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Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’ elements
Mental insanity, the tell-tale heart
Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’ elements
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Do we truly ever know if one is mad? Madness is the driving force that tears away at our souls and makes us assess our deepest nightmares. It is the fears and terrors that will tip us over the edge of this imaginative level of insanity. Edgar Allen Poe often wrote many murderous and gruesome stories that would influence the reader to contemplate the bigger ideas in life. “The Tell-Tale Heart”, written by Poe in 1843, is one of the most well known short stories from his time that explores the hidden qualities of an unknown narrator who attempts to convince the readers of his saneness. Although to the readers, it may seem as if the character has gone mad, when taking a closer look that may not be the case. Eventually the narrator’s guilt gets to him through the sound of the dead man’s beating heart under the floorboards. Digging deeper we can find the evidences that drove the man to such madness, showing that not all of what the main character did was mad but rather a brilliantly planned out murder as an act of sanity. In Poe’s Short story the man committed the murderous crime and with such an act of …show more content…
Poe’s creative writing techniques let the reader explore the many different opinions and conclusions that can be made about the characters in his stories. “The Tell-Tale Heart” is the perfect example of a story that allows the reader to explore the sanity or rather insanity of the main character. The narrator in the story murders his housemate. The readers then have the choice to decide whether or not it was in cold blood or through a brilliantly planned out scheme. The narrator tries to assure the readers that he is not an insane man and that this old man was an insignificant problem that needed to go. When a closer look is taken, the reader is able to decide for him/herself if the narrator was a true
Edgar Allen Poe’s structural choices in “The Tell-Tale Heart” affect our understanding of the narrator and his actions. An example of this is the way he presents the main character. The main character appears to be unstable, and he killed an old man because of one of his eyes, which the main character refers to as “the vulture eye”. In the story, the character is talking about the murder of the old man after it happened; he is not narrating the story at the exact moment that it happened. You can tell that he is talking about it after it happened because the narrator says “you”, meaning that he is talking to someone, and is telling them the story. For example, in the story he said, “You should have seen how wisely I proceeded—with what caution—with
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
In this particular story, Poe decided to write it in the first person narrative. This technique is used to get inside the main character's head and view his thoughts and are often exciting. The narrator in the Tell-Tale Heart is telling the story on how he killed the old man while pleading his sanity. To quote a phrase from the first paragraph, "The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story." This shows that we are in his thou...
In Edgar Allan Poe’s short-story, “The Tell-Tale Heart,” the storyteller tries to convince the reader that he is not mad. At the very beginning of the story, he asks, "...why will you say I am mad?" When the storyteller tells his story, it's obvious why. He attempts to tell his story in a calm manner, but occasionally jumps into a frenzied rant. Poe's story demonstrates an inner conflict; the state of madness and emotional break-down that the subconscious can inflict upon one's self.
In Poe has a lot of “psychological drama” in the work “The Tell-Tale Heart” (179). Poe’s work make the readers feel if the readers are there. He uses “irony” and “dramatic actions.” Poe intends to keep his readers one edge. Poe’s style has a genius about it. In Poe’s short story “The Tell-Tale Heart” it states, “Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man 's sleep” (qtd. Poe). In this work Poe is Dramatic in telling the readers that he is creeping into this old man’s room to kill him. Poe’s work make an impression on his reader especially in “The Tell-Tale Heart.” In the entire short story Poe tries to under mind his
Poe’s “The Tell-Tale Heart” depicts the human mind through the struggle of distinguishing reality and imaginary. Poe utilizes the narrator/agonist to demonstrate how the suffering of one’s perceived acuteness of senses, in relation to anxiety, leads to an unwanted culmination. The narrator labels his own nervous behavior as “disease” that has “sharpened [his] senses” (691). Poe’s use of “disease,” indicates disorder and destruction, and also foreshadows the spread and consumption of the narrator’s fear. The confidence that results from the narrator’s justified senses proves to draw him further from his own morality. By example, he states, Moreover, his senses stem from his overarching obsession and hatred for the old man’s eye. This is demonstrated by his continued distinct characteristics he places on the eye—“eye of a vulture,” “pale blue eye,” “Evil Eye,” and “damned spot” (691-693). The collection of descriptions throughout his efforts to kill the old man shows the torment he suffers from his psychosis. The narrator’s statement, “it haunted me day and night,” displays his motivation for killing the old man. However, the significance of the narrator actually committing the murderous act demonstrates the definitive loss of his rationality and morality. Poe displays, that the dark side of the mind is a result of this los...
