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The role of a narrator
Significance of figurative language in literary writing
Figurative language use to write essay
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To Use the Figurative Language
The English language is filled with words that help convey meaning to stories without saying the actual meaning. These useful words are called figures of language and not only are they important in daily life, but they are a necessity in books and plays to deliver to the point home to the reader or make him on her laugh. The English language is an extremely complex and diverse collection of words. This is one of the many reasons why English is a worldwide language, because there are thousands of way to express a single thought.
In his story “The Metamorphosis”, Franz Kafka shows how a man named George, who was living an undesirable and mediocre life as a salesman turns into a hideous mutation. This is a metaphor
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This is a process where an author uses to give life to an object can become a force of good or of evil. Frost shows how the boy is holding a saw and describe the fierce sounds to make it intimidating. Hence, Frost uses personification to stir up images of a rusty saw with chipped paint and how intimidating that could be to a boy. Frost seems to liken it to a beast that is snarling at whatever gets close. In Susan Adam’s article, she examines a metaphor’s potential is limitless when she notes, “ Is there a malignant force unleashed through the buzz saw and responsible for the boy’s death—or one as noncumbersome as the distant mountain range that forms a breathtaking backdrop to this human tragedy?”(2). Susan demonstrates Frost’s ability to paint a picture with just words by pointing out the mountain background lending the reader a feelings of open and uninhibited freedom that the boy lives in before it is snatched away from …show more content…
This story not only utilizes several metaphors in it; the title itself is a metaphor, it implies that Nora is like a toy that all the men in her life play with and then leave. When Torvald Helmer calls his wife Nora a little sparrow and a little squirrel, this is a metaphor. Since Nora is not a squirrel this metaphor allows Ibsen to show what the relationship between Torvald and Nora is like to the reader. The reasoning behind this is to display how their relationship goes from one of smothered love to one of strained coexistence for the
The feelings of loneliness and betrayal are feelings that we all feel one too many. Some have these feelings for a few simple days, and then those feelings soon pass. For others, however, this is a feeling that is felt for most of their lives. Our loneliness may make us feel alone, when our loneliness is actually common. In The Metamorphosis by Franz Kafka, the topic of alienation is an ongoing theme from beginning to end. I have interest in this passage because it reveals the writers understanding of a feeling that we all get from time to time. This novella helps us relive these emotions with an understanding that we are not alone in our loneliness.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Metamorphosis” by Franz Kafka both incorporate “irreal” elements throughout their works. These elements provide an alternative point of view where the lives of main characters are recreated and imagined as part of their surroundings. It’s almost as if the characters are watching their lives from an outside vantage point, rather than living in the moment, which makes it easier to cope with their difficult circumstances. These two works are complementary in establishing relationships, exposing internal conflicts, and escaping the reality that these characters yearn for in their lives.
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
house. This way of narrating it is very opened to us, and makes us feel like we
In A Doll's House, Torvald Helmer's attitude toward his wife Nora can be seen in the ways in which he refers to her. In line 11 of the first act, we come across the first instance of Torvald's bird references to Nora with "Is that my little lark twittering out there?" This reference is the first of many in which Torvald refers to Nora as a lark. Often this referencing is preceded by diminutive terms such as "little" and "sweet, little." Torvald also refers to Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also preceded with a diminutive. The significance of this nicknaming is to show Torvald's attitude toward Nora. Torvald sees Nora as small, sweet, unobtrusive and therefore easily controlled. This position is one he would like Nora to continue to occupy. In line 257, Torvald refers to Nora as "my richest treasure" denoting his attitude toward her as his possession.
We as readers will never know the true reason behind Kafka’s Metamorphosis, but it is a masterpiece. It relates surprisingly well to today’s society, even though it was written between 1912 and 1915. The topic of metamorphosis is really universal, we as humans are constantly changing, growing and evolving. Works Cited Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers.
Kafka, Franz. “The Metamorphosis.” The Metamorphosis and Other Stories. Trans. Michael Hofmann. Toronto: Penguin Books, 2007. 85-146. Print.
Franz Kafka’s The Metamorphosis is a novella that follows the story of Gregor Samsa who, one day, wakes up as an insect. On the surface, it’s just a story about a man who’s transformed into a bug; but, when deeper analyzed, you come to understand that it’s a about a man who was always a bug conflicted by his identity in a class struggle between what is known as the proletariat and the bourgeoisie. Kafka’s work was written in a time in history when the struggles between the classes were becoming more defined due to the rise of industrialization and other changing social structures. This story can best be interpreted though a Marxist lens. In Kafka’s The Metamorphosis, his Marxist ideology comes through in the way the characters represent the struggle between the proletariat and bourgeoisie classes during the turn of the century.
Nora herself is an obvious symbol. She represents the “doll” of the house as if she is the wife that her husband wants her to be but not so much that on the inside. Her husband, Torvald, treats her as if she is a toy instead of a human. He calls Nora with pet names as if she is an animal. “Come, come, my little skylark must not droop her wings. What is this! Is my little squirrel out of temper? It’s a sweet little bird, but it gets through a terrible amount of money. You wouldn’t believe how much it costs a man when he’s got a little song-bird like you!” Torvald announces in Act I (What). She hides things from her husband which shows how broken she is. When Torvald finds out about Nora's fraud, he feels betrayed and scandalized. Nora Helmer represents how most women were treated as a possession of their husbands and/or fathers and also represents immaturity. Although...
The ones that you love the most are usually the ones that hurt you the most. The story that tells us the truth about the human nature, the humans have lost their humanity. Franz Kafka uses many symbols in the novella Metamorphosis. Kafka chose the German word for vermin –Ungeziefer – which means an animal with a disgusting nature. The German word was also used in World War II, the Nazis used to describe the Jews by this name. Jews were treated with disrespect much like Gregor was treated in Metamorphosis. In the Metamorphosis Franz Kafka uses the vermin, food, and the father’s uniform as symbolism and he also uses the apple and his autobiography to portray symbolism and to emphasize on the deeper meaning of the story.
Torvald Helmer is the stereotypical Nineteenth-century husband, as he is a controlling, condescending patriarch. By referring to his wife with diminutive names, Torvald propagates the "women are lesser that men" stereotype and keeps his wife in a position of subservience. In line 11 of the first act, we come across the first instance of Torvald's bird references to Nora with "Is that my little lark twittering out there?" This reference is the first of many in which Torvald refers to Nora as a lark. Often this referencing is preceded by diminutive terms such as "little" and "sweet, little." Torvald also refers to Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also preceded with a diminutive. The significance of th...
Torvald Helmer starts off the story with a new job as a bank manager. He has a wife Nora who does not have a job in the workforce since that was the man's role. Torvald even calls Nora pet names like "my sweet little lark" and "my squirrel”. These nicknames may seem to be harmless and cute, but in reality the names actually show how little he thinks of her and how he’s the one harnessing the power in the relationship. When Torvald says "my little squirrel" he is suggesting that he in fact owns Nora and that she is second-rate to him, since she is seen as little and as a squirrel which are usually frightened, non-threatening creatures. Torvald sees women as both child-like, helpless creatures detached from reality and who are responsible for taking care of the chores and children while staying inside the house.
Ibsen has Torvald call his wife "his little lark" or "sulking squirrel" (Wilke 1139) among other animal names throughout the play. Most of the time, he uses bird imagery. The choice of animals that Ibsen uses relate to how Nora acts or how the audience or reader should portray her character.