Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The role of women in masculinity
Patriarchy in gender
Masculinity perception
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The role of women in masculinity
The idea of masculinity, furthermore, the status of masculinity as a preconditional trait of the autocratic leader— regarded as a necessity in assuaging the otherwise rebellious and uncontrollable masses. Despite the perceived strength and “infallible” nature of masculinity, in “Autumn of the Patriarch,” Marquez demonstrates that that these traits can serve to one’s detriment unless there is wisdom and self-awareness to moderate it. He accomplishes this by presenting the General-- a character that is perceived as the epitomization of masculinity, and therefore, its inherent faults. Through the General’s interactions with his masculinity, it is shown that he is constantly unable to come to grips with its power over him, and due to this failure, …show more content…
It seems that in these instances of death, the assumed strength and virility (ergo, the masculinity) of the Generals served no use in the preservation of their lives. Of the embarrassing deaths mentioned, General Lopez’s evokes a distinct imagery--additionally, it demonstrates how masculinity can serve to one’s detriment, beyond the idea of masculinity serving no purpose in cases of imminent mortality. General Lopez commits suicide as a result of an “unconquerable pederasty.” Pederasty, a word with its origins in Ancient Greece, is used to describe a homosexual (typically erotic) relationship between an adult male and pubescent male. It is a commonly held notion that in situations of pederasty, the adult male would hold the “masculine” position in these relationships. This context allows us to postulate that Lopez’s “unconquerable pederasty” was a by-product of his masculinity. Furthermore, we can conclude that Lopez’s pederasty is unconquerable because it is inextricably connected to his masculinity, ergo, his being. In a society that is predominantly Christian (demonstrated by the language used in the book), it is clear why General Lopez could only imagine the conquering of his pederasty by imagining the end of his life. For the reader, this should serve as a damning harbinger of the dangers the General may face in the future, as a result of his preeminent masculinity. In regards to the individual, this has striking implications. Based on the first two instances in which the Generals die, it seems that their masculinity has no potential utility in saving them-- meaning that masculinity could not help them in fighting or persevering in their situation. In the final instance, it shows that masculinity can be a counterintuitive force, ensuring the eventual destruction of the beholder. For Lopez, this was shown through his inability to
In Gail Bederman’s Manliness and Civilization, she aims to describe the concepts of manliness and masculinity at the turn of the century. Bederman explains that the concept of what it means to be a man is ever changing as a result of the ideology of the time as well as the material actions of the men. During the Progressive Era, many forces were at work that put pressure on the supremacy of white, middle class men. Some of these forces included the growing move toward empowered women, the unionization of the working class, and the move from self-employment to big, corporate business. She delves into the way that both racism and sexism were used to build up the concept of masculinity and the turn of the century discourse on civilization.
WEESR, KHATHERINE. “Tu no Eres Nada de Dominicano”: Unnatural Narration and De-Naturalizing Gender Consruction in Junot Diaz’s The Brief Wondrous Life of Oscar Wao. “Journal Of Men’s Studies 22, no.2 (Spring2014 2014): 89-104. Academic Search Complete, EBSCOhost (accessed November 30,
Through these brutal and traumatic scenes, the novel presents several themes, one of which is “Loss of Youth.” These young soldiers endure a lot, pai...
“Myth of Masculinity” is a title of a class that peaks a modern day feminist, or anyone who thinks liberally. From the books and movies that were discussed and shown in class, some of them have changed, or complicated my view of the five words: love, deception, desire, gender, and crisis. The class has introduced many aspects of elements that contradict the original meanings. There is a push-pull, a back and forth, and a duality within these words. In the two films Cosi fan Tutte, and The Crying Game they have shown me that there is a double meaning, or a duality to these five words.
The idea of masculinity is seen especially through Miguel Grande, Miguel Chico’s father. He is described as a big, dominant, hardworking policeman, and family patriarch. As a father, he wanted his son to grow up and be rough and tough, not shedding a tear in front of anyone. “He felt like crying and running away, but his father
Manhood had not always existed; it was created through culture. Depending on the era, masculinity claimed a different meaning. But in all of its wandering definitions, it consistently contains opposition to a set of “others,” meaning racial and sexual minorities. (pp.45) One of the first definitions was the Marketplace Man, where capitalism revolved around his success in power, wealth, and status. A man devoted himself to his work and family came second. Although this is one of the first standing definitions, it still finds its spot in today’s definition, where masculinity consists of having a high paying job, an attractive young wife, and
Many authors use symbolism to convey messages about society as a whole. One particular symbol which is trans-cultural and appears in much of literature is that of the blade. The blade in many cases embodies masculinity, honor, and courage. In the two stories “In a Grove” and Chronicle of a Death Foretold the authors use the motif of the blade to convey similar messages about the societies in which they take place. Both authors Akutagawa and Marquez use the motif to give an insight into views of honor and masculinity in the societies of Japan and Latin-American countries, respectively.
