Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Girl by jamaica kincaid literary analysis
Girl by jamaica kincaid literary analysis
Jamaica kincaid's girl analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Girl by jamaica kincaid literary analysis
Stories have a beginning, middle, and an end. This is not your typical short story piece. Girl by
Jamaica Kincaid is an expressive, one-page portrait of womanhood. This methodical monologue is
narrated by a strict and caring mother. Kincaid writes a “how-to guide” on the transformation from a
little girl into a woman, by means of exposing gender roles. Most sentences start with “This is how
you...” which directly informs the reader of what, or what not, to do to be a respectable woman. Girl is
written in a very poetic style that is reminiscent of modern slam poetry. The words on the page beg to
be read aloud. Coming in at under 700 words, the message of this story packs a punch.
Though written as one block of text, Kincaid has direct topics that develop depth as one reads
further. The opening lines describe simple chores a woman is assumed to complete in a household.
“Wash the white clothes on Monday and put them on the stone heap;wash the color clothes on Tuesday
and put them on the clothesline to dry;” From cooking, to cleaning, to light farming labor, the narrator
describes “woman's” work. Though this short story was written in the late 1970's, the gender role of
women is true today. Many women are the caretakers of the households. They are typically required to
maintain the home, care for children, and hold a job in contribution to the family. The number of men
taking on “motherly” roles families have been increasing, but the majority of women typically take on
this role. Just as her mother taught her, and her mother's mother was taught, the narrator informs her
daughter of the roles of a woman.
“This is how to bully a man; this is how a man bullies you; this is how to love a man, and if this
...
... middle of paper ...
...y
to strength. Moving quick from hasty decisions is beneficial in personal growth. The message I receive
from this line is to embrace your passions, but be quick to learn from them if they don't go as planned.
One of the most beautiful human instincts is intuition.
Jamaica Kincaid has composed beautiful messages in Girl about strength, willpower, and rising
above gender roles to be powerful. In conclusion, the little girl asks, “But what if the baker won't let me
feel the bread?”and her mother replies, “You mean to say that after all you are really going to be the
kind of woman who the baker won't let near the bread?” This is the perfect ending to this story. Is one
really going to grow up being weak and easy? No, not if one finds power through self-worth. It is
simple to be easy and let others take advantage, but it takes strength to be self-aware.
The two works of literature nudging at the idea of women and their roles as domestic laborers were the works of Zora Neale Hurston in her short story “Sweat”, and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”. Whatever the setting may be, whether it is the 1920’s with a woman putting her blood, sweat and tears into her job to provide for herself and her husband, or the 1890’s where a new mother is forced to stay at home and not express herself to her full potential, women have been forced into these boxes of what is and is not acceptable to do as a woman working or living at home. “Sweat” and “The Yellow Wallpaper” draw attention to suppressing a woman’s freedom to work along with suppressing a woman’s freedom to act upon her
society, women are expected to be at home doing the chores and taking care of their family. The
An argument has been raised that women have to be in charge of their home due to a man’s unwillingness to take over parenting responsibilities. That is quite beneficial to the women’s rights movement for the reason father’s helping a lot more time with children, building a stronger family relationship. Women have been subjected to fit into a certain image to suit society eyes for a long time, one of the main images being a stay at home mom nut they a capable of so much more. Females have more of a broader range of abilities than men do regardless of widespread idea that they are incapable of doing most activities.
Short stories are temporary portals to another world; there is a plethora of knowledge to learn from the scenario, and lies on top of that knowledge are simple morals. Langston Hughes writes in “Thank You Ma’m” the timeline of a single night in a slum neighborhood of an anonymous city. This “timeline” tells of the unfolding generosities that begin when a teenage boy fails an attempted robbery of Mrs. Jones. An annoyed bachelor on a British train listens to three children their aunt converse rather obnoxiously in Saki’s tale, “The Storyteller”. After a failed story attempt, the bachelor tries his hand at storytelling and gives a wonderfully satisfying, inappropriate story. These stories are laden with humor, but have, like all other stories, an underlying theme. Both themes of these stories are “implied,” and provide an excellent stage to compare and contrast a story on.
...ues women’s work becomes wrong. Yes, in today’s society one could argue further that a woman who stays at home and does not work is only reinforcing the stereotype and prolonging the inequality. However, this essay was not written to change the world. It simply strove to identify and prove the reasons behind a ruined sense of self worth that many women in the early 1900’s felt as a result of their work being demeaned. By reaching out to people’s emotional sides, McBride relayed her grandmother’s tale so that people could clearly feel the hurt and demotion that women of that time lived with in order to have them persuaded that the oppression of women in any manner and capacity is wrong.
