Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Classification essay on movie genres
Classification essay on movie genres
Film genre analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Classification essay on movie genres
‘Third Cinema is not a Geographically defined entity it is a cinema of social and cultural emancipation, defined by its politics.’ Comment with reference to at least two films of your choice. Third Cinema was meant as an alternative to Hollywood. It aspires to be the social realistic portrayals of life. Although Third Cinema is defined as exploring social and cultural emancipation defined by its politics how can it be classified as an alternative to Hollywood, if certain Hollywood movies explore these situations. Throughout this paper, I will be commenting on the way Third Cinema is defined, I will comment with reference to several films to give a clear thought on this style of cinema. There will be two movies that I will be referencing, …show more content…
Julio Garcia Espinosa was a key figure in the establishment of Third Cinema and establishing a firm connection of Third Cinema starting from The Cuban Revolution with his films, The Battle of Chile which was created into 2 parts. Part 1 examines the escalation of the rightest opposition following the lefts victory at the congressional elections. Part 2 covers the attempted military coup of 1973. Each of these movies where created to explore a part of a political movement that caused the downfall of a community, a community that was ruined by a governments socialist policies. This consequently shows that depending on the topics being discussed within the narrative will depend on wither or not the film will fall into the category of Third Cinema. As seen with the topics discussed within The Battle of Chile the fact that it was created as a method of informing an audience to help them understand rather than to create it to a wider audience to generate money helps it fall into this category. Even more so that the films feature politics and social and cultural emancipation helps it establish itself as a Third Cinema movie. Having discussed previously the movie Ezra (2007) and the two-part movie The Battle of Chile these films successfully shows that Third Cinema is not geographically defined. It displays with success that even though these two movies are filmed and based around different political situations in separate locations they fall into the segment of Third Cinema with full effect as they feature all the necessary components to fall into that
Braudy, Leo and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings, Fifth Edition. New York: Oxford UP, 1999.
My initial idea for this paper was to focus on the technical aspects of the film—the hybrid of animation and live action. I first saw this technique used in The Three Caballeros (Ferguson & Young, 1944) and was going to research this film, but the amount of literature on t...
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
One can gather that socialism was on the rise and supported by many of the working class. From the co-op in The Crime of Monsieur Lange to the Communist party’s support of Madame Nozière, public opinion was shifting away from supporting a patriarchal society. What was once taboo became more popular topics of discussion, such as the pornography in Baptiste’s possession, Estelle’s miscarriage of Batala’s child, fathers taking their daughters’ innocence, and ousting men of unnecessary power. A film, while not necessarily factual, focuses on culture and values. Cinema is an art form that reflects what the directors and actors, and by extension, the general public, believe.
Unlike any other Latin American country, since the nineteenth century, Chile has had a traditional electoral democracy. With its socialist revolutionary leader, Salvador Allende, creating the electoral coalition called “Popular Unity,” Allende won the 1970 presidential election of Chile. His presidency produced a radicalization among workers, but later his controlled insurrection was defeated by the uncontrollable revolution started by Chilean citizens. The military later overthrew Allende in 1973 and Augusto Pinochet assumed power. Patricio Guzman, a Chilean film director made a film of the depiction of student's reactions to his screening of The Battle of Chile, a documentary called Chile, Obstinate Memory. Even after decades of this regime, the student movement in Chile is going steady and this film compares and contrasts with it in various factors.
Movies distort reality by creating an ideal conflictual ambience, from which all the subtle human emotions and the characters arise. Humans might appear as consensus beings, seeking conformation and avoiding alienation by “society”. However, referring back to Aristotle’s saying, “human beings are by nature political animals” (1999), humans continually strive for power and control inasmuch as they strive for pure oxygen to breathe. Movies unleash these “socially unacceptable” political animals, exposing the hidden moral corruption embedded within most humans. Movies accomplish such a task by distorting reality, by reshaping the truth into a collection of video shots, taken from different angles, creating different meanings to content; the true meaning. The three genres of literature – narratives, poetry and drama – establish the key to revealing the distortion, thus providing humans with the ultimate method of deciphering our reality through the eyes of a glass lens. In the movie Do the Right Thing, these genres come together to paint a “picture” of us.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Rascaroli, Laura. "The Essay Film: Problems, Definitions, Textual Commitments." Framework: The Journal of Cinema and Media 49.2 (2008): 24-47. JSTOR. Web. 08 May 2014.
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universal understanding or interpretation. This is true for the French New Wave films Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society, using sound and editing.
Kracauer, Siegfried. “Basic Concepts,” from Theory of Film. In Film Theory and Criticism: Introductory Readings, Seventh Edition, edited by Leo Braudy and Marshall Cohen, 147–58. New York and Oxford: Oxford University Press, 2009.
" Cinema and the Nation. Ed. Mette Hjort and Scott Mackenzie. New York City, NY: Routledge, 2000. 260-277.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
The theories of the window and frame had its origins in the schools of formalism and realism. Both schools main objective was to amplify the prestige of film. During that era of film was an upstart sideshow attraction, high class form of entertainment was the theater and the visual art forms of paintings and statues. Both schools saw cinema as a way of looking a through an aperture but keeping the audience at a distance from the subject on the screen. Whether looking through at frame or looking through a window the audience would be viewing the subject matter but they would only be able to absorb it. That’s where the similarities end the formalist lead by theorist Sergei Eisenstein saw film as frame and would create shock in an attempt to provoke or raise consciousness. Sergei Eisenstein would create what he wanted to the audience to see in his films. For example in the Battleship Potemkin Eisenstein wanted to address the situation with Russia and he created the situation in his film to incite a revolution by creating chaos. The realism school lead by André Bazin saw cinema as window. To Bazin a spectator would be apart of the film as more of a witness more than just a spectator. In the movie Rear Window Jefferies was witness to his neighbor wife murder while looking through window because while looking through a window what one sees is real.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...