Quimet’s attitude towards Natalia throughout their relationship enhances the man’s dominance in the Spanish culture. In the novel, Quimet, “delivered a long sermon about men and
Mosse, L George. The Image of Man: The Creation of Modern Masculinity. New York: Macmillan publishers, 1996.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the views of Micheal Kimmel “hegemonic masculinity” is a socially constructed process where men are pressured by social norms of masculine ideals to perform behaviors of a “true man” and its influence on young male’s growth. It is the ideology that being a man with power and expressing control over women is a dominant factor of being a biological male. The structure of masculinity was developed within the 18th to 19th century, as men who owned property and provided for his family with strength related work environments was the perfect example of being a generic “American man.” Kimmel introduces Marketplace Manhood and its relation to American men. He states, “Marketplace Masculinity describes the normative definition of American masculinity.
In the short story Ysrael we are introduced to two brothers who live in the Dominican Republic. The brothers Yunior and Rafa are sent to the countryside, commonly referred to as el campo to go spend the summer with their uncle. In what appears to be an ordinary coming of age story, turns out to be much more. In el campo there is a tale of a boy named Ysrael who wears a mask to hide his hideously disfigured face, caused by his facial flesh being devoured by a pig. The young brother’s curiosity gets the better of them, as they embark on a quest to unmask the hideous Ysrael. As the story progresses, we can conclude these adolescents are not as innocent as their young age suggest, but rather malevolent in nature, while an attempt to maintain a manly facade. Every culture has their flaws, Rafa the elder brother depicts the subject of machismo perfectly, which plagues Latin American culture, where one’s ego is in command and reigns over one’s sense of morality. Juno’s Ysrael Machismo prompts that reinforcement
At the turn of the nineteenth century, Latin America was still a highly patriarchal society wherein men and women each upheld specific gender roles. The “Chronicle of a Death Foretold” exhibits the harsh expectations of women in Latin America. These unfortunate women were expected to remain pure before marriage, while men were able to sleep with whomever they chose without punishment; women were expected to be submissive while men remained in control; and women were expected to strive only to be the best homemakers. Works Cited Garca, Márquez Gabriel. Chronicle of a Death Foretold.
Eastern Promises challenges the view of hegemonic masculinity as a a static, unified concept. By analyzing the behaviors of members of the Russian mafia, vory y zakone ("thieves in law"), particularly of Kirill and Nikolai, this paper will illustrate how masculinities are constructed, performed and reaffirmed in the context of the Russian mafia vory y zakone. The paper will begin by describing the main tends of masculinities theory, proposing that vory y zakone are creating oppositional masculinity. Keeping this context in mind, it will be illustrated how men in vory y zakone are constructing and performing masculinity through degradation of women more specifically sexual and verbal abuse, through the use of violence and heteronormativity. Lastly, it will be illustrated how tattoos also serve as display of masculinity. Masculinities in the context of the Russian Mafia Masculinities theory stems from the social constructionist view of gender, which argues that gender is not determined by biological sex but is an on-going social practice (Gartner, 2012). Masculinity is never fully achieved, and needs to be constantly performed in order to be proved and reaffirmed (Gartner, 2012). Importantly, men perform their masculinity to other men not women. The ideal form of masculinity in Western society is hegemonic masculinity, which all men desire but not all men in society can achieve. It is the “prevailing, most idealized form of masculinity in historical setting and it is always constructed in relation to various subordinated masculinities, as well as in relation to women” (Connell 1987). Those who cannot accomplish the ideal, hegemonic masculinity, form other masculinities such as oppositional masculinity. The Russian mafia vory y...
Strychacz, Thomas. "Dramatizations of Manhood in In Our Time and The Sun Also Rises." Hemingway's Theaters of Masculinity. Baton Rouge: Louisiana State University Press, 2003. 53-86. Rpt. in Twentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 162. Detroit: Gale, 2005. Literature Resource Center. Web. 7 Dec. 2013.