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A2 literature frankenstein
Notes on frankenstein a gothic novel
Victor frankenstein literary criticism
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Allusions to Paradise Lost in Frankenstein
In the nineteenth century gothic novel Frankenstein, Mary Shelley uses numerous allusions within her novel that can easily be interpreted by the reader. This makes it easier for readers to understand the characters and relate to the circumstances throughout the story. The most important and most used was from John Milton’s epic Paradise Lost. This book has numerous parallels that readers can easily translate to Frankenstein. Victor Frankenstein and his monster can both be identified with several characters from Paradise Lost. Among the characters are Adam, Eve, Satan, and God. Paradise Lost is even mentioned in chapter 15 after the monster that Victor creates reads the epic as if it was a history book.
He knows that Adam and he can share the trait of being unique from any other previously made creations. The creature realizes after learning about who Adam is, that they have a few similarities that he can relate to. Unlike the Monster, Adam was made in God’s image. Adam was beautiful and was created to be perfect. The creature is described as a repugnant being because he was crafted through ghastly conditions. Adding to this, God assisted and helped Adam and watched over him where as Victor was so disgusted by the Monster’s image that he abandoned him. The Monster even cries to his creator, “He had come forth from the hands of God a perfect creature, happy and prosperous, guarded by the especial care of his Creator; he was allowed to converse with and acquire knowledge from, being of a superior nature: but I was wretched, helpless, and alone” (Shelley 124). The Monster is explaining this to his creator so he will feel pity on him. Victor’s monster did not have the presence of Victor with him throughout his journey. He was hopeless and alone, without knowing a single thing about life. He finally made a cottage next to a family, where he encountered his most educational experience. God blessed Adam with the ability to know all of the names of objects such as plants and animals. His
The Creature states, “Many times I considered Satan as the fitter emblem of my condition, for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley 124). Lucifer and the Monster that Victor created were both made in hopes of a good opportunity. They could both be described as very terrifying to the eye, though both were created no to be. Victor had hopes in creating a creature that would well resemble his hard work and dedication. Satan was God’s greatest angel. He believed that he was more powerful than his creator and was then cast down to Hell from believing so. Though the Monster did nothing wrong to Frankenstein, he too was cast down in a way to his own internal “Hell.” He is forced to isolate himself from any human contact due to people being afraid of him. He does try to befriend humans, but soon learns that they all hate him just like Victor. Satan is also isolated from human contact but for different reasons. Satan initially wants to cause harm to mankind. God grants free will to Satan even though he knows what will happen in the future. Satan and the monster soon escape their cages and convert in contact with humans. This causes trouble to mankind in both aspects of the stories. The Monster tries to comply with humans in a virtuous way for a second time, but once again receives hatred in
Victor and his monster share many similarities, which isn't very surprising. The apple never falls far from the tree. Both creature and creator tend to use nature as a place to vent anger or despair, or as a place to rest their minds. For example, Victor often goes out on lakes to calm himself, and comes back in a much better mood than before. “But the fresh air and bright sun seldom failed to restore me to some degree of composure, and on my return I met the salutations of my friends with a readier smile and a more cheerful heart.” (M. Shelley,pg. 154.) He also seems to enjoy yelling at Nature and asking why it's so cruel to him. Though Nature usually responds by sending him his monster or some horrible storm, he finds this a source of solace. As for the monster, after he was shunned by De Lacey and his family, he went into the woods and ripped up whole bunch of trees. When he was first made, he learned how to create fire and find food. Later, after being shot by a frightened passerby, the monster stayed hidden in the woods for a while, nursing his wound. Also, both Victor and the monster are scientifically connected to nature in some way. Victor used and twisted nature to try to recreate life. He studied anatomy and the cycle of life intensely. The monster is the result of the same sick scientific
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
