly necklace. Her wavy, blonde hair is tousled. To her right is a young girl, Virginia, whose back is turned towards the camera, making her face unseen. She has her hands firmly placed on her hips. She has curly, brown hair that is in a ponytail. She is wearing a casual, dark colored dress. In the background, Mann’s son, Emmett, is in a white shirt He is standing on stilts to the left of Jessie. All of the children are standing on a path that curves into the trees. The white in the picture represents purity and innocence. The light shines on the girl in the center, making her stand out against the background. This gives her the appearance of being rebellious. The pale white path stands out against the dark background of
(Erikson, 1980) Erikson’s psychosocial stages of development theory are in my opinion one of the best ways to look at Will Hunting’s changing personality and behaviour in the movie. Will’s avoidant and defensive personality is due to his abusive foster parents, he never received sympathy from his foster parents which made him accept the abuse as well as him becoming the abuser, as we see in the film when Will fights a former classmate that bullied him in kindergarten years ago. Another example of abuse is in the form of psychological abuse towards the marriage of Macguire and his deceased wife in which Will continually insults. Will seems to fluctuate stages throughout the movie, due to being an orphan and abuse from his foster parents he is fluctuating between the stages of basic trust vs. mistrust, and Initiative vs. guilt. Then when he meets Skylar (Minnie Driver) his development shifts to intimacy vs. isolation. (Erikson,
Darker colors, especially the color gray, permeate the mise-en-scène. For example, the beginning of the film takes place in London, where the city and sky appear dirty and gray. However, when Theo leaves London earlier in the film, the lighting becomes brighter and more natural. Even this light, which seemed to offer some relief to Theo, becomes gray after the death of Julian. Gray is used to highlight the struggles of the characters, and the film does this effectively. However, the film also uses lighting to communicate more positive emotions. For example, when Kee gives birth, there is a single lamp on the floor in the room. The signified meaning of this object is a feeling of hope for an end to the infertility crisis. Cuaron uses lighting very effectively in Children of Men to signify the emotions of characters and set the tone of the world
Good Will Hunting is the graceful tale of a young gentleman’s struggle to find out where he belongs in the world, by first finding out who he himself is. In this film, Matt Damon takes on the role of a disturbed genius that has a keen understanding of the deepness of human character. The film is a voyage through the mind of Will Hunting as he is required to undergo psychotherapy as an alternative to serving jail time. With the assistance of a psychologist, played by Robin Williams, Will learns about himself and recognizes his individual worth in the world by comprehending what is most important to him in his own life. This motion picture serves as a source of superb example for film technique. Gus Van Sant’s directing ability joined with the writing skills of Matt Damon and Ben Affleck, who also plays Will’s best buddy, Chuckie, is a vibrant mixture of technical features used to induce sentiment and compassion amongst the viewers of this heart-warming film. Characteristics of the color, angles, shots, camera movement, editing, and distortions are all each particularly noteworthy to the general composition of Van Sant’s Good Will Hunting.
This one simple statement brings Edward’s greater goal back home to his son. This is why his call to adventure is Will’s birth even though Edward believes his adventure started long before. The film begins with Will’s wedding and Edward is telling the story of Will’s birth. This is different from the novel but really helps with the monomyth chronology. In the film Karl the giant is Edward’s first helper. Karl is who Edward leaves Ashton with and helps Edward meet his wife. This however is out of order because Edward meets Karl long before his son is born. In the novel Edward doesn’t really have a helper because Karl doesn’t serve the same purpose. Edward takes many tests, and everytime he makes it out alive he passes. This, like most of the parts of this hero quest, happen before his son is born. The boon is Edward’s stories and his adventures. It’s the things that his relationship with his son are built off of. In the movie, Will constantly complains that he doesn’t know his father because Edward has never told him a fact about himself. At the end of the film, Will realises that his father’s stories were who he was, and he knew Edward all along. In the