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Effect of American colonialism on native people
Character of Okonkwo
Character of Okonkwo
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In the 1958 novel Things Fall Apart, Chinua Achebe’s omniscient narration allows the reader to determine their own opinions about the subjectivity of morality, as depicted through the characterisation of the novel’s groups and characters and the cultural ideals present in the novel. The way these groups and characters differ on their moral views shows the fluidity of morality, which is shown to be moulded through environmental and social environments.
Each culture, however similar, will have their own moral views, and the blending of two separate cultures will result in a clash of opposing moral views. For hundreds of years prior to the arrival of the European missionaries, the Ibo culture had their own customs and traditions that they followed.
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This difference in individual’s moral standpoints is one of the main factors in causing a conflict. Achebe tells his story through the tragic hero of Okonkwo, who is a traditional man who believes in the Ibo culture as it had been established during his life. One of these traditional views he holds is the weakness of femininity, which is disputed by his uncle in his motherland, Uchendu. Uchendu’s dispute of Okonkwo’s views “your mother is there to protect you...and that is why we say that mother is supreme” when Okonkwo gets exiled from Umuofia to his motherland highlights his limited knowledge of these traditional values he believes in, as Okonkwo was fairly clueless as to the importance of women prior to Uchendu’s teaching. Okonkwo’s blind trust in traditional Ibo values, and his unwillingness to adapt to changes in these values results in the climax of the novel. He refuses to accept that the culture has become more accepting of the Europeans within it “I will fight alone if I choose” and this reluctance causes him to misjudge what the town will do, and kill one of the missionaries. In the ultimate act of individual thought, Okonkwo’s only real straying from his preconceived actions that were based on traditional Ibo values, he hangs himself when he realises he no longer belongs in the clan that has changed so much from what he believes is right. Description of the Reverend’s individual thought “a district commisioner must never attend to such undignified details as cutting down a dead man from the tree. Such attention would give the natives a poor opinion of him” reveals a character detail of the Reverend that Okonkwo believed throughout the novel, that he didn’t care about the individuals or the culture of Umuofia, only advancing his culture and religion and eradicating theirs. The dramatic contrast between Okonkwo and the Reverend’s moral views highlights the sole
by Chinua Achebe, Okonkwo depicts his masculinity in many different ways, even if it hurts the people closest to him. He feels it is necessary to display his manliness so he does not end up like his father Unoka. “He had no patience with unsuccessful men. He had no patience with his father” (4). Okonkwo correlates virility with aggression and feels the only emotion he should show is anger, leaving him no way to cope with the death of his culture.
Culture makes us who we are. Each individual has their own culture from their experiences in life and is developed from societal influences. The various cultures around the world influence us in different ways which we experience at least once in our lifetime. There are occasions, especially in history, where cultures clash with one another. For instance, the English colonization in Africa changed their culture. Chinua Achebe, the author of Things Fall Apart, portrayed this change in the Igbo people’s society, especially through the character Okonkwo in the village of Umuofia; the introduction of Western ideas challenged him. In the novel Things Fall Apart, the author Chinua Achebe introduces to us Okonkwo whose character’s response to the
In Achebe’s novel, Things Fall Apart, the Ibo culture revolves around structured gender roles, from the crops that the men and women grow, to the characterization of crimes,which creates tension between the sexes and will ultimately lead to detrimental consequences. Things Fall Apart represents the hardships and struggles between females and males. For example, Ekwefi, the wife of Okonkwo, she is often beat for the things she has genuinely forgotten about . Also, we have Enzima, Okonkwo's favorite daughter, but since she is a female, she must be treated like a women. Although females are considered the weaker gender, they possess many qualities that make them worthy, such as bearing children. Achebe explained the importance of both genders and how they contribute to the society.
In Things Fall Apart, by Chinua Achebe, Mr. Brown, the first missionary in Umuofia, was a kind and respectful man. Not to say that Reverend James Smith was not, but his degree of kindness and respect were present in a whole different level. They both wanted to convert the lost, all those in Umuofia that were not in the church. Mr. Brown made friends with the clan and “trod softly on his faith,” (pg.178) while Mr. Smith told them how things were in a harsh voice and tried to force his religion on the people of Umuofia. The impacts the two had on the people and the church were exact opposites.
