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Character analysis where are you going
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Olivia Farina
Professor Mason
Introduction to Fiction
25 February 2018
Dreiser’s An American Tragedy and the Female Influence Theodore Dreiser is a female fanatic. Many of his novels focus on women in the 1900’s and their roles in society along with the taboos they hold and the morals they break. His obsession with the opposite sex and femininity stems from the women he was surrounded by while growing up as well as those he developed a romantic or sexual relationship with. Many of Dreiser’s sources of inspiration came from his own life, so it is no surprise that many of his female characters are based off of the important females in his life. The lives of these women and the way they interacted with Dreiser would lead him to create astounding
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This is due to the infatuation that Dreiser has for his sister. Lingeman states that Dreiser had thought “Syl[via] had bloomed into a beauty--the prettiest of his sisters” (44). It is this allure he feels for Sylvia that creates a pity for Esta’s situation in An American Tragedy. He describes Esta as “pleasing to look at and was growing more attractive hourly” (Dreiser 15). Dreiser displays this magnanimity due to Sylvia’s physical appearance and it helps develop Esta’s character as tragic. When Dreiser elaborates on Esta, he reveals how he felt about these wayward girls: “she was just a sensuous, weak girl who did not by any means know yet what she thought” (14). From his experiences with his sister he developed a realistic way to view girls led astray by men and have to deal with those consequences alone. Though he does not blame these women, like his sister and Esta, he blames their lack of maturity and intelligence that they could not gain from their …show more content…
His sister Sylvia, who he admired deeply, left a deep scratch into his love map that would forever create a sexual mystery towards women of a face paced lifestyle. His first wife Sara was a woman of Victorian morals who could not satisfy Dreiser’s sexual appetite, frustrating him into the arms of other women. His last companion in life was part of the fast paced Flapper lifestyle who enthralled him into a fast paced whirlwind romance at the end of his life. Theodore Dreiser’s female characters are so life-like and real because he has spent his life studying women due to his fantasies and romantic feelings towards the opposite sex. Taking the tragedies and joys of these women to create breathing characters furthered Dreiser’s writing to another level, turning fiction into something more. His sister’s, wife’s, and lover’s stories are taken by Theodore Dreiser and turned into something more in An American Tragedy; he gave them the ending he thought they
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
Fisher, Jerilyn, and Ellen S. Silber. Women in Literature: Reading Through the Lens of Gender. Westport, Conn: Greenwood Press, 2003. Print.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
As a female university student, I feel deeply related to Marjorie since her personality is quietly similar to mine. Analogously, I could feel Bernice’s “vague pain” (Fitzgerald, 3) and realize her sensitivity as the things have happened to me when I was younger. In order to comprehend author’s main idea, I did numerous researches about the jazz age. Thus it can be seen, reader’s background is also crucial when responding to this literary texts. The writer’s main target audiences are women, who have different desires and needs than men. The meaning of the text often competes when we have a better understanding of our self-identities. We interpret the text based on our own psyches, experiences, and judgments. Literature, are like music, without interaction with its audiences, no profound meaning would be
During the wake of gender politics in the early twentieth century, Gertrude Stein and Sui Sin Far wrote immigration narratives that feature characters who reject traditional gender norms. As female writers, the intersection of gender, sexuality, and cultural identities inform how each character uses, rejects, reacts to traditional notions of femininity and masculinity. While Mrs. Spring Fragrance by Sui Sin Far and The Good Anna by Gertrude Stein feature characters that challenge traditional gender roles and assert their agency, The Good Anna features characters that challenge gender roles directly by not fitting into gendered expectations. Mrs. Spring Fragrance, on the other hand, features characters that seem to follow gender roles as prescribed
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Edna Ferber's themes for her books are unusual for her time. Her most encompassing theme is the feminist one. In one of her most famous novels, Cimarron, Ferber writes the following about her main character, Sabra: ?But she did a man?s job with the paper, often against frightening odds, for Yancey was frequently absent now, and she had no one but the wavering Jesse Rickey to consult? (Ferber 164). All of her central characters are women. Women usually possess greater endurance, ingenuity, perception, and initiative than men. As her stories progress, women became more intuitive, more practical, less romantic, less sentimental, and less gullible than men. In Cimarron, Ferber very clearly depicts her feminist theme. The protagonist, Sabra, slowly evolves throughout the novel, from a doting, dependent wife to a strong, independent l...
Women have played an important role in American literature. Unfortunately, this role was often negative, without cause to be so. Edith Wharton's Ethan Frome and F. Scott Fitzgerald's The Great Gatsby are examples of American literature in which women are needlessly vilified.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
Fisher, Jerilyn, and Ellen S. Silber. Women In Literature : Reading Through The Lens Of Gender..
The difference between men and women is a very controversial issue, while there are obviously physical differences; the problem is how the genders are treated. It is stereotypically thought that the men do the labor work and make all the money, while the women stay in the house, cooking, cleaning and taking care of the children. While this stereotype does not exist as much in the 21st century, it was very prevalent in the 1900s. By using many different literary tools such as character development, symbolism, and setting, Alice Munro’s Boys and Girls and John Steinbeck’s The Chrysanthemums challenge this controversial topic of the treatment of women versus men in the 1900s.
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.