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Madness in hamlet analysis
Hamlet and his mental illness
The importance of laertes in hamlet
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Ophelia is the daughter of Polonius, the Lord Chamberlain to King Claudius. She is the love interest of Hamlet, and often questions her own nobility as well as his. She refers to her own nobility when she returns her gifts to Hamlet. She did not want to accept these gifts because it would be immoral for her to take them from an immoral person. When Hamlet starts his madness, she states “Oh, what a noble mind is here o’erthrown! The courtier’s, soldier’s, scholar’s, eye, tongue, sword, Th’ expectancy and rose of the fair state, the glass of fashion and the mould of form, Th’ observed of all observers, quite, quite down!” (Hamlet, Act 3 Scene 1) She talks about how he was once so noble, but he has lost all of his grace and fell low. In Act …show more content…
He comes back to Elsinore after his sister, Ophelia, kills herself from the pain Hamlet caused her. Laertes joins the King’s forces to get back at Hamlet. Laertes and Hamlet duel in the end, while in combat they both stab each other. Laertes got his revenge on Hamlet and was immediately punished for it. (Rosenberg, Justice in Hamlet)
Madness, or insanity, is a major theme in the Shakespearean era. It is very prominent in the work Hamlet because two major characters turn insane. Hamlet pretends to go mad, so that his mother will pay attention to him. This eventually makes him go truly insane. Ophelia is another character that goes deranged. Her madness is triggered when Hamlet does not give her the attention she wishes for. She ultimately ends her life because of it.
When Hamlet says, “Here, as before, never, so help you mercy, How strange or odd soe’er I bear myself (As I perchance hereafter shall think met to put an antic disposition on),“ he tells Horatio that he is going to act differently. (Hamlet, Act 1 Scene 5) He wants Horatio to know it is an act and that he cannot let anyone else know that Hamlet spoke to the Ghost. This feigned madness allows Hamlet to attack King Claudius with riddles that confuses everyone. Claudius is raged by Hamlet so much so that he asks the English King to kill him, because “the hectic in my blood he rages, and thou must cure me.” (Hamlet, Act 4 Scene
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She does not see the Ghost he is talking to, so she says it is a hallucination caused by his “ecstasy”, or madness. She is not the only one who comments on Hamlet’s new mindset. Polonius tells Gertrude her son is mad. He tells her about the letter Hamlet wrote Ophelia, and how they must get to the resource of his madness because what he is saying is vile. Gertrude believes that Hamlet’s cruel rejection of Ophelia was triggered by the death of his father. But it is also thought that he may be losing his mind because he wants to accept the Ghost is real. (Rosenberg, Justice in
In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love, they arrive at that point through very different means. At the beginning of the dialogue, Ophelia says that she has been "affrighted" by Hamlet in her bed chamber. (II,i 75) Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,"loosed out of hell/To speak of horrors". (II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating. By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.
Ophelia’s madness is because of what she encounters throughout the play by everyone around her. Her character is often looked past, people really don’t give her a second thought, and her emotions and wellbeing are almost entirely forgotten about. When her father and brother are telling her to stay away from Hamlet, she tries to speak up and tell them that she knows that Hamlet truly loves her. She tells them her feelings, but they say no, she is not to speak to Hamlet again and must obey. They didn’t take a second to try and look things over from her perspective. After Polonius and Claudius plan for Ophelia and Hamlet to meet and talk while they hid to listened, Ophelia is verbally abused by Hamlet and her father is too caught up with Hamlet’s
Furthermore, it is possible to propose that Shakespeare merely uses this scene to provoke irritation and consequently suspense from the audience. If Hamlet wasn’t given this opportunity to kill Claudius we would have not this insight into Hamlet’s indecisiveness, possible cowardice and inability to kill Claudius in cold blood. It is probable to suggest that through this soliloquy we are shown that Hamlet’s initial passion for revenge after the Ghost’s visitation has faded as the play progresses to merely thinking about killing Claudius.
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character.
Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action. In fact, pretending that he has gone mental is all part of Hamlet’s plan to ultimately murder King Claudius. Furthermore, “Hamlet 's madness is an act of deception, concocted to draw attention away from his suspicious activities as he tries to gather evidence against Claudius…” (Mabillard). Therefore, Hamlet feigns a mental disorder so that he can prove that King Claudius is guilty and can therefore murder King Claudius. Hamlet seeks his revenge on the behalf of someone else, unlike Laertes who seeks revenge for himself. Nevertheless, Hamlet’s act of madness causes everyone around him to see him as having gone insane. Hamlet’s false insanity successfully convinces everyone that they should not worry about him because of his mental state and they are not concerned about him. Although few people concern themselves with Hamlet, King Claudius does after what King Claudius had observed in Act 3, Scene 2. Hamlet instructs the actors in a play that everyone is going to see to reenact the murder of King Hamlet. While that play is taking place, he is watching
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
Polonius is the father of Laertes and Ophelia. His contribution to the ideology of sexism and incest is not as direct as the other characters but it is just as significant. His daughter, Ophelia, is deeply in love with the title character, Hamlet. Polonius constantly observes the suspicious relationship between Ophelia and Hamlet. He tries to intervene between his daughter’s relationships with Hamlet. Since her love for Hamlet is so strong, Ophelia becomes disobedient and rebellious to her father just so that she could make a way to fulfill the needs of Hamlet. Polonius tries to help Ophelia understand that she is basically “bait” to Hamlet and she must avoid falling for his word but she refuses to listen. Along with Polonius, his son Laertes is also attempting to protect Ophelia from Hamlet.
William Shakespeare's character of Ophelia in Hamlet, suffers greatly, from the time she learns of her father Polonius' death, until her own mysterious death. In Hamlet, Gertrude, Horatio and Claudius refer to her state, and conclude that she is crazy1[1]. Though there is some truth to their claim, Shakespeare created Ophelia as an overly- dramatic character, who is somewhat exaggerating her emotions to give an impression of madness. Although their impression of Ophelia can be supported, evidence is not shown as much in her words, as it is shown in her actions. Ophelia's songs seem like riddles and nonsense2[2], yet they are similar to the patterns of speech by Hamlet, revealing truths and true emotions, and at times sarcasm. However, Ophelia's whimsical, and child-like behavior is quite different than the prim, reserved Ophelia at the beginning of the play. Still, this behavior is not consistent with the sad words in her grief-laden songs, nor is it consistent with a woman in grief rather Ophelia's physical behavior is the strongest evidence that Ophelia may exhibit signs of madness. Hamlet's act to convince his insanity to all that knew him influenced Ophelia to perform following Hamlet's lead with his feigned madness, eventually leading to the girl's suicide, thus implicating Hamlet in her death.
In this scene, Hamlet is beckoned by a ghost, who later is revealed to be the ghost of Hamlet Senior. Hamlet listens as the ghost explains to him the details of his’ death. The ghost reveals to Hamlet that he was murdered by none other than Claudius! This sends Hamlet into a passionate rage and he again delivers a soliloquy, where his intentions are revealed. He states that “I, with wings as swift as meditation or the thoughts of love, [will ] sweep to my revenge” (1.5.33-35). This immense passion that Hamlet is feeling contradicts reason because reason would cause Hamlet to contact law enforcement and usurp his uncle from the throne, rather than taking justice into his own hands, and therefore becoming a murderer