Okonkwo is often described as being similar to characters in Greek tragedies. Okonkwo knew that the end of his clan was coming, and that they would do nothing to prevent it from happening. He took his life out of desperation. He had struggled his whole life to become a respected member of his community, and suddenly his world is turned upside down and changed forever because of an accident. Okonkwo sees that he is fighting a losing battle, so he quits. Suicide was one of the biggest offenses that could be committed against the earth, and Okonkwo?s own clansmen could not bury him. Okonkwo?s death symbolizes the end of patriarchy in Umuofia. The last page of the book is from the point of view of the white Commissioner, who notes that he wants to include a paragraph on Okonkwo?s life in his book entitled The Pacification of the Primitive Tribes of Lower Niger. Okonkwo?s struggles, triumphs and defeats are all reduced to a paragraph, much like his culture and society will be reduced.
The protagonists of this novel, Okonkwo, is an especially masculine leader in the Indu tribe in Nigeria. The novel starts off with some background information that Okonkwo was forced into independence at a very young age, mentally isolating him from other children and his family. Okonkwo reflects, "I began to fend for myself at an age when most people still suck at their mothers’ breasts." (Achebe, 9). Immediately this statement causes great sympathy for Okonkwo because of his parents terrible nurturing skills, as well as the lack of childhood that Okonkwo got to experience. Not only does it cause sympathetic feelings, but it also allows the reader to see Okonkwo's heroic qualities that he acquired at such a young age. Similarly to Winterson, Okonkwo put in effort to remove himself from the isolation that his family forced him into as well as making the reader feel compassionate towards
In life people are very rarely, if ever, purely good or evil. In novels authors tend not to create characters with an obvious moral standing not only to make their novel more applicable to the reader, but also to make the characters more complex and dynamic. Chinua Achebe uses this technique to develop the characters in his novel, Things Fall Apart. The main character, and protagonist in the novel, Okonkwo, is very morally dynamic showing some sensitivity to his family and friends, but in an attempting to rebel against his father, Okonkwo also exhibits the tendency to lash out violently.
Okonkwo, the main character in Achebe’s novel, begins as an individual who holds great power in the Umuofi...
Chinua Achebe’s, Things Fall Apart, is a story of a traditional village in Nigeria from inside Umuofia around the late 1800s. This novel depicts late African history and shows how the British administrative structure, in the form of the European Anglican Church, imposed its religion and trappings on the cultures of Africa, which they believed was uncivilized. This missionary zeal subjugated large native populations. Consequently, the native traditions gradually disappeared and in time the whole local social structure within which the indigenous people had lived successfully for centuries was destroyed. Achebe spends the first half of the novel depicting the Ibo culture, by itself, in both a sophisticated and primitive light describing and discussing its grandeur, showing its strengths and weaknesses, etiquettes and incivilities, and even the beginning of cultural breakdown before the introduction of the missionaries. The collapse of the old culture is evident soon after the missionaries arrived, and here Achebe utilises two of the primary missionary figures, Mr. Brown and Mr. Smith, to once again depicts both sides of the Ibo culture between them, with Mr. Brown depicting the sophisticated and Mr. Smith depicting the primitive aspects.
Okonkwo’s desire for respect motivates his quest to preserve the practices of Ibo culture, while Obierika preserves the practices of the Ibo culture with a more humanistic perspective. Achebe uses the differing approaches of Okonkwo and Obierika in maintaining the cultural doctrines of the Ibo people to reveal his sympathy for Obierika over Okonkwo. Okonkwo’s motives for maintaining the customs of the Ibo originate with fear. Okonkwo kills Ikemefuna while “dazed with fear,” drawing “his machete [to] cut him down” because, “he was afraid of being thought weak” (Achebe 61). Though Okonkwo attempts to appear strong to the people of Umuofia, his fearful motivation speaks to a hidden internal weakness. Okonkwo’s focus on eradicating the taint of “his father’s weakness and failure” and his yearning for respect drive him to kill Ikemefuna instead of the more proper motive of simply effectuating what the Ibo conside...
