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Salient features of post colonial literature
Features of postcolonial literature in contrast to colonial literature
Salient features of post colonial literature
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Theory and Practice in Post-Colonial Literatures Introduction More than three-quarters of the people living in the world today have had their lives shaped by the experience of colonialism. It is easy to see how important this has been in the political and economic spheres, but its general influence on the perceptual frameworks of contemporary peoples is often less evident. Literature offers one of the most important ways in which these new perceptions are expressed and it is in their writing, and through other arts such as painting, sculpture, music, and dance that the day-to-day realities experienced by colonized peoples have been most powerfully encoded and so profoundly influential. What are post-colonial literatures? This book is concerned with writing by those peoples formerly colonized by Britain, though much of what it deals with is of interest and relevance to countries colonized by other European powers, such as France, Portugal, and Spain. The semantic basis of the term ?post-colonial? might seem to suggest a concern only with the national culture after the departure of the imperial power. It has occasionally been employed in some earlier work in the area to distinguish between the periods before and after independence (?colonial period? and ?post-colonial period?), for example, in constructing national literary histories, or in suggesting comparative studies between stages in those histories. Generally speaking, though, the term ?colonial? has been used for the period before independence and a term indicating a national writing, such as ?modern Canadian writing? or ?recent West Indian literature? has been employed to distinguish the period after independence. We use the term ?post-co... ... middle of paper ... ...rad, Patrick White and Margaret Atwood?, World Literature Written in English 24, no. 2 (Autumn). Campbell Praed (1981). Policy and Passion. London: Richard Bentley & Sons. Howe, Joseph (1874). Poems and Essays. Montreal: Lovell. Ngugi wa Thiong?o (1972). Homecoming: Essays on African and Caribbean Literature, Culture, and Politics. London: Heinemann. Ngugi wa Thiong?o (1986). Writers in Politics. London: Heinemann. Phillips, Arthur (1958). ?The cultural cringe?. The Australian Tradition: Studies in a Colonial Culture. Melbourne: Cheshire. Said, Edward W. (1984). The World, the Text and the Critic. London: Faber. Tiffin, Chris, ed. (1978). South Pacific Images. St Lucia, Queensland: SPACLALS. Viswanathan, Gauri (1987). ?The beginnings of English literary study in British India?. Oxford Literary Review 9:1 & 2.
History can significantly influence the ways in which a place, along with its community, evolves. Now considered postcolonial, not only are Hawaii and Antigua heavily defined by their colonial pasts, but they are also systematically forced into enduring the consequences of their unfavorable histories. Through their unconventionally enlightening essays, Jamaica Kincaid and Juliana Spahr offer compelling insights into how the same idea that exists as a tourist’s perception of paradise also exists as an unprofitable reality for the natives who are trapped in their pasts yet ironically labeled as independent. The lasting impacts of colonialism on the history of Antigua and Hawaii can be noted through their lasting subservience to their colonizing
The book “From Unincorporated Territory” [Saina] , by Craig Santos Perez, is an interesting story because it shows how colonialism is the destruction of the author’s culture and identity on his native island Guam. It forced the author’s family and himself to make a drastic change in their life and migrate from Guam to America on an outrigger. After leaving in the year 1995 and not returning until 2008, the author depicts to the audience what has changed due to colonization. My thought on colonialism is firm. That I am confused about it. The reason for my confusion is I believe it is necessary for a certain purpose most people cannot see. Even though know that it is wrong; I know it destroys somewhat the vast majority of the colonized culture but I can’t help to think that the author has a message of that purpose most people cannot see. After reading the book, what I just admitted even to me sounds a little cold hearted, but reading his point of view in this book, it made me realized I’m not too wrong for making such a confession. I believe the author has a hidden message about it. Once I had a gut feeling I wanted to expose that message in my essay.
To show how stories can affect colonialism, we will be looking at British authors during the time of colonialism. During this period of British colonialism, writers like Joyce Cary, author of “Mister Johnson” wrote novels about Africa and more specifically, a Nigerian named Johnson. Johnson in this novel is represented as “[an] infuriating principal character”. In Mr. Cary’s novel he demeans the people of Africa with hatred and mockery, even describing them as “unhuman, like twisted bags of lard, or burst bladders”. Even though Cary’s novel displayed large amounts of racism and bigotry, it received even larger amounts of praise, even from Time Magazine in October 20, 1952. The ability to write a hateful novel and still receive praise for it is what Chinua Achebe likes to describe as “absolute power over narrative [and...
Ford, Boris, ed, The Pelican Guide to English Literature volume seven: The Modern Age, third edition, Penguin Books, Great Britain, 1973
Evans, Jennifer. "Cultures and Resistance." African Literature Today. Trenton, New Jersey: African World Press, 1987. pages
Literature: The British Tradition. Ed. Roger Babusci etal. Englewood Cliffs: Prentice-Hall, 1994. 69-79.
