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Essays on authenticity
Chapter 4 the ethics of authenticity
Essays on authenticity
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Thomas King's All My Relations
This is an anthology of writing by nineteen Native Canadian writers, which represents both an attempt to promote Native writing, and an effort to undermine commonly held misunderstandings. It is published by McClelland & Stewart, "The Canadian Publishers", which gives the collection a status of national and cultural importance, while indicating how these writers are working in and through Canada's hegemonic culture. This would seem to go some way towards undermining the book's claims to authenticity, but for the fact that King's stated purpose is much more complex than that. In fact, his introduction specifically considers the concept of the authentic, and is wary of what is potentially a highly limiting notion. Thus, the selection includes work that represents Natives in both traditional and contemporary roles and situations; and the format of the writing ranges from a transcription of an oral narrative to examples of conformity with the generic conventions of the Western short story. He is reluctant to constrain the possibilities for Native expression, but is ready to admit that the advent of a written culture with English as a shared language has allowed the various indiginous cultures to discover and explore areas of common belief and practice.
Although King believes that it is too early in the history of Native publishing to be able precisely to delineate characteristic patterns, the two major themes which he cites as frequently recurring are those of community and the role of oral literature. He has included a short story of his own in the volume, "The One About Coyote Going West." Coyote is an example of the mythological "Trickster" character who often occurs in Native literature. King himself says "The trickster is an important figure for Native writers for it allows us to create a particular kind of world in which the Judeo-Christian concern with good and evil and order and disorder is replaced with the more Native concern for balance and harmony." (King, xiii) He relates the story in a colloquial, spoken style. Witness the opening lines: " This one is about Coyote. She was going west. Visiting her relations. That's what she said. You got to watch that one. Tricky one." (King, 95) As the story unfolds, the reading experience can seem strange for the non-Native. Characters change gender and identity, abstract nouns are blurred with concrete nouns, and the physical universe is represented as a radically unstable place.
Eden Robinson’s short story “Terminal Avenue” presents readers with the dystopian near-future of Canada where Indigenous people are subjugated and placed under heavy surveillance. The story’s narrator, Wil, is a young Aboriginal man who struggles with his own inner-turmoil after the suicide of his father and his brother’s subsequent decision to join the ranks of the Peace Officers responsible for “adjusting” the First Nations people. Though “Terminal Avenue” takes place in Vancouver there are clear parallels drawn between the Peace Officers of Robinson’s imagination and the Canadian military sent to enforce the peace during the stand-off at Oka, Quebec in 1990. In writing “Terminal Avenue” Robinson addresses the armed conflict and proposes
Thomas King uses an oral story-telling style of writing mingled with western narrative in his article “You’re Not the Indian I Had in Mind” to explain that Indians are not on the brink of extinction. Through this article in the Racism, Colonialism, and Indigeneity in Canada textbook, King also brings some focus to the topic of what it means to be “Indian” through the eyes of an actual Aboriginal versus how Aboriginals are viewed by other races of people. With his unique style of writing, King is able to bring the reader into the situations he describes because he writes about it like a story he is telling.
King, Thomas. “Let Me Entertain You. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2005. 61-89. Print.
Stories are much more than just ink placed in clean rows on paper or dialogues that travel through air columns. All stories transform worldly experiences into sources of inspiration and perspicuity and Saul Indian Horse’s story is no exception. In Richard Wagamese’s novel, Indian Horse, Saul Indian Horse explains the events that have resulted in him receiving treatment for alcoholism at a rehab centre. Readers are exposed to the former hockey player’s moments of triumph, failure, and everything that falls in between. Saul mentions in his story how a leisure pursuit like hockey granted him temporary freedom and happiness from his sorrow-filled life. Saul’s example can inspire First Nations individuals to remain resilient in the face of adversity.
Canadians view themselves as morally correct, yet the Indigenous peoples are oppressed and discriminated by Canadians. The Aboriginal peoples culture would last longer without Canada since Canada wants to control first, but not by understanding the culture and heritage. Aboriginal peoples express how they felt about the Canadian “Myth of Progress”. Some other works take a more satirical look like “Tidings of Comfort and Joy” but the points still stand. One of the points is Canadians are discriminating the Indigenous peoples to be lazy and corrupt.
The play The Rez Sisters is written by one of Canada's most celebrated playwrights, Tomson Highway. Highway was born in 1951 in northwestern Manitoba. He went on to study at the University of Manitoba and graduated from the University of Western Ontario, with honors in Music and English. Native Literature is inspired by 'contemporary social problems facing native Canadians today; alcohol and drug abuse, suicide, wife battering, family violence, the racism of the justice system, loneliness, rejection, youth awareness, as well as modern-day environmental issues.';(P. 172 Native Literature in Canada.) Highway once said, 'We grew up with myths. They're the core of our identity as people.';(P. 172 Native Literature in Canada.) I am going to focus on the image and identity of Native people as seen through the play The Rez Sisters.