Okonkwo’s determination to succeed in life and to not fail leads to his fatal downfall in the end of the novel. His inability to adapt to colonization and his failure to follow the morals of many of the morals of the Ibo culture also are an important key leading to his downfall. Okonkwo was willing to go to war against the missionaries, with or without the clan. He made it clear that he believed the missionaries were in the wrong for trying to change Umuofia. Since the clan wanted no part in the war with the missionaries, Okonkwo took action into his own hands and murdered the head messenger. During the killing of the messenger, Okonkwo had a moment of realization: “He knew that Umuofia would not go to war. He knew because they had let the other messengers escape. They had broken into tumult instead of action” (Achebe 205). Okonkwo finally understands that he doesn’t have support from his fellow clansmen anymore and he feels as if he loses his place in society. Instead of backing up Okonkwo and his decision to murder the messenger, the clan stood in both confusion and disorder and questioned, “ ‘Why did [Okonkwo] do it?’ ” (Achebe 205). Okonkwo’s impulsiveness causes the clansmen to question Okonkwo’s violent actions against the messenger. Throughout the entire novel, Okonkwo struggles to accept the missionaries and the changes that they
It is important to note that Achebe was a product of both traditional Igbo society and the colonizing British culture. Therefore, the narrative is influenced by two strikingly opposed philosophies. The tragic hero, Okonkwo, may have been crafted to express, not only the Igbo philosophy of harmony, but the outsider interpretation of a seemingly paradoxical belief system. Achebe's representation of Okonkwo may symbolize the collision of these two conflicting philosophies.
Before the arrival of the Europeans, Achebe did a excellent job portraying how the life of Igbo was before they were forced to oppose their own culture. To support this theme, Achebe included detailed descriptions of social rituals within each family, the justice system, religious practices and consequences, preparation and indulgence of food, the marriage process and the distributing of power within the men. Achebe shows how every man has an opportunity to prove himself worthy to achieve a title on the highest level, based merely on his own efforts. One may argue that the novel was written with the main focus on the study of Okonkwo’s character and how he deteriorates, but without the theme that define the Igbo culture itself, we would never know the universe qualities of the society that shaped Okonkwo’s life. The lives of the Igbo people was no different to the actual lives of the Ibos people back in the early days of Africa. Just like in Things Fall Apart, in actual African tribes there was never a ruler. “Very interesting thing about these villages is that there is no single ruler or king that controls the population. Decisions are made by including almost everyone in the village” (AfricaGuide). Using the theme, Achebe educated readers on by mirroring real African life in her
Upon an initial reading of Chinua Achebe’s Things Fall Apart, it is easy to blame the demise of Okonkwo’s life and of the Umofia community on the imperialistic invasions of the white men. After all, Okonkwo seemed to be enjoying relative peace and happiness before then. He did have a few mishaps; one of them resulted in him being exiled for eight years. Nonetheless, he returned to his home town with high spirits and with prospects of increased success. However, everything has changed. The white men have brought with them a new religion and a new government. Okonkwo’s family falls apart. The men in his village lose their courage and valor; they do not offer any resistance to the white men. Consequently, Okonkwo kills himself in disgrace and Umofia succumbs to the white men. However, the white men are not the only people responsible for demise of Umofia. The Igbo culture, particularly their views on gender roles, sows the seed of their own destruction. By glorifying aggressive, manly traits and ignoring the gentle, womanly traits, Umofia brings about its own falling apart.
According to David Whittaker, Achebe’s work “proved to be an immensely influential work for African writers, becoming the progenitor of a whole movement of fiction, drama, and poetry, which focused on the revaluation of Africa’s history and cultures, and on representations of the culture conflicts that has their genesis in the colonial era.” This novel became a pivotal point of realization not only for Africa, but also for the world. All at once the world, afraid of what change may bring, pushed the same question to the back their mind: “What if we have it all wrong?” Suddenly, the culture of Africa was influencing the culture of America, Asia, Europe, Australia, etc. Achebe’s novel was a catalyst in the process of nationalist renewal and decolonization of African culture as a whole (Whittaker). A principle in this novel’s thematic course is the inter-generation conflict faced by not only the village as a whole, but also, on a microscopic level, in Okonkwo’s household. As the culture in Umuofia begins to shift, the predecessors of the current generation heavily rely on the cultural norms initiated by their father’s fathers. While tradition should be honored in a society, it should also be modified; this concept is not fully grasped by the older generations of