Symbolism in "Shooting an Elephant"
George Orwell dramatically writes about his time in Burma as an Imperial Officer in his essay "Shooting an Elephant". He communicates in detail how he disagrees with the concept of imperialism but likewise dislikes the taunting Burmese community. Orwell goes on to recount the time an elephant rampages the village and how enlightening of an experience it was. Symbolism is a heavy orchestrator in this essay, with Orwell relating the concept of imperialism to several events such as the elephant 's rampage, the dead coolie, and the actual shooting of the elephant.
One of the first representatives of imperialism takes place with the elephant 's rampage. This happens when a chained up elephant has an attack
Immediately upon seeing the elephant, Orwell makes it clear that it would be in the wrong to shoot. By this point, however, a large crowd of Burmese are pointedly watching and waiting for action to be taken. When Orwell does shoot the elephant it is merely because of this expectation. Orwell emphasizes this by writing, "And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man 's dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd – seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind" (Orwell, 327). After he shoots the elephant, the elephant proceeds to die slowly and torturously mainly due to Orwell 's lack of experience killing large animals. Orwell clearly intends to make it difficult to read about the elephant 's death in an attempt to force the reader to grasp the barbarity of the situation. This barbarity is a symbol of the brutality of Britain 's imperialistic takeover of Burma. Afterward, the Burmese population take over the elephant by using all materials it can provide. This is also an example of how an oppressed state can lead to
Throughout the story, Orwell described how he was heavily pressured by the Burmese into shooting an elephant, stating that he became "... an absurd puppet pushed to and fro by the will of those yellow faces behind" (Capote 583). Through Orwell's diction it became known that Orwell was hated by the majority of his residing village since he upheld the position of a sub divisional police officer for the British Raj in colonial Burma. Orwell was driven to killing the animal out of desperation of the public dropping all forms of hatred towards him. Although killing the elephant was against his will, Orwell went through with the deed earning a new profound identity known as the elephant
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
Orwell shot the elephant not to save the people in the village but for his own benefits. Fearing what the people might think if he did not shoot it. In paragraph nine he weighs the options of shooting it or not. Reasoning if he did not shoot it and got trampled they would laugh at his defeat. Thankful that the coolie man got killed so he could shoot the elephant. The guilt would be easier to deal with since someone was killed. Shooting the elephant was not necessary, when he thinks about the owner who would be coming and how the elephant’s terror had ended already the only thing Orwell was thinking about was the people laughing.
In George Orwell’s story, “Shooting an Elephant,” he goes through numerous emotions. It is a very thought provoking work that takes the reader inside his mind. He goes through many emotions throughout the text, he experienced humiliation, evil, and confliction.
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
He is not well liked by the local people and states secretly that he is all for the Burman people, and that he opposes the British’s implications. During his time there, an elephant in ‘must’ starts rampaging through the colonization. There is not much responsibility Orwell undertakes until the elephant kills a man. At that point, he decides to pursue the elephant. After his tracking, he finds the elephant and notes that it was peacefully eating and had a sort of “grandmotherly air” with it. He does not feel the need to confront the elephant anymore, until he sees the locals waiting for him to take action. He reluctantly calls for a large rifle and shoots the now peaceful beast. The elephant does not die right away, and even after Orwell has fired multiple rounds into it, the animal continues to suffer in pain. Orwell cannot bare the sight of it, and walks away feeling as though he has just murdered such a gentle creature. At the end of the story, it is revealed that Orwell acted the way he did because he wanted to save face with the Burman people and with the Imperialists. He was acting in accordance to what he believed others would want him to do, and not thinking with his own conscious. He was carelessly and blindly following the chain of command, without a second
Orwell speaks of how he is so against imperialism, but gives in to the natives by shooting the elephant to prove he is strong and to avoid humiliation. He implies that he does not want to be thought of as British, but he does not want to be thought the fool either. Orwell makes his decision to shoot the elephant appear to be reasonable but underneath it all he questions his actions just as he questions those of the British. He despised both the British Empire as well as the Burmese natives, making everything more complicated and complex. In his essy he shows us that the elephant represents imperialism; therefore, the slow destruction of the elephant must represent the slow demise of British Imperialism.
The symbolic story in the Shooting an Elephant is an attack towards imperialism. Orwell presents the ironic truth that imperialism benefits neither the imperialist nor the countries they colonize. It is perhaps sad to see that men were once willing to buy in to the fraudulent and ephemeral glory that imperialism have offered. Hopefully, men have learned their lessons and no other animal will be sacrificed for men's greed.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
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...o the wrong spot cause the poor animal to die "very slowly and in great agony." In spite of Orwell putting "shot after shot into his heart and down his throat," the elephant lives thirty minutes after its "tortured gasps" force Orwell to leave. Many years later, Orwell still seems bothered by the fact that pride, not necessity, caused him to destroy the animal.
The character, himself, is part of the British rule and is supposed to have all of the power. The Burmese, though, dangle the power in front of him. He is weak and unsure of himself, stating that he “wears a mask, and his face grows to fit it” (60). The character is not able to stand up for what he believes in -- that is, not shooting the elephant. There is a back and forth struggle in his mind about whether or not the elephant needs to be killed. Orwell’s character is fully aware that it is wrong and immoral to shoot an innocent creature, but eventually secedes to the demands of the Burmese, attempting to prove his cooperation and loyalty to those watching. In a way, the Burmese represent the pressures of society. Because of this, the audience can sympathize with the main character. There are always times when we, the readers, are unsure of ourselves, but we eventually make a decision. Whether we make the decision for ourselves or are assisted by others, in the end, we must take responsibility for our own actions. In a broader sense, Orwell’s character represents the internal conflict that everyone faces: should we conform to society or should we be our own
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.