The most important religious comparison in Frankenstein, are the outstanding similarities between Victor as God and the monster as Lucifer. This idea is proven by the monster in the quote where he states, " I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed." Broken down, this quote shows us that the monster feels that he is the neglected creation and that he has been created to be unhappy, although he has committed no wrongdoing, and he doesn't deserve to be mistreated by society. As it goes in the bible, God created Lucifer as the most brilliant and beautiful angel in the sky with good intentions, but Lucifer turned his back on his creator and began a notorious streak of evil as the "malignant devil." Now if the role of God is switched with that of Victor, and the role of Lucifer is switched with that of the monster, the story is retold in almost the same context. Now to prove that this is not just farfetched speculation, the monster even says in his quote that he ought to be Adam, God's successful creation, rather than the fallen angel (Lucifer). Among other quotes in which the monster deigns Victor as [his] creator, this is a powerful novel reference and this quote beautifully shows the direct motif of religious role-playing in Frankenstein.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
In "Paradise Lost", God creates man; in Shelly's story, Victor Frankenstein creates monster. Early in Shelly's book, we find that Victor has found out how to generate life "upon lifeless matter" (27), akin to God's creation of man from dust: "he formed thee, Adam, thee, O Man, / Dust of the ground" (Milton 189). Victor's representation of himself as a father relates well to Milton's illustration of God as the "Almighty Father" (65) and even the monster relates his existence to adam, "Like Adam, I was created apparently united by no link to any other being in existence" (Shelly 74). Lastly, as Adam and Eve fell in Paradise Lost when they ate from the tree of knowledge, the monster "falls"--"but sorrow only increased with knowledge" (Shelly 69). The ...
He is unfamiliar and unwanted with no one to guide him through. The monster came into the world and right away rejected by his creator, this implanted that he is only a disappointment. The monster commits many crimes, for the rejection of people, because there was no reason for people to reject him other than his appearance. He was only accepted, by a man that couldn't even see; this shows how humans are shallow beings. The monster wants revenge, and mostly on Victor, for he isolated him, he will isolate Victor as well. And he is very successful as he murder Victors loved
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Frankenstein and Paradise Lost Striking similarities between a duo of novels are not unusual. The novel Frankenstein, by Mary Shelly, deals with a scientist named Victor Frankenstein who embodies a creature, who eventually wreaks havoc on his life. The novel Lost Paradise, by John Milton, exposes the cruelty of Christianity or the Christian God within the characters God, Satan, Adam, and Eve. Victor Frankenstein and God have many similarities, as they are both creators of incarnations. Victor's creature, known as the monster, shows striking similarities with Satan and Adam.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
The creature is born into the world with a fully functional brain; however, he has no knowledge of anything. As the story progresses, the creature quickly learns the language, culture, and customs of the world he lives in. Since he is horribly ugly, he is rejected by the people of his society, this is the motivation behind his need and desire to learn about himself and the society he lives in. As the creature obtains more and more knowledge, he finally discovers his origins and birth from Victor. As a result, the Creature becomes a wretched monster, who now has no sympathy for anyone or anything. The Creature becomes fixed on the idea of needing a companion, and due to this obsession, he turns Victor’s life upside down. The Creature is able to torment Victor by killing his family members, then quickly vanishing so Victor can not tell who or what he saw. The Creature and Victor finally meet again and the Creature tells Victor of his stories and struggles. Throughout the novel, the Creature remains in the same state of being, he persistently harasses Victor and maintains a watchful eye on him. At the beginning of the novel, the Creature is an innocent being, made purely for science. In the end of the novel the reader sees what the Creature truly becomes when Victor has died and the Creature is having his last words, he says: “I felt the cheering warmth of summer, and heard the rustling of the leaves and the warbling of the birds, and these were all to me, I should have wept to die; now it is my only consolation”(pg. 166). This explains how the Creature is aware of how he has changed from start to beginning. The society that he lived in, causes him to shift from an innocent and loving creature, to a hopeless and wretched
..., played God, abandoned his creation, and then hid any relation to the creature. Victor is quite at fault for the murders that take place in Mary Shelley's Frankenstein. True, the monster does know right from wrong, the difference is he was not brought up by his parents that way. How to live life is something that is learned and imprinted through experience and guidance. The monster was never fully given the chance to live because upon the day he arrived he was instantly rejected. Victor created the monster physically and emotionally within himself and in turn died by it.
Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)