Kelm, Mary, and Lorna Townsend. In the days of our grandmothers: a reader in Aboriginal women's history in Canada. Toronto: University of Toronto Press, 2006.
Thompson, John Herd, and Mark Paul Richard. "Canadian History in North American Context." In Canadian studies in the new millennium. Toronto: University of Toronto Press, 2008. 37-64.
In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as they are and are not exchanged for actions. King continuously alerts the reader about taking actions towards change as people tend to be ignorant of what is going around them. At the end people give a simple reason that they were not aware of it. Thus, the author constantly reminds the readers that now they are aware of the issue so they do not have any reason to be ignorant.
Some say to sin is to go to hell, some say sin is a scourge of human nature, some say sin must be confessed, and some say sin must be forced out of people through punishment. The internal consequences of believing one has sinned are more intangible than social attitudes toward sin, but they appear just as often and in just as many different ways. The novel The Scarlet Letter, by Nathaniel Hawthorne, exudes sin. In The Scarlet Letter, Hawthorne uses symbolism to demonstrate the effects of sin not only on public reputation, but also on one’s psychological state. The Scarlet Letter A, which Hester Prynne wears on her chest as punishment for adultery, causes her anguish through ignominy but allows her to improve over time through the public nature of her disgrace. Chillingworth, the leech, punishes Reverend Dimmesdale for his concealed sin, and yet at the same time wastes away due to his own sin of sucking the life out of Dimmesdale. Pearl, the illegitimate child of Hester and Dimmesdale, embodies both the open and the concealed sin of her parents. She is unable to be normal because of this and takes on wild and elf-like qualities.
Hawthorne assures that symbolism is prevalent throughout The Scarlet Letter. The novel is filled with countless symbols; however, the most central symbols are Pearl, the scaffold, and the scarlet letter. Each symbol changes significance throughout stages of the novel. Whereas most of the objects started out as a punishment, or a negative symbol, they ultimately improve, providing hope and inspiration for all sinners.
Both “The Legend of Qu’Appelle Valley” by E. Pauline Johnson and “Qu’Appelle” by David Bouchard retell the same First Nation’s legend but develop different voices throughout the use of stylized English, syntax and figurative language. The narratives follow similar timelines in which events occur, characters and theme of how the Qu'Appelle valley came to be. Writing in Shakespearean English rather than modern English is a stylized choice by Johnson which gives the overall story an academic voice and romanticizes the legend. For example, Johnson says, “I heard a voice speak tenderly my name… I answered; no reply” (Johnson, 5). In contrast, Bouchard employs an informal voice with the use of third and second person. This
Symbolism can be found all throughout Nathaniel Hawthorne’s The Scarlet Letter. While most of the symbolism in his work may subtle, it all plays a large role in his novel. Symbolism is often defined as something, like an object, that represents something else or an idea. One may even say he overuses symbolism in his work, “The Scarlet Letter”, but the meaning of his symbols change throughout the novel. For example, the letter “A” has one meaning in the beginning, but it changes a few times by the end novel. Some of the major forms of symbolism within “The Scarlet Letter” are the letter “A”, Pearl, and the Arthur Dimmesdale.
In “Which ‘Native’ History? By Whom? For Whom?” J.R. Miller that the history of Native is to identify the difference between indigenous and immigrant people and generates its connection to Canada’s history. Natives have proprietary right that others possibly will violate or disrespect them or their cultures if they are used by others; for example, a dance or a song which belongs to that specific family; others are not allow to sing to perform the dance without the Native family’s permission. Moreover, two historians, Stonechild and Waiser conducted a research together about bicultural approaches to determine the Métis/Natives involvement towards the Northwest Rebellion in 1885. After the bicultural research was held, Stonechild and Waiser revealed the minor involvement to the event.
Nelson Mandela’s life can be seen as a double climax: where he survived events directly related to the Apartheid’s cruel/unjust actions along with enduring medical ailments later on in his life. In a four year span, from 1960 to 1964, Mandela had to find strength and will power to persevere through a rollercoaster of events. Mandela’s affiliation in the African National Congress allowed him to organize supporters and protest against the inequality of whites and blacks in Africa, and bring attention to the abuse blacks have been forced to endure for far too long. The constant back and forth commotion between the apartheid and the freedom protestors caused a snowba...