During the 19th century, in eastern America, men were the heads of families and controllers of the work place, while women had little power, especially over their roles; particularly upper class women due to the lack of necessity for them to work outside the home. “Men perpetrated an ideological prison that subjected and silenced women”(Welter, Barbara). Their only responsibilities were to be modest, proper women who took care of themselves and did not stray from the purpose of motherhood. They were to remain in the home scene and leave the public work to the men; trapped in their own households, they were expected to smile, accept, and relish such a life. Barbra Walter also agrees that women were imprisoned in their homes, and were merely good for maintaining the family, “a servant tending to the needs of the family”(Welter). Many women's emotions, as well as minds, ran amiss from this life assignment and caused them to stray from the social norms set up by tradition. The narrator in Charlotte Gilman's story, The Yellow Wallpaper, is a victim of such emotional disobedience and rebelliousness. As well as the rebellious women in the poem The Woman in the Ordinary, by Marge Piercy.
Many traditional women faced those same challenges of balancing the care of their children and household obligations while successfully satisfying their working husbands. “They took pride in a clean, comfortable home and satisfaction in serving a good meal because no one had explained to them that the only work worth doing is that for which you get paid”. (Hekker 277.)
Based on history and socially constructed gender roles, women are inferior to males in their private lives. Gender roles include; women clean, cook, take care of the kids, do the house chores, while men work, pay for everything, and expect to be taken care of by their woman. Hughes, Krahn and Lowe (2011) argue that a woman 's domestic responsibilities, along with raising children, limit the woman 's availability for paid work, which leaves the woman financially dependent. They continue to explain consequences, including a "double day" of paid and unpaid work. (p. 179). Women who work a double day would work during the day and then as described by Hughes, Krahn and Lowe (2011) "some women return home to cook, clean, shop and look after their children" (p. 180). If you think to around the times of agriculture, the gender roles for that period would require males, harvesting crops, planting the seeds, basically doing the farm work. Women, on the other hand, looked after all of the domestic duties including; caring for children, tending livestock, making clothes, keeping the home clean, etc. (Krahn, Lowe and Hughes, 2011. pp. 170-171). Back then, that was the woman 's full-time job, be a parent, a wife and keep the home in order. However, even today women are still expected to take care of the home, but now they are also expected to work full time. McRae (2003) suggests that, to understand the choices various women make for
Now, the young girl is expressing feelings that are more womanlike, and she is beginning her initiation of a young child into an adult, or more specifically, a woman.
In the “The Yellow Wallpaper” by Charlotte Gilman and “The Story of an Hour” by Kate Chopin, the female characters are confined mentally and physically. In the 1890’s, when these stories were written, women did not have a role in society. A woman’s role in the house involved cleaning and keeping up the house, taking care of the children, and making a meal three times a day. The man’s role was to go out and work to make money for his family. He also took care of his wife. He acted as a leader, ruler, and doctor of his wife. Gilman and Chopin demonstrate how women are confined physically, how they are confined mentally, and how being restricted in these ways affect the women’s emotions, actions, and mental stability.
...ughter to realize that she is “not a boy” (171) and that she needs to act like a lady. Doing so will win the daughter the respect from the community that her mother wants for her.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
Works like “Girl” by Jamaica Kincaid, “The Story of an Hour” by Kate Chopin, “I Want a Wife” by Judy Brady and “Ain’t I a Woman” by Sojourner Truth all have the elements of what a woman is supposed to be according to sexual politics. In doing this she lists off things that the Daughter should be acting out upon. “Don't squat down to play marbles—you are not a boy, you know” (Kincaid 68). The mother is demonstrating how the daughter should act in the presence of boys and explaining she is not one.
The mother’s genuine care for her daughter in girl is displayed through her imperative instructions. The mother decides to transfer her domestic knowledge and life experience to her daughter in order to shape her daughter’s behavior from a young age. She gives out detailed instruction on how to “sew a button, how to hem a dress when the hem coming down to how to iron a khaki shirt so that it does not have a crease” (Kincaid). Although heming a dress is not a difficult chore, the mother emphasizes the its importance since she understands that the appearance of clothing reflects a woman’s character. Because domestic skills serve as a measurement for women’s competence and self-worth, the daughter’s inability to take care of her clothes will indicate her lack of interest in household affair and organizational skills. Through these advice, the mother highlights the importance of house...
Gender roles are now beginning to change at home and work. In a study released, by the Pew Research Center, “40% of all households with children under the age of 18 include mothers who are either the sole or primary source of income for the family” (Wang). Married women are now becoming the “breadwinner” of the family. Although gender roles are beginning to shift, society still has not grown out of its gender stereotypes and double standards are more evident in mainstream media.