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Feminist criticism essay
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Feminist criticism essays
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Themes in Woman Hollering Creek by Sandra Cisneros
Woman Hollering Creek is a book of short stories published in 1991. The author, Sandra Cisneros, separated her book into three sections. The section that will be analyzed is the first section where the narrators are female children. Out of the many stories in section one, the three that will be focused on are, "Mericans," "My Friend Lucy Who Smells Like Corn," and "Barbie-Q." The children in these three stories are all lower class, Mexican-American females. These stories have been described by Thompson as Cisneros remembering her childhood, filled with no male figures, lack of close female friendships, and poverty (415-417). Each story shares both similar themes and different themes.
At first glance, My Friend Lucy Who Smells Like Corn, seems like a nice story about a girl and her friend. The theme for this story is obvious: Friendship. The narrator wishes "my skin can get so dark... like Lucy's"( Cisneros 2557). One might not think that there is any other theme other than that of friendship but if a closer look is taken, readers can see that there are two other themes Cisneros wanted to be noticed, the themes of poverty and displacement (Thompson 415-417). The theme of poverty is pretty easy to locate. The narrator talks about "79 cent flip flops at
K-MART," and all of the "girls all wear each other's clothes"(Cisneros 2557). Unlike the theme of poverty, the theme of displacement is not as easy to find. The first line of the story is where we find the theme of displacement. The narrator calls Lucy a "Texas girl" as though she herself were not one (Mullen 1996). It is not clear if the narrator is visiting her grandparents or permanently living with them but as a rea...
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...they do not have to be perfect to be happy and to be loved.
Works Cited
Brady, Mary Pat. " The Contrapuntal Geographies of Woman Hollering Creek and other stories." American Literature. Vol. 71 Issue 1, March 1999: 117-152.
Cisneros, Sandra. "My Friend Lucy who Smells Like Corn", "Barbie-Q", "Mericans." The Norton Anthology of American Litertature. 6th Ed. Vol. E. Eds. Nina Baym. Et.al. New York: Norton, 2002. 2556-2561.
Cisneros, Sandra. Woman Hollering Creek and other stories. New York: Vintage Books Gale Writing Group, 1991.
Mullen, Harryette. "A Silence Between Us Like A Language: The Ultra Translatability of Experience in Sandra Cisneros's Woman Hollering Creek." Melus. Vol. 21 Issue 2, 1996: 3-21.
Thomson, Jeff. "What is Called Heaven: Identity in Sandra Cisneros's Woman Hollering Creek." Studies in Short Fiction. Vol. 31 Issue 3 1994.
Shoemaker, Nancy. “ Native-American Women in History.” OAH Magazine of History , Vol. 9, No. 4, Native Americans (Summer, 1995), pp. 10-14. 17 Nov. 2013
Questioning looks, dirty gazes, and the snide babbles were all too accustomed to Ruth McBride, when she walked down the street with her tow of children. James McBribe, one of the dozen children from her two elopements, was often ashamed as well as scared. They had to prolong the worse racial monikers. His mother, who was white, maintained unattended, “Whenever she stepped out of the house with us she went into a somewhat mental zone where her attention span went no farther than the five kids trailing her,” McBride subsequently wrote “My mom had absolutely no interest in a world that seemed incredulously agitated by our presence. The remarks and stares that we heard as we walked about the world went right over our head.” Her indomitable spirit and her son’s recollections became the basis of “The Color of Water”. In the work there is a great presence of God and the fortitude he unconditionally sends, especially to Ruth. Although Ruth’s clout frequently surpassed her circadian problems, she would more regularly rely on God for her vigor.
In the short story, “Women Hollering Creek,” (Cisneros) Cleofilas, grows up without her mother, and must learn how to become a woman from a show she is watching on television. AT first, Cleofilas
Engel, Mary Ella. “The Appalachian “Granny”: Testing the Boundaries of Female Power in Late-19th-Century Appalachian Georgia.” Appalachian Journal 37.3/4 (2010): 210-225 Literary Reference Center. Web. 14 Nov. 2013.
Katherine Porter's The Jilting Of Granny Weatherall and A Clean, Well-Lighted Place written by Ernest Hemmingway
The Women of House on Mango Street and Bread Givers Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only girl in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano experience in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical yet deceptively simple language.
The novel, The Color of Water follows the author and narrator James McBride, and his mother Ruth’s life. It explores their childhood—when they were both embarrassed by their mothers—through the part of their lives where they began to accept themselves for who they are. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story using dual narration. This technique further helps contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of belonging that derives from his multiracial family. By using two different narrations, McBride gradually establishes his identity and by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringings, in the end they came together, and understood each other’s perspective.
The novel, The Color of Water follows the author and narrator James McBride and his mother Ruth’s life, through their childhood—when they were both embarrassed about their mother—through the part of their lives where they began to accept themself for who they are and became proud of it. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story by using dual narration which further helps to contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of self that derives from his multiracial family and through the use of two different narrations, McBride slowly establishes his identity. Plus by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringing, in the end they come together and understand each other’s perspective.
West, John O. "The Weeping Woman: La Llorona", Legendary Ladies of Texas, 1994 Texas Folklore Society. Nacogdoches, Texas. pp 31-36.
Sandra Cisneros short story “Woman Hollering Creek”, has many allegories about culture, morality, and gender roles.
"What is Called Heaven": Identity in Sandra Cisneros's "Woman Hollering Creek". Studies in Short Fiction, 31:3 (1994:Summer), p.415.
In the literary, Woman Hollering Creek by Sandra Cisneros we are able to analyze the short story through a feminist perspective, due to the feminist critical critical theory. A literary criticism has at least three primary purposes in developing critical thinking skills, enabling us to understand, analyze, and judgement works of literature, of any type of literature. It resolves any questions or problem within a literary work that we do not understand from merely reading the literature. Look into multiple alternative outcomes to the literature and decide which the better outcome in the end is. Form our own judgements, our thoughts about what we feel from the literature. By analyzing in depth Sandra Cisneros as an author, we can see her as
Saiving, Valerie. "The Human Situation: A Feminine View" in Womanspirit Rising, Carol P. Christ and Judith Plaskow, eds. Harper & Row, 1979, pp. 25-42.
Kingston, Maxine Hong. "No Name Woman." 50 Essays: A Portable Anthology. 4th Edition. Ed. Samuel Cohen. Boston/New York: Bedford/St. Martins, 2011. 227-39. Print.
Solomon, Barbara H., ed. Rediscoveries: American Short Stories by Women, 1832-1916. New York: Penguin Group, 1994.