Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of Shakespeare
Analysis of Shakespeare
Analysis of Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of Shakespeare
Analysis of Puck Considered by most as one of William Shakespeare's greatest plays, A Midsummer Nights Dream reads like a fantastical, creative tale; however, its romantic lines contain a message of love, reality, and chance that are not usually present in works of such kind. All characters in the play are playful, careless and thoughtless, and Puck, one of the central characters in the play, is significant to the plot and meaning of A Midsummer Nights Dream, consequently becoming a representative of the above-mentioned themes. The plot of this Shakespeare's plays is comical and, at times, ironic. As summarized by Puck in the last stanza of the play. Puck suggests to both the watchers and, consequently, to the readers, that if they did not …show more content…
Historically, Puck has been part of English folklore for a long time, even before Shakespeare. His other name of Robin Goodfellow meant that "[t]he spirit was not actually good by nature, but was called Goodfellow as a sort of appeasement, meant to deflect the spirit's pranks towards other people" (Bulfinch). Puck during Shakespeare's time was a mischievous creature that was known for his evil-like, unserious, playful ways. His other name, Hobgoblin, suggests the true meaning of his nature. In the second half of the play, the characters undergo a change in attitude towards each other, because of the tricks Puck played on them, all by accident. Puck wanders around dispensing a love potion into characters eyes, making them fall in love with the wrong member of the opposite sex. The author is playing with the characters and because of Puck, the roles of the characters are switched, giving the play a comical sense of view. To make the play flow and give it deep meaning despite the comical plot, metaphors were said by many of the characters such as this one, "I go, I go; look how I go/ Swifter than arrow form the Tarter's bow" (G. J. Thomas R. Arp). The Tarters were people whom fought with the Mongol hordes, and had bows that contained a special power, to make them faster than a bolt of lightning (Britannica). These lines demonstrate that Puck was meandering around the forest so fast that he …show more content…
"What fools these mortals be!" (G. J. Thomas R. Arp) expresses Puck. His one line hinting at several possible interpretations. One could interpret that Shakespeare's idea is that humans become too willingly affected by their feelings. Puck states that mortals are fools because they cannot control their emotions properly and are never sure on what they feel. Chance is too often taken as shown in "A Midsummer Nights Dream" by Puck, when Puck states "[t]his is the women, but not this the man" (G. J. Thomas R. Arp). Oberon takes a chance with love when he describes the Athenian man Puck is to distribute the love potion on, and that chance was taken without thinking or at least better directions, for Puck put the potion onto some other man, who was not supposed to be rubbed on. This also shows that there is some sarcasm to Pucks statement for not do only mortals fool around with love, so do fairies. Reality is often mixed up with, mystical thoughts as well as feelings. Shakespeare must have realized this because he often showed suggestions in this play, for example: when Titania expresses her love for a mortal with an asses head on him and she says "Come, sit thee down upon this flow'ry bed, While I thy amiable cheeks do coy, And stick musk roses
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Although love is evident throughout A Midsummer Night’s Dream, Bottom embraces it in a different form. Instead of loving another character, Bottom loves himself. He is constantly interrupting the other mechanicals, he recites lines that do not relate to the current conversation whatsoever, and insists he can play every role in the play. It is clear that Bottom loves to hear himself speak. After he awakes from his encounter with Titania, he goes on to state that he wants Peter Quince to write a prologue about his “deep” vision, with the title “Bottom’s Dream” (4.1.186). Bottom is so in love with himself that he wants an entire section of the play—in which he is already the lead of—dedicated to himself. Bottom’s arrogance relates to A Midsummer Night Dream’s themes of mayhem and disorder because after Puck transforms Bottom’s head into that of an ass, his appearance strikes fear into his cast members and interrupts their play rehearsal. The players run away from Bottom, with Quince shouting of being haunted (3.1.46-47); but it is apparent that even after Puck alters him, Bottom’s arrogance is still present. When Snout asks him how he changed, Bottom responds with: “What do you see? You see an ass head of your own, do you?” (3.1.56). Even when Bottom is the one who is clearly have problems, he puts the blame on Snout, claiming that he is fine and Snout is the one with problems. Bottom believes himself to be perfect, and therefore if anything goes wrong in his life, it must be someone else’s fault. Ironically, Puck changes him into an animal that reflects both his headstrong and clueless personality. Lastly, Bottom’s ego also relates to the theme of foolishness, because it blinds him from how dreadful and unprofessional his acting skills truly are. For example, during their official performance, Bottom purposely breaks character to respond to something an audience member said (5.1.177). Bottom assumes
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
or the word is also used for children so he may think of himself as a
A Midsummer Night’s Dream is one of Shakespeare’s most popular and frequently performed comical plays (Berardinelli). The play transformed into a cinematic production by Michael Hoffman has not changed in its basic plot and dialogue, but the setting and some character traits have. The play setting has been gracefully moved from 16th century Greece to 19th century Tuscany (Berardinelli). The addition of bicycles to the play affects the characters in that they no longer have to chase each other around the woods, but can take chase in a more efficient fashion. As far as characters are concerned, Demetrius is no longer the smug and somewhat rude character we find in act 1, scene 1 (Shakespeare pg. 6, line 91), but rather a seemingly indifferent gentleman placed in an unfortunate circumstance set to delay his wedding to Hermia. Perhaps the most noticeable change in the character set from stage to film occurs in the characters of Puck and Nick Bottom.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
The use and misuse of magic has an important role in A Midsummer Night’s Dream. As a reoccurring theme, Puck’s use of magic creates humor, conflict and balance in the play.
