In Thomas Wolfe's "The Child by Tiger" (reprinted in Thomas R. Arp and Greg Johnson's Perrine's Literature: Structure, Sound, and Sense, 9th ed. [Boston: Wadsworth, 2006], page 625), the story is told through the eyes of a child, showing many different ways to view Dick Prosser, the main character, as a man. The child Spangler shows how the children feel about Prosser, how he resembles a cat, and how he turns from a good person to a bad one. Prosser, a big black man, is admired by the children and is a servant of one of them but is loved by all. He is an excellent shot and shows the children his great marksmanship with a small rifle. The children think of Dick as "There was nothing he did not know" (page 627), teaching them to play football, make a fire, and even how to box, making him seem larger than life. It is easy to like Prosser because of the time he spends with children. Several references made by Spangler animate Prosser's cat-like features by describing his hand as a "great black paw" (page 625). Later, several references are made showing qualities of swiftness, his red eyes when he becomes angry, and even him pacing like a cat on the front porch of Pansy's house. All qualities that a cat would show are attributed to Dick Prosser. Spangler tells in this story, "He was there upon you sometimes like a cat" (page 627) when describing his swiftness. Throughout this story, it is implied he is like a swift and large tiger. His character is surely like a cat when described as "Looking before us, sometimes, seeing nothing but the world before us, suddenly we felt a shadow at our backs and, looking up, would find that Dick was there" (page 627). Dick's qualities are described as if he were a cat on the prowl, sneaking up on something from out of nowhere. This description of him is as if he acts like a cat that is quietly stalking a mouse just before the cat pounces on the mouse because the mouse does not hear the cat.
Admitting to only befriending Perry because “he had beaten a colored man to death” (Capote 109) is evidence of the perverted mind of Dick, which discredits any notion of having good intentions behind any of his actions. Capote included this confession because if his judgment of character is based solely off of the ability to commit heinous crimes then there is not a whole lot of good light being shed upon his own character. Furthermore, Dick goes on to attack Perry in his mind thinking there’s “something wrong with Little Perry” (108). Since Capote has already attempted to establish a general liking and sympathy towards Perry, he hopes the reader will be close-minded towards Dick and dislike him more for being so rude.
“In twentieth-century America the history of poverty begins with most working people living on the edge of destitution, periodically short of food, fuel, clothing, and shelter” (Poverty in 20th Century America). Poverty possesses the ability to completely degrade a person, as well as a family, but it can also make that person and family stronger. In The Jungle, by Upton Sinclair, a family of immigrants has to live in severe poverty in Packingtown, a suburb of Chicago. The poverty degrades the family numerous times, and even brings them close to death. Originally the family has each other to fall back on, but eventually members of the family must face numerous struggles on their own, including “hoboing it” and becoming a prostitute. The Jungle, a naturalistic novel by Upton Sinclair, reveals the detrimental effects that a life of poverty exerts on the familial relationships of immigrants in Chicago during the early 1900’s.
Horatio Alger's “Ragged Dick” is a story which expresses the morals found within a fourteen year old homeless boy. This young boy is quite different because of the morals and actions he showcases to others. Unlike other homeless individuals, Ragged Dick is a boy who puts forth honesty while acting in courteous ways which represent a true level of dignity. Although Ragged Dick is such a prideful and respectful young boy, he is also known as a “spendthrift.” Spendthrifts are individuals who are careless with their actions in terms of their spending as they have little no regard for their money. One example of this can be seen as we read, “Dick's appearance as he stood beside the box was rather peculiar. His pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which were gone except two, out of which peeped a shirt which looked as if it had been worn a month. To complete his costume he wore a coat too long for him, dating back, if one might judge from its general appearance, to a remote antiquity” (Alger).
Children are seen as adorable, fun loving, and hard to control. Ida Fink uses a child in “The Key Game” to be the key to this family’s life. The setting is placed during the start of World War II; Jews all around were being taken. Fink uses a boy who doesn’t look the traditional Jewish, “And their chubby, blue-eyed, three-year-old child” (Fink). As they read on the emotional connection is stronger because there is a face to go with this character. Fink draws a reader in by making connections to a family member the reader may know. A blue-eyed, chubby child is the picture child of America. A child in any story makes readers more attached especially if they have children of their own. The child is three way too young to be responsible for the safety of the father, yet has to be. Throughout the story, we see how the mother struggles with making her child play the game because no child should be responsible like
By structuring his novel where time is out of joint, Dick is able to illustrate that one’s perception of reality is entirely based on what one believes to be fact. This point is illustrated through Ragle Gumm, who, “from his years of active military life” in the beginning of the story, “prided himself on his physical agility” (Dick 100). It is not until time is mended again toward the end of the book that he realizes that it had been, in fact, his father that had served in the war. This demonstrates how one’s firm belief can turn into a reality, as it did for Ragle Gumm for the two and a half years he lived in the fabricated city of Old Town.
In Italy, after he begins his affair with Rosemary, Dick is disillusioned with her. He finds that Rosemary belongs to other people. In his disillusionment, his thoughts turn to Nicole, and how she is still "his girl - too often he was sick at heart about her, yet she was his girl" (213). Rosemary is no longer his possession solely and this cracks his surface. He returns to his love for Nicole like a guard, because he is weak without it. He refers to it as "an obscuring dye" (217). He is Nicole, and Nicole is he, and at this point the line between them has been blurred to bring them together. Dick does not realize that as much as he believes Nicole depends on him, he is dependent on her. He depends on her neediness to define him. Dick knows, however, that Nicole is important to him and that the thought "that she should die, sink into mental darkness, love another man, made him physically sick"(217). Not only is this excellent foreshadowing on Fitzgerald's part, but it gives us a measure just how dependent Dick is. Physical illness is uncontrollable. If even the thought makes causes him to have psychosomatic symptoms, it is imaginable what the actuality would bring. Dick needs Nicole badly, more so than ever at this point.
