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Power Struggle in Shooting an Elephant
In the essay Shooting an Elephant by George Orwell, the ideas of power, imperialism and the struggle of the British Empire are the central themes in the text. The essay is based on Orwell’s personal experience with the imperial police and the British Empire in Burma. The text begins when Orwell is expressing how much he is hated by the locals in Burma, how he was always taunted, made fun of, and laughed at. One day, he got a call saying there was an elephant that had broken its chain and escaped. It was going “must” and was acting aggressively towards the locals. He was ordered to keep the town safe from the elephant. George Orwell was born in Burma in 1903 and died in 1950. Orwell worked in Burma for
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Orwell thinks that if he goes against his morals and what he thinks is right and doing what the locals want him to do, he will gain their respect and he won’t be laughed at and made fun of. The quote reads: “To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing - no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at” (Orwell 2460). The police officer took a rifle just to see what the state of the elephant was and to protect himself if the elephant was still in “must”. He then felt as if he had to shoot the elephant because he built up expectations and didn’t want to let the Burmese down, as he just wanted to be accepted by them and was afraid of what they would think. The police officer being laughed at proves that the citizens think they are of a higher power than him and that the police officer has less worth. The language Orwell uses highlights that the police officer felt that he was a strong figure walking all that way with the gun, when he uses the expression “two thousand people marching at my heels”. This makes him feel that he has a lot of power and authority, which is something that he does not often experience. When Orwell uses the word “feebly”, it means that he doesn’t want to back out powerless, without force, and be seen as weak, he finally wants to prove his position as a police officer. Orwell fears what the Burmese will think of him if he doesn’t do what they expect him to do. He wants to be seen as strong and capable of taking control of the situation. Orwell thought: “And suddenly, I realized that I should have to shoot the elephant after all. The people expected it from me and I had got to do it; I could feel their two thousand wills
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
Although shooting the, now seemingly calm, “mad elephant” is morally wrong to George Orwell, in his narration of Shooting an Elephant, he has to do so as he is a representative, or more so a pawn, of the British authority in the occupied country of Burma. Being such, he wages a war with his inner self to seek which decision needs to be carried out. With two outcomes in mind, one being that he will be seen as a fool if he does not shoot the elephant and the other being an authority of the law by truly showing it and protecting the villagers, he has an epiphany. With such an authority, the law and someone’s moral conscience diverge. He then realizes what must be done and shoots the elephant to protect the imperialistic authority. As the excitement
George Orwell’s “Shooting an Elephant” is a short story that not only shows cultural divides and how they affect our actions, but also how that cultural prejudice may also affect other parties, even if, in this story, that other party may only be an elephant. Orwell shows the play for power between the Burmese and the narrator, a white British police-officer. It shows the severe prejudice between the British who had claimed Burma, and the Burmese who held a deep resentment of the British occupation. Three messages, or three themes, from Orwell’s “Shooting an Elephant” are prejudice, cultural divide, and power.
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
Throughout the many essays and articles I’ve read in class, “Shooting An Elephant” happened to be the most intriguing. The beginning of the essay may have lead me to believe that the story would simply be the author telling the story of how he shot an elephant in a foreign country. However, as I read more the issue became apparent. It’s basically as if the issue was shadowed by the author’s own story and to fully understand the issue you would have to actually pay attention to the author’s tone and emotions as well as the way in which he describes his actions. To elaborate, the main point to be taken away from this particular essay revolved around the art of proper decision making. To realize this I had to take note of how the author described
In “Shooting an Elephant,” George Orwell has conflicting problems concerning his position when it comes to shooting the elephant. Where Orwell was stationed at, in Burmese, he found himself being treated horribly by the Burmans because they didn’t welcome the British officers in their territory. One day, an elephant is in must and stomps around a village and terrorizes the villagers. Orwell has no ch...
George Orwell’s essay, “Shooting an Elephant,” was written as an attack on British imperialism and totalitarianism. Orwell recounts an experience of shooting an escaped elephant from his time as a policeman in Burma during the British Raj, utilizing a remorseful, reflective tone. He observes that “When the white man turns tyrant it is his own freedom that he destroys” (14), and that “He wears a mask, and his face grows to fit it” (14). Orwell is not only correct in his assertion that totalitarianism is harmful, he further explains how it is detrimental to all those that are umbrellaed under it.
Orwell speaks of how he is so against imperialism, but gives in to the natives by shooting the elephant to prove he is strong and to avoid humiliation. He implies that he does not want to be thought of as British, but he does not want to be thought the fool either. Orwell makes his decision to shoot the elephant appear to be reasonable but underneath it all he questions his actions just as he questions those of the British. He despised both the British Empire as well as the Burmese natives, making everything more complicated and complex. In his essy he shows us that the elephant represents imperialism; therefore, the slow destruction of the elephant must represent the slow demise of British Imperialism.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
The use of guns is to control the natives. In this suburb in Burma, only the British own and possess the guns, “The Burmese population has no weapon” (324) thus, is this which enable the British to appear as demi-gods toward the Burmese and rule over them. Also, the rifle represents the brute force which is at the disposition of the colonial British ruler. “I took my rifle…much too small to kill an elephant, but I thought the noise might be useful in terrorem” (324). This illustrates the dominance of the British Empire over the Burmese. The narrator uses the rifle for self-defense, “I had merely sent for the rifle to defend myself if is necessary” (326). When he kills the elephant it functions as a tool for violence. In addition, the rifle represents those people who easily follow the majority beliefs, but when the Burmese exhort Orwell to kill the elephant it deviates to a weapon “like a mad dog” (330). Then, the change of the rifle is not voluntary- it is rather dependent on circumstances, “I sent an orderly to a friend’s house nearby to borrow an elephant rifle” (325). Thus, Orwell shows how peer pressure occurs and proves relevance by stating how the Burmese pushed him into shooting the elephant. This is the result that peer pressure occurs. Additionally, Orwell warns of the repercussions of yielding to majority power by demonstrating the tragic fate of the rifle. The elephant is killed by
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.