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Character analysis of mrs. mallard in kate chopin s the story of an hour
Character analysis of mrs. mallard in kate chopin s the story of an hour
Character analysis of mrs. mallard in kate chopin s the story of an hour
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Characters:
Mrs. Mallard is the central character and the protagonist. She has likely been dominated by the men in her life for all of her life; first the father and then the husband. Mrs. Mallard is described as weak and frail and although she secretly longs to be free she had resigned herself to a loveless future. The author stated, “…a future where she would bend her will to his dominance both kind and cruel…” (Chopin). From the stages or loss and bereavement, Mrs. Mallard demonstrates the last step of acceptance indicating that she likely went through the other stages when she married Mr. Mallard.
Mr. Mallard is the antagonist whose physical presence in the story is very brief in direct involvement but he is indirectly present throughout the story. The reader not able to know what the motives of the antagonist are as we only have Mrs. Mallard and her impressions of Mr. Mallard that we learn of in a type of flashback. The motivation of Mrs. Mallard is becomes clearer as the story progresses, she longs for freedom but had resigned herself to a life where she never would be free. Prior to this point of the story Mrs. Mallard had no motivation and exhibits two of the stages of loss and bereavement, depression and acceptance. While she is sitting alone in her room, looking out of the window she was
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The story addresses the trouble of the heart both medically and emotionally. Her heart is not really in her marriage but her heart is racing at the thought that she is now free from her husband but at the end her heart races and gives out when she realizes that she is still trapped in the marriage but the only freedom available to her is death. Medically, the shock on her weak heart is the likely cause of death but it is the emotionally loss, the heart of her motivation that may be the real cause of death. Her heart is broken at the loss of her freedom just at the moment of her imagined
Both Chopin and Deneau put major emphasis on the passage of the story where Mrs. Mallard is alone in her room and makes the transition from heartbroken housewife to joyful, independent and free widower. Chopin says “There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled
Like in many tragically true stories, it would seem Mrs. Mallard 's freedom came too late. Kate Chopin’s, “The Story of an Hour” begins by introducing Mrs. Mallard as a person afflicted with heart trouble. The story builds on this by having Mrs. Mallard’s sister Josephine and her husband Richard explain the situation in a very sensitive manner. Their efforts would prove to be in vain however as Mrs. Mallard then proceeds to emotionally break down. The news shocks Mrs. Mallard to her very core and has her at odds with how she should feel now that all was said and done. After coming to terms with her situation, fate delivers its final blow in a cruel and deceitful ploy towards Mrs. Mallards. And with that, Mrs. Mallard 's dies. In her hour of change Mrs. Mallard 's was delicate, thoughtful and excitable.
Chopin shows that some social pressures and responsibilities can in fact hold one back from their own potential as was Mrs. Mallard. Marriage was introduced as one of these social expectations, and Mrs. Mallard’s internal conflict shows the reader that sometimes it is hard to question these normalities. By creating such an internal visual of Mrs. Mallard, Chopin provides a tale of the true importance of seeing past socialistic deception, and choosing to find happiness beyond
To begin with the first display of symbolism in the story is Mrs. Mallard’s heart trouble representing her dissatisfaction with her marriage and unhappiness. Chopin lets the reader know in the beginning that Mrs. Mallard is ill. “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death” (57). ...
...Mallard’s death up to the reader’s own interpretation, but it seems that she is trying to secretly prove that women do not have to be dependent upon men. Chopin demonstrates throughout the literary work that women can possess joy without having a man by their side, which contradicts the beliefs of the 1800’s society. Chopin’s use of an ambiguous death and irony successfully create an entertaining story that courageously takes a stand for women’s freedom.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Chopin reflects her rejection of the “postures of femininity” through her character’s descriptions. She describes her as “young, with a fair, calm face, whose lines bespoke repression.” Describing her as young and calm are what men looked for in a wife in the 19th century. They wanted a submissive woman to tend to their needs as Chopin’s description suggests. Furthermore, Chopin says of her character Mrs. Mallard, “she would live for herself.” Her character believes she will now be free of her marriage, and won’t be “repressed” as aforementioned any longer by her husband. Wives had a natural servitude towards their husbands as husbands worked and went about their lives. All in all, Chopin displays her character as having a joyous moment after the death of her husband because she is let go of being forced into her “femininity.”
Much of what Howard has to say about Chopin’s protagonists is appropriate. Her criticism operates from the standpoint that “marriage, said Chopin’s world, was the goal of every woman’s life; service to her husband and her children her duties, passionlessness and submission her assumed virtues, selflessness her daily practice, and self sacrifice her pleasure” (1). Mrs. Mallard definitely lives in a world where these gender values abound. Chopin, for example, describes Mrs. Mallard’s face as one “ whose lines bespoke repression” (439). This is obviously a direct reference to the submission Mrs. Mallard has had to yield up to the patriarchy thus far. She has always had a “powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (440). Her husband’s will is describ...
Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression. If she did love this man, why was marriage so harmful to her? Marriage was a prison for her
Mrs. Mallard's medical diagnosis is an example of the male-dominated society in which she lives. They are able to tell her that she indeed has a heart condition, but are unable to treat her effectively, portraying how ineffectual male patriarchy is in the life of this woman in particular. Mrs. Mallard is expected to fulfill the stereotypical role of "the angel in the house." She should acknowledge that the comforts in her life are all gifts from her husband, and should make it the primary goal of her life to please him in any way. As a dutiful wife, she must be content in serving and obeying her husband and children. On the other hand, there is the "madwoman in the attic" who breaks free from the constraints set upon women. This woman is seen as a "monster" and "sexually fallen" for simply desiring to have a life outside of her family (Bressler 178). Mrs. Mallard falls into both categories. Though she feels oppressed by her husband, she stills acts as the "angel," faithfully staying by his side despite her unhappiness. However, Chopin provides the reader with small indications of the "madwoman" even before Mrs. Mallard receives the news of her husband's death. The Mallards have no children, which signifies an unfruitful marriage. According to the same male-dominated medical society that is impotent in treating her heart condition, the failure to produce children would have fallen on Mrs. Mallard (Wald 2).
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Mrs. Mallard was at first overjoyed with freedom because her husband was supposedly “dead,” yet at the end of the story, Mrs. Mallard comes face to face with Mr. Mallard. A whole new wave of emotions overcame Mrs. Mallard as she laid eyes on her husband instantly killing her from “a heart disease-of joy that kills.” It is ironic how Mrs. Mallard is overjoyed about her husband’s death, and she ended up dying because she found out he was alive instead. Her joy literally was killed, killing her on the inside as
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.