The first relationships with the upper-class that Ragged Dick builds are with Mr. Whitney and his nephew Frank. “I may be rash in trusting a boy of whom I know nothing, but I like your looks…” says Mr. Whitney (Alger 23). Dick’s appearance at the time could not be called proper by any means; he truly lives up to the name Ragged. Whitney talks more about his inner features rather than his physical ones; he could see Dicks accountability and honesty. Before he lets Dick give his nephew a tour he lets him take a bath, gives him a new suit, and even grants him five dollars. Mr. Whitney leaves Dick with some advice, “your future position depends mainly upon yourself” (79). The next person of the upper-class Dick becomes acquainted with is Mr. Grayson. The day before he acquires the suit from Mr. Whitney, Mr. Grayson employs Dick to shine his shoes; he doesn’t have time to wait till Dick gets back with his change. When Dick comes by to drop off Mr. Grayson’s change the next day, dressed in his new suit, he is invited to attend Mr. Grayson’s Sunday school class where Mr. Grayson would “do what he can to help [Dick]” (102). Dick probably would not have gotten the invitation to Su...
The book I chose to read is called, Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder by: Richard Louv. I chose this book for a few different reasons. One reason I chose this book was because I’ m highly interested in the whole concept of the book and feel very passionate about its reasoning. I also thought it would be a great read to guide me towards a topic for my main project at the end of the Lemelson program. On the plus side, I “read” this book through audible, which enabled me to listed to the book on my drive to and from work everyday. I commonly do this because of my forty-five minute commute from Truckee to Spanish Springs.
_____. “The Child by Tiger.” Saturday Evening Post 210, number 11. Reprinted in The Complete Short Stories of Thomas Wolfe, edited by Francis E. Skipp. New York: Scribner’s, 1987.
Dick presents our main character, Commissioner John Anderton, as the balding, pot-bellied founder of a revolutionary new crime detection system who's been showing his years for longer than he'd care to remember. In the short story, he has just acquired a new assistant, Ed Witwer, and fears being replaced by the younger man. In the beginning, Anderton is portrayed as slightly insecure about his job (to the point of near paranoia of being set-up), as well as his importance to society, though by the e...
“The Child By Tiger” inlays a sense of good with evil tailing it as its shadow. In the beginning, Blake’s stanza questions “…who could frame thy fearful symmetry?” Dick Prosser appears to be kind and moral, but later reveals his vengeful side as he chaotically kills people. His conflicts with society inspire the evil to spring forward and divulge himself. The reference to “tiger!” in Blake’s stanza indirectly relates to the fact that Prosser is referred to as a cat through Wolfe’s story. Prosser’s evil self is illustrated as stealthily and smartly stalking his prey; pretending to be the same amongst the others. This evil, Prosser himself, exhibits tendencies of moral goodness as he tries to suppress his situational conflict. Evil stalks a prey smartly; it takes notice of every slight move, and every attempt to through it off fails because it always lands back on its feet.
“The Jungle,” written by Upton Sinclair in 1906, describes how the life and challenges of immigrants in the United States affected their emotional and physical state, as well as relationships with others. The working class was contrasted to wealthy and powerful individuals who controlled numerous industries and activities in the community. The world was always divided into these two categories of people, those controlling the world and holding the majority of the power, and those being subjected to them. Sinclair succeeded to show this social gap by using the example of the meatpacking industry. He explained the terrible and unsafe working conditions workers in the US were subjected to and the increasing rate of corruption, which created the feeling of hopelessness among the working class.
For most everyone maturation is a process we must all undergo. For a girl at the young age of eleven, it seemed so far ahead in the future, but soon enough her mud throwing days were over. This was the life of Lyra Belacqua. Even though she didn’t get to have quality time with her family, having mud wars and making friendships with kitchen boys was the origin of Lyra’s childhood, that created the mischievous girl raised in Jordan Collage. The novel The Golden Compass, by Philip Pullman, tells of a young orphan girl that gets sent away with a female scholar named Mrs. Coulter to be taken care of instead of staying in a college filled with men. After she has been with Mrs. Coulter for some time Lyra realizes that her new caretaker has been
Throughout the chapters of The Boy Who Was Raised as a Dog, Dr. Perry describes personal experiences based on the lives of individuals he has encountered. The correlation among the characters described in Skin Hunger, The Coldest Heart, and The Boy Who Was Raised
Dick's career is given its first great boost by a chance meeting with Torpenhow, a Special Correspondent for a news syndicate sent to the Sudan to cover the ultimately unsuccessful expedition to relieve Gordon. Torpenhow sees Dick's talents and immediately signs him up to supply drawings for his syndicate at a pittance. In this world of manly men, it's assumed that the strong will struggle forward on the thinest of chances, and the weak will be swept away. Dick and Torpenhow become close friends in the course of the campaign, but in the midst of a battle Dick is wounded on the head and has a moment's flashback to the world of his childhood and Massie, whom he fell in love with shortly before they last parted.