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Kate Chopin, “the story of an hour” analysis
Kate Chopin, “the story of an hour” analysis
Analytical essays about the novel "The Awakening
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Many great authors manage to introduce the major themes in their work in the opening scene. By doing so, they hook their readers and excite them to read more. Kate Chopin masters this in her novel The Awakening. Her novel is about a "woman who has led the conventional life of an upper-middle-class wife and mother until the age of twenty-eight, then finds herself feeling so frustrated and suffocated that she is willing to defy the conventions of Louisiana Creole society to gain spiritual independence" (Delaney 1). Chopin hints at three themes in the first chapter of her novel; identity, love, and marriage.
This entire novel is about an identity crisis. At the start of the novel, Edna Pontellier is a wife who barely accepts the constraints
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It 's used in jest by the community (Robert Lebrun in particular), and we also know that Edna has a crush on the aforementioned Robert because she took a walk on the beach with him instead of her husband. Women don 't walk on the beach with other men when they 're truly in love with their husbands. It 's obvious Robert likes Edna back when Mr. Pontellier asks Robert to go with him to Klein 's hotel and Robert admitted "that he preferred to stay where he was and talk to Mrs. Pontellier" (Chopin 1255). Men don 't talk with women, that are married, when their husband is not present unless they 're secretly in …show more content…
During this time, the man was the one to make all the orders and if he didn 't want to do something, he didn 't have to. The woman, however, had to submit herself to her husband and obey his commands. It was ok for the man to go somewhere and not tell his wife any details like, where he is going, how long he was going to be gone, or who he would be with. The woman, well, she had to stay home and take care of the home and children. We can see where Mr. Pontellier (the husband) is like one of those husbands in the line, "Coming back to dinner?" his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten-dollar bill there. He did not know; perhaps he would return for the early dinner and perhaps he would not. It all depended upon the company which he found over at Klein 's and the size of the game" (Chopin 1255). As the book progresses, Mrs. Pontellier begins to grow very tired of his behavior and disobey his commands. She makes her own decisions about how she wants to spend time. By the end of the book, she is so confused about the whole marriage thing that she doesn 't even want to marry the man she really
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
She begins by becoming “passionately enamored of a dignified and sad-eyed cavalry officer;” then “her affections were deeply engaged by a young gentleman who visited a lady on a neighboring plantation;” and finally, “the face and figure of a great tragedian began to haunt her imagination and stir her senses” (39). All of these figures are unattainable and, therefore, leave her discontented, yet she feels desire for them and so she feels passion, which to her is better than numbness. Chopin indicates that she needs something exciting, something beyond the ordinary routine of life. Edna wants to be “passionately enamored,” and have her affections “deeply engaged.”
Knowing who you are is a big part in finding fight society since society is always trying to tell you who you need to be. Identity is one of Edna’s problem in the being of the book. She just did not know who she was or if who she is at first is the person she is supposed to be. She starts to realize she is not that she is not the person she wants to be because she does fit with the Creole women, and she is supposed to be one of them. She also starts noticing things in her life that she is unhappy with like how he husband treats her. Edna was two different people. She was this care free sprite on the inside and her outside conformed to society. Edna goes through a struggle with herself “At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions.” (VII pg. 18). Who she was on the inside was fight to get to the outside. Chopin is saying that most women are like that, and even the Creole women weren’t true to themselves. They are supposed to be committed to their husbands, so they lived fancy lives through the books that they read about sex and etc. Most women fight with their selves on who they should be and who they want to be. As the story goes on the readers can see that Edna’s inner self is winning against her outer self which is conformed to the society. In the novel is says “she was becoming herself and daily casting aside that
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In the Creole culture, outward affection and expression were a common thing. Edna, being brought up in Kentucky, "was at first a little confused. . .by the Creole's gentle caress. She was not accustomed to an outward and spoken expression of affection, either in herself or in others," (Chopin 22). Robert knew that Edna was not of Creole background and that she might not take his flirting as simply that. Yet, he still continued to playfully pursue Edna like the women which he had been devoting himself to each summer for the past eleven years. He did not understand that what he was doing was wrong in the culture that Edna had been brought up with. Once, when Robert laid his head against Edna's arm, she brushed him off. He then did it again and Edna "could not but believe it to be thoughtlessness on his part; yet that was no reason she submit to it," (15). Edna was at first disturbed by Robert's actions. Because she did not know about the Creole culture, she allowed Robert to flirt with her and she actually took him seriously. The flirting resulted in her starting to have feelings for him and to wonder about her place in life.
As the novel starts out Edna is a housewife to her husband, Mr. Pontellier, and is not necessarily unhappy or depressed but knows something is missing. Her husband does not treat her well. "...looking at his wife as one looks at a valuable piece of personal property which has suffered some damage." She is nothing but a piece of property to him; he has no true feelings for her and wants her for the sole purpose of withholding his reputation. "He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?" Mr. Pontellier constantly brings her down for his own satisfaction not caring at all how if affects Edna.
The most prevalent and obvious gender issue present in the novella was that Edna challenged cultural norms and broke societal expectations in an attempt to define herself. Editors agree, “Edna Pontellier flouts social convention on almost every page…Edna consistently disregards her ‘duties’ to her husband, her children, and her ‘station’ in life” (Culley 120). Due to this, she did not uphold what was expected of her because she was trying to be superior, and women were expected to be subordinate to men. During that time, the women were viewed as possessions that men controlled. It was the woman’s job to clean the house, cook the meals, and take care of the children, yet Edna did none of these things. Her lifestyle was much different. She refused to listen to her husband as time progressed and continually pushed the boundaries of her role. For example, during that time period “the wife was bound to live with her husban...
...edicating herself to any of the available social roles leads her to abandon all of them in favor of an enticing yet ever elusive freedom” (Ramos 147). Arguably, Kate Chopin used realist writing such as The Awakening to break through the barriers built up by society’s image of male superiority and female acquiescence and push American literature deeper into an era of modernity.
The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.
how quickly women succumb to their "roles", and how easily people can. be shaped to consider a different and all too meaningless set of morals. The sexy of the sexy. Edna is strategically alienated in the novella so as to be the
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
“Edna, like Walt, falls in love with her own body, and her infatuation with the inadequate Robert is merely a screen for her overwhelming obsession, which is to nurse and mother herself” (Modern Critical Views 2). Edna Pontellier is an estimable woman of the tardy 1800s who not only apperceives that she owns many sexual desires, but additionally finds the vigor internally to digress from society’s code of conduct and builds up the nerve to act on them. Breaking through the role appointed to her by society, convivial protocol, and everyone who circumvents her, she finds herself determined to set her own identity, disinterested in both her husband and children. Many of Kate Chopin’s other stories feature zealous, and quite unconventional female