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Evolution of film noir
An essay on film noir
Film noir history analysis
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Being one of the most famous and recognizable genre of movies, film noir became extremely popular from the 1940s to the 1950s. It has distinguishable features such as integrating shadows and darkness in shots and having a dark moral story with the main character losing control of their life. An early, yet classic and perfect example of a noir film is This Gun for Hire, directed by Frank Tuttle and released in 1942. The film stars Alan Ladd as the stone cold hitman Raven with a slight side of affection and love & Veronica Lake as the seductive femme fatale, Ellen. Raven works as a paid hitman and decides to get revenge on his boss that betrayed him when he paid him for an old job with traced money so the police could hunt him. By coincidence, …show more content…
Raven meets Ellen, who is the fiancee of the policeman who is trying to track him down for his crimes. Ellen tries to help Raven escape from the cops and also tries to help her country in it’s time of war in a patriotic way. This Gun for Hire has several film noir characteristics, with the use of a femme fatale occuring most notably out of all throughout the film.
Ellen Graham uses her seductive charm and beauty to trick a handful of men in the storyline, but it’s not for her personal benefit. While she is an extremely deceptive character, she ultimately tricks all the men she encounters for the benefit of her own country. For example, there is a sense of attraction between Ellen and Raven the entire team they are with each other, but she never ends up in a serious relationship with him and instead betrays him. However, Ellen is not necessarily evil in the movie, she is rather just patriotic and wanting to do the best for her nation. Another attribute that makes This Gun for Hire a great example of a noir film is the use of shadows and darkness. Dark shots are used in the storyline to signify the upcoming sense of uncertainty and danger. Raven is also increasingly used in shadowy shots because of the fate he’s falling into and how he is being hunted later in the film. When Raven and Ellen are found by the police in an empty factory, a series of dark and shadowy shots are used to show the deteriorating fate of Raven and how his mental thoughts are getting worse and worse. The typical film noir features of the use of a femme fatale and shadows make This Gun for Hire the perfect example of a film for the
genre. Unlike several other noir films, This Gun for Hire includes a main character who isn’t completely innocent and perfect. In the storyline, Raven has the simple goal of killing another man for the entirety of the film. He also comes from a shady background of being a “gun for hire” as stated in the title. While he does perform evil actions, Raven is shown as not being so evil in his personality. For example, he is affectionate for his cat and only causes harm to others for his job. This slight sense of evilness also lets the audience be eased into the impending doom that falls upon Raven. As the plot progresses, he goes from the one doing the chasing and hunting to the one being followed and hunted down by the police. Cinematography also comes into play to show the sense of uncertainty with use of darkness when danger is present for Raven. Towards the end of the movie, his paranoia becomes evident through his physical behavior and he seems to know things are looking bleak for him. Because of his slight hint of evilness, the sense of danger and doom slowly creeping up on Raven is much more tense and ties in the plot excellently. A characteristic of film noir that This Gun for Hire shares with the genre is the main character having no control over their destiny and their life ultimately taking a turn for the worst. At the beginning of the film, Raven is making decisions for himself off his own freedom and is in no apparent danger. As the film progresses, he starts to lose control over choices bit by bit while also getting into a more dangerous situation. Towards the end of the film and the plot, Raven has no freedom and has his life shaped by the people pursuing him. He doesn’t have the ability to make choices for himself anymore and the sense of death closing in on him is almost tangible. This recurring theme in film noir may be a shock to those who are used to happy endings in other types of films, but it makes the plot much more memorable and allows for the story, such as in This Gun for Hire, to be overall better. In the early classic years of film noir This Gun for Hire proved to be an extremely successful noir film because of the key concepts it included. The tell-tale characteristics of noir are mastered throughout the movie and combine excellently together. The dark and shadowy shots show how dark and dangerous the matter of the story is and help characterize Raven. Ellen was depicted as the perfect femme fatale, not being obnoxious or rude, but kindly deceptive. Another concept of noir that was shown was Raven’s life spiraling out of control and eventually getting put in the situation he least wanted to be in. Because of the flawless execution of film noir qualities, This Gun for Hire is one of the best examples of a movie in the genre.
The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic elements of a film noir, however he twists many of them to reflect the time period. This is particularly evident in his depiction of his “femme fatale,” Evelyn Mulwray.
As the 1920’s came to a close and America was in the midst of the Great Depression, a new genre of film was becoming popular. With 1928’s Lights of New York the “gangster” film genre as we know it today was born. Little Caesar and The Public Enemy (1931) were also highly influential and set the scene for the modern gangster film. The culmination of the gangster genre came about a year later. Howard Hawks’ Scarface (1932), is one of the boldest and most political gangster films ever made. Many changes were made by industry censor boards due to the diabolical nature of the film. Most notably, all scenes that contained shots of blood were removed and a subtitle was tacked onto the film denoting it as Scarface: The Shame of the Nation. Considered
What marks North by Northwest as the father of the modern action film is that of its hero. He is a contemporary man, with a decent and respectful job (here an advertising executive). As opposed to the heroes of Westerns, who are dark and mysterious characters with shady pasts, in the action film the hero is likeable, attractive, and witty. What made Cary Grant so perfect for the role of Thornhill is that he is attractive to both men and women. “Cary Grant is the male love object,” said Pauline Kael. “Men want to be as lucky and enviable as he is—they want to be like him. And women imagine landing him.” The influence of North by Northwest on the action and spy film is immeasurable. It influenced the James Bond series, the Die Hard movies, and even science fiction films such as Total Recall. What Hitchcock did, basically, was create an action film of such quality that directors ever since have been trying to equal its success in story, action, and characterization.