Postcolonial theory will be used throughout the essay defined as a theoretical approach that focuses on the part of the formerly colonized, the subaltern and the historically oppressed, using the prism of race and the historical context of colonialism, and analyzes or produces a critical commentary that serves as an act of cultural resistance to the domination of Euro‐American epistemic and interpretive schemes (Nayar, 2016:
Bibliography w/4 sources Cry , the Beloved Country by Alan Paton is a perfect example of post-colonial literature. South Africa is a colonized country, which is, in many ways, still living under oppression. Though no longer living under apartheid, the indigenous Africans are treated as a minority, as they were when Paton wrote the book. This novel provides the political view of the author in both subtle and evident ways. Looking at the skeleton of the novel, it is extremely evident that relationship of the colonized vs. colonizers, in this case the blacks vs. the whites, rules the plot. Every character’s race is provided and has association with his/her place in life. A black man kills a white man, therefore that black man must die. A black umfundisi lives in a valley of desolation, while a white farmer dwells above on a rich plot of land. White men are even taken to court for the simple gesture of giving a black man a ride. This is not a subtle point, the reader is immediately stricken by the diversities in the lives of the South Africans.
History has been told through various forms for decades. In the past, history was more commonly expressed through word of mouth, but more recently in the past century, through written text. While textbooks and articles give formal information with little to no bias, novels give a completely new perspective from the people who experienced it themselves. The Novels, God’s Bits of Wood, written by Sembene Ousmane, and No Longer at Ease, by Chinua Achebe give a more personal account of the effects of colonization. These two novels tackle the British and French method of colonization. God’s Bits of Wood takes place in the late 1940s and sheds light on the story of the railroad strike in colonial Senegal. The book deals with different ways that the Senegalese and Malians respond to colonialism during that time. No Longer at Ease is set in the 1950s and tells the early story of British colonialism and how the Nigerians responded to colonization. Comparing the two novels, there are obvious similarities and differences in the British and French ways of rule. African authors are able to write these novels in a way that gives a voice to the people that are most commonly silenced during colonialism. This perspective allows readers to understand the negative ways that colonization affects the colonized. Historical fiction like God’s Bits of Wood and No Longer at Ease are good educational tools to shed light on the history and effects of colonization, but they do not provide a completely reliable source for completely factual information.
There is a sense of a Caribbean writer’s role as a “revolutionary hero” who must paint his words to restore a Caribbean sense of identity. This dedication t to the Caribbean’s story of struggle is, without a doubt, far from “dismissed” in Walcott’s work. Walcott delicately articulates that “In the Caribbean, history is irrelevant. Not because it is not being created, or because it was sordid; but because it has never mattered, what has mattered is the loss of history, the amnesia of the races, what has become necessary is imagination, imagination as necessity, as invention.” In order to explain the present conditions of the modern Caribbean, he cannot avoid recounting the tragic phases of its colonial past, as he does in “The Sea Is History.”
In this paper feminist aspect of post colonization will be studied in “Season of Migration to the North” novel by Tayeb Salih. Postcolonial feminism can be defined as seeks to compute for the way that racism and the long-lasting economic, cultural, and political influences of colonialism affect non-white, non-Western women in the postcolonial world, according to Oxford dictionary. As it mentioned earlier about the application of Feminism theory in literature, the provided definition of postcolonial feminism also is not applicable in literature analysis. Therefore, Oxford defines another applic...
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.
Edward W Said, the renowned author of Orientalism (1978) now expands his scope, which he admits was limited to the Middle East, in his book “Culture and Imperialism. In the introduction of the book, much like the rest of the book, he talks about colonialism and imperial in context of western literature written around 19th and 20th century. Showing the effects of imperialism and colonization, on the colonizer as well as the colonized, interpreted through the eyes of writers such as Charles Dickens in Great Expectations-- and Joseph Conrad in Nostromo(1904). One puts light on the United Kingdom and its relation with it colony of Australia, a classic example of colonialism. On the other hand Conrad in ‘Nostromo’ reflects on imperialism with the example of Central America which, while being an independent republic, was being dominated by outside forces because of economic and political interests. By presenting these two examples Said covers most of what the topic “culture and imperialism” is to him and his point of view, while including two of the biggest examples, in terms of nations and there influence on other regions, on the subject. Although the examples may be seen as few on a subject so vast, it in affect is enough for Edward to prove that much of western literature has taken its influence from the effects of decolonization as well as imperialism, also the resistance to both.
Achebe's describes European writers as "living on the fringe of society" and by no means "in charge of anything." In great contrast, post colonial writers are direct links to the society that they write about and serve as leaders in charge of spreading the cultural knowledge of their people. Rather than honored for their detachment, they are revered for their attachment and presence in a world of written literature that is void by comparison to that of the European writings.
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text have heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began(the bond of 1844) through the personal lives of Anowa and Kofi.