"The Tell-Tale Heart" consists of a monologue in which the murderer of an old man protests his insanity rather than his guilt: "You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded . . ." (Poe 121). By the narrator insisting so emphatically that he is sane, the reader is assured that he is indeed deranged. E. Arthur Robinson feels that by using this irony the narrator creates a feeling of hysteria, and the turmoil resulting from this hysteria is what places "The Tell-Tale Heart" in the list of the greatest horror stories of all time (94).
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
In Edgar Allan Poe’s “The Tell-Tale Heart” the narrator attempts to assert his sanity while describing a murder he carefully planned and executed. Despite his claims that he is not mad, it is very obvious that his actions are a result of his mental disorder. Hollie Pritchard writes in her article, “it has been suggested that it is not the idea but the form of his madness that is of importance to the story” (144). There is evidence in the text to support that the narrator suffers from paranoid schizophrenia and was experiencing the active phase of said disease when the murder happened. The narrator’s actions in “The Tell-Tale Heart” are a result of him succumbing to his paranoid schizophrenia.
Edgar Allen Poe shows what really happens when someone experiences anxiety and terror that drives his or her mentally ill when given the obstacles inside his mind. The obstacles described inside Tell-Tale Heart bring the narrator to an ironic end. These hindrances slowly build up to a chilling end for the narrator. This end is drawn out with the beating of a heart that doesn’t go away and reminds the narrator that the old man is still haunting him. The narrator has an idea in his head that he is not crazy and in fact is too calm to be mad and has an ironic story behind it.
Poe has given his narrator in “The Tell Tale Heart” multiple currently diagnosable psychological disorders: bipolarity, obsessive compulsive disorder, psychopathy, paranoia. Although he is a psychopath by Hare’s definition, among the disorders, the narrator’s sense of fear is overwhelmingly the most motivating. On a first reading, it might seem that the narrator committed murder because of his unjustified hatred towards the victim, or more specifically, the victim’s “evil eye.” And later, he confesses to his crime because of the overwhelming guilt he feels which causes him to hear the beating of the dead man’s heart. However, as a psychopath, the narrator is incapable of feeling guilt. I will demonstrate that it is not hatred toward what is outside of the self that drove the narrator to murder and confession but the hatred and the immense fear of the insane side of himself that drove him to such irrational actions.
At the end of “The Tell-Tale Heart”, Poe’s fascination with death is apparent when the narrator ruthlessly killed an old man with a disturbing eye, but felt so guilty that he confessed to the police. The narrator dismembered the old man’s body and hid them in the floor, confident that they were concealed. However, when the police came to investigate, the narrator heard a heart beating and began to crack under the pressure. Overcome with guilt, he confessed that he murdered him and pulled up the floorboards. The narrator exclaimed, “But anything was better than this agony! Anything was more tolerable than this derision!” (“Heart” 4). Although the narrator was calm and confident at first, the guilt he experienced drove him mad, causing...
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
The Tell-Tale Heart by Edgar Allen Poe is a short story that dives into the mind of an insane man. The story only features five characters. There is an old man with a blue eye, the crazed killer, and three police. The story is narrated by the nameless murderer. It is his attempt to justify his behavior and to prove to the reader that he is not crazy. As the story goes on you come to the realization that he is actually insane. The characters in this story are complex, interesting, and elaborate.
Three elements of literary work that truly sum up the theme of The Tell Tale Heart are setting, character, and language. Through these elements we can easily see how guilt, an emotion, can be more powerful than insanity. Even the most demented criminal has feelings of guilt, if not remorse, for what he has done. This is shown exquisitely in Poe's writing. All three elements were used to their extreme to convey the theme. The balance of the elements is such that some flow into others. It is sometimes hard to distinguish one from another. Poe's usage of these elements shows his mastery not only over the pen, but over the mind as well.