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
We have much to learn from Mike Davis, CITY OF QUARTZ (Vintage, 1992) who discusses the paradoxical effects that the representations of Los Angeles in hardboiled novels and their translation into film noir cinema had on the image and myth of that city.
Many of the camera angles from the noirs are comparable to the angles from Citizen Kane. Larger than life characters and femme fatales are shot from a low angle in noirs. The directors do this as these characters are almost “too good to be true” in a sense. Double Indemnity is a prime example of this shot as Mrs. Dedrickson’s overall plan is too good to be true. She is shot from a low angle showing the power she has over Walter as he is lured into her trap from this effect of dominance.
Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for.
‘L.A Confidential is in the film noir genre. Other films in this genre are ‘The Big Sleep’, ‘The Maltese Falcon’ and ‘Double Indemnity’. Lighting is very important in film noir. It uses techniques such as chiaroscuro to give the film a darker, more obscured feel. The characters are often similar in film noir. The main protagonist is always some hard boiled cop or investigator who doesn’t always play by the book to get his desired results. There is often a femme fatale; a very pretty woman with whom the main protagonist has a love interest. There will always be bad guys who will try and stop the main protagonist from completing the case.
Janey Place and Lowell Peterson article “Some Visual Motifs of Film Noir” establishes noir as a visual style and not a ...
It’s a dark and rainy night. Our hero is hiding behind a wall with a revolver in hand. A crack of light, illuminates half of his face. He’s shaking nervously because he only has one bullet left. He turns the corner, and a sudden gunshot hits our hero. Who shot him? None other than his partner, who’s secretly in love with the very same dame that our hero fell for. You can consider this an example of a classic film noir ending. Film noir is a term used in cinema to describe a visually styled crime drama. Where did it come from? What are the key elements in a film noir? Why did this kind of cinema emerge when it did? What affect did it have in the film world? And finally, where is film noir now?
Film noir (literally 'black film,' from French critics who noticed how dark and black the looks and themes were of these films) is a style of American films which evolved in the 1940s. " The Internet Movie Database LTD. Film noir typically contains melancholy, and not so moral themes. Another characteristic of film noir is just because the main character has the title hero, that does not mean that he will always be alive at the end of the book, or that the hero is always "good." Marlowe in The Big Sleep is a prime example of this concept.
Alfred Hitchcock’s film North by Northwest (1959) is famed as a classic man-on-the-run thriller, following protagonist Roger Thornhill as he flees across state lines in a mad dash to save his life and unravel the mystery of his extraordinary predicament. However, mid-way through the film Thornhill’s quandary is further complicated by the introduction of Eve Kendall, a beautiful yet mysterious woman he encounters on a train during his escape from the authorities and people trying to kill him. During the dining room scene on the train, Hitchcock expertly uses the camera to convey the characters thoughts and feelings. Interestingly, in a film that has several sequences with complicated cinematography and editing, the dining car scene is rather reserved in comparison. Hitchcock uses nominal mise-en-scène elements and instead elects to focus the camera largely on the subtleties in the performances of the actors.
Film noir is not a genre of film but rather defined through its subtle qualities of tone and mood. Noir was also a specific period in Film history, mostly sprouting in the 40’s. Numerous amount of films helped contribute to the popularity of film noir, but there were some that innovated the way we portrayed it. Maltese Falcon was one of the pioneers of film noir that influenced many more noir type of films such as The Devil in a Blue Dress. With plots being different but yet a similar feel towards the movie. Similar character roles are very common in noir, like in the Maltese Falcon and The Devil in a Blue Dress. Both films use very alike characters that help give it a better noir feeling. In the Maltese Falcon, Sam spade is the main character but unlike regular plots. Sam is an anti-hero that works
Often, films made in the style of film noir present audiences with a rugged, cynical, and disillusioned protagonist. While Joe Gillis of Sunset Boulevard does not necessarily match up to this persona at the beginning of the film, the arc of his character eventually molds him into such traits through his hopeless situation and building encounter with Norma. At the start of his story, Joe is depicted by a desperation intense enough that he is willing to give up his own dignity and respect by first lying to bill collectors and fleeing them in his unpaid car, then proceeding to beg for a Hollywood producer to buy his trite stories, and upon the failure of that attempt, stoops so low as to ask this same producer for money. It is this series of actions which eventually lead Joe up to the doorstep of this film’s femme fatale—a frequ...