He doesn't realize that as a practical joke, a trickster Puck, has put an ass head on his shoulders. This makes all of his companions afraid of him so that they run away. This is an example of the comedy involved in this play. This essay will show you that A Midsummer Night's Dream is a play that is mainly composed of comedy. The funniest part of this play seems to be when Puck, the trickster, keeps mixing up the people who he is assigned to put the love juice on.
Considered to be the greatest playwright to ever have lived, William Shakespeare’s works continue to fascinate and entrance audiences around the world. Imbued with imagery, his comedy A Midsummer Night’s Dream is perhaps one of his more fantastic but none the less intricate plays. Presiding over the proceedings, the moon is the uniting feature of the play. With its multi-layered symbolism it is the thread that connects the different characters and weaves the tale together.
... featured one last time in the epilogue to this scene, where he tells the audience that if they do not enjoy the play, they should think of it as nothing more than a dream. If the audience does enjoy the play, they should give Puck "their hands," or applaud. Thus Puck is cleaning up for more than the fairies problems in the last soliloquy, as he cleans up for the entire play as well. Both of the fools were necessary in this play. Puck's tricks and loyalty makes Oberon's goals and the happiness of the lovers possible. Bottom's foolishness provides for comedy for both the characters in the play and the audience, and it’s his transformation which enables Oberon to obtain the boy from Titania. Puck, Oberon's fool, and Bottom, the fool of the play, both provide comedy and some-what intelligent observations, which make them an important part of A Midsummer Night's Dream.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
The Role Of Puck in A Midsummer Night's Dream & nbsp; The role and character of Puck, or Robin Goodfellow, in A Midsummer Night's Dream, is not only entertaining, but quite useful. & nbsp; William Shakespeare seems to have created the character of Puck from his own childhood. In Shakespeare's time it was believed that fairies and little people did exist. Whenever something went wrong around the farmyard or house or village, incidents such as buckets of milk ‘accidentally' spilling over, or tools suddenly disappearing, or doors opening for no reason, it was blamed on ‘ those damn little people are amazing! i.e. a sym & nbsp; The idea of Puck's character is a lovely one. One can't help but be attracted to him and his innocent, little pranks. He is also known by the name Robin Goodfellow. The audience can only see this ‘Robin Goodfellow' side of. Puck when he is trying to fix something he disrupted, hence the name Goodfellow. & nbsp; When compared to Oberon, King of the Fairies and Titania, Queen of the Fairies and the remaining fairies of the play, Puck does not seem to fit in as well. well. While Oberon and Titania belong to the forest and the world of dainty fairies, a small village setting seems more appropriate for Puck. He is the type of fairy that likes to be around mortals and cause them trouble, as opposed to the snare. to other fairies. This is why Puck's little job with a love potion and a young couple is perfect for him and perfect for the job. & nbsp; Puck is a likable character who tends to create mischief around himself.
Puck causes the disruption initially, when he intervenes in the lovers' business. Jester and jokester, Puck, otherwise known as Robin Goodfellow, is like a wild, untamed memb...
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...