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The Cask of Amontillado character
Themes in the cask of amontillado
Symbolism in the cask of amontillado essay
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“The Cask of The Amontillado” is not the short story you want to read to your child at bedtime. It is a creepy tale of a man who plots revenge on an acquaintance who has supposedly wronged him, a plot similar to other Edgar Allan Poe stories. This story is full of interesting characteristics such as hidden meanings, cunning dialogue between characters, and strange ironies, all assembled in a dark gothic setting. These details create an intriguing read, which is why this story needs to be analyzed to discover deeper meanings created in the mind of Poe and revealed in the lines of the story. The majority of the story takes place in an underground catacomb, somewhere beneath an Italian city, during the carnival season. It is about the interaction Poe masterfully interweaves clever and humorous ironies throughout the story. For example, when the characters are walking down the catacombs, Montresor pretends to act as if he cares about Fortunato 's ill health. This is ironic because he obviously knows that he is going to kill Fortunato. The toast that Fortunato offers is another example. He says, "I drink to the buried that repose around us" (224), having no idea that he is soon to be one of the reposed. Montresor also says, "It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation" (222). This is ironic because Montresor is determined to keep his real intentions well guarded behind a smile of friendship. He does not want to reveal any of his anger or true feelings to Fortunato. And one of the more obvious ironies is Fortunato 's name, which means Fortunate One in Italian. This is an ironical name for someone who will soon not be so One is Fortunato 's clothing that he will be wearing at his death. "The man wore motley. He had on a tight-fitting parti-striped dress and his head was surmounted by the conical cap and bells." (222). Fortunato was dressed in the style of a king’s fool or jester, a symbolic representation of the role he plays in the story. Another important symbol is the Amontillado wine itself. Montresor plays upon Fortunato 's pride of being a great wine connoisseur, and he tempts Fortunato with the imagined competition of a rival wine taster named Luchesi. It is unlikely that this fine wine is available in this quantity at this low a price during carnival season. The cask symbolizes that if something is too good to be true, it probably is. Fortunato 's stubborn pride get him buried
With a premeditated motive to commit such an act, the culprit, Montressor, thinks, constructs and orchestrates a presumed murder against his insulter, Fortunado. “Poe begins by describing, in characteristically precise and logical detail, Montresor’s (and Poe’s) idea of perfect revenge. At the same time, he needed to end his story by telling how his revenge had affected him. When Fortunatosays, “For the love of god, Montresor!” and Montresor repeats, “Yes, for the love of God,” Poe is indicating that Montresor is already experiencing the closure he sought”(Delaney 39) Unbeknownst why he wants retribution, or what it is that his victim has done to compel Montressor to kill him. What is given is a recount of the night under discussion.
Set in an unspecified Italian city and an unidentified year, the Cask of Amontillado is a short story that majorly revolves on revenge. Written by the much-celebrated literary expert Edgar Allan Poe, the short story is centered on the narrator who is hell bent exerting revenge on a friend who caused him great pain.
Russ,RJ.” Symbolism In edgar Allan Poe’s ‘ The Cask Of Amontillado’.” Yahoo Voices.Yahoo, Inc.,28 April 2008. Web.17 March 2014.
Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with his societal prominence.
In "The Cask of Amontillado," Poe utilizes foreshadowing in a most grim and dark way. First, when Fortunato says, "I shall not die of a cough" 1, Montressor replies, "True-true"2. Instead, Montressor knows that Fortunato will perish from his vengeful scheme of walling him up, and having him die of starvation and dehydration. Fortunato is a proud man and he does not think that his death with be due to something as petty as a cold. Rather, he believes that his life will end as a result of some courageous act and he will die a noble death. However, Montressor can only laugh at this thought because he knows Fortunato's death will be far from noble and his pride will be broken when he is caught in his trap. Another instance of foreshadowing comes with the trowel scene. At one point in their journey, Fortunato makes a movement that is a secret sign of the Masons, an exclusive, fraternity-like organization. Montressor does not recognize this hand signal, but claims that he is a "mason". When Fortunato asks for proof, Montressor shows him his trowel. Montressor implies here he is a stonemason and, that he will be building things out of stones and mortar such as Fortunato's grave.
Revenge is the overall theme of this short story, however the characters costumes and names play a major role in the theme as well. The readers learn that Fortunato named that because it closely resembles the word fortunate, which is ironic because he was everything nut fortunate in the story. After being manipulated by Montresor he gets buried alive. Fortunato also wears a jest costume full with the cap and bells and this provides early signs that Fortunato is going to become the fool of the story, and also shows the reader a bit about his playful personality. Montresor wore a black, silk mask along with a roquelaire which shows the reader that he is a dark manipulative figure and plays the antagonist in the story.
the story starts out in the familiar festive social setting of the carnival. In this catholic celebration, people dress in costume and masks and drink. This celebration occurs just before Lent on the Christian calendar. This setting is conventional, making it hard to tell the identity of each other. This creates a sense of chaos and estrangement, commonly found in the gothic genre. However, this is also an unconventionally ironic setting to start a story about revenge because the carnival was a celebration of life, yet Montressor has chosen this day to commit murder. furthermore, it is then introduced to Fortunato, who is dressed in motley. This is ironic because his name means fortunate, yet he is dressed as a fool. The man wore motley. He had on a tight-fitting pants-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand. This characterization also symbolizes his character because his arrogance and ego are what cause him to be foolishly misled by Montressor to his death. Montressor is also dressed according to his character. The story dresses him in black with a mask, symbolizing evil and death. The irony of the way that these characters are dressed add to the terror of the story because it states that although Fortunato Is actually foolish, he is an innocent drunk who does not deserve to die. Montressor is a mysterious evil character because the reader never find out the reasoning behind his actions and, therefore, can perceive him early on as a psychotic and evil person. This mystery is even further unsettling for the reader. Later on in the story, their characters become even more obvious. Fortunato is unable to realize Montresor 's intentions. He makes a reference to the freemason, which he believe Montressor is not part of. Ironically, Montressor makes a disturbing joke that he
Edgar Allan Poe uses the color red to symbolize death through the red wine. By using color archetypes in his writing, Poe indirectly includes hints to Fortunato’s death, which the reader may not distinguish right away. As for the death and rebirth archetype, one can assume that when a Montresor or Fortunato dies, the hegemony of the two families keep alternating from one to another. The archetype of the forbidden fruit is also included within the catacombs of Paris. When Montresor is leading Fortunato through the catacombs, Montresor suggest that “we [should] go back; your health is precious” (61). Montresor uses reverse psychology to convince Fortunato to keep going by mentioning the mold and how they should not continue making Fortunato insist to continue through the hardships. The Amontillado wine symbolizes the forbidden fruit and how Fortunato will continue even though there is his hidden death waiting ahead of
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
While at the carnival, Montresor bought some of the finest Amontillado wine to use in his vengeful plan to murder Fortunato. He then meets his "friend," Fortunato. Fortunato is wearing "a tight fitting parti-striped dress and head is surmounted by the conical cap and bells" (Poe 528). By him wearing this outfit, makes it great for the narrator because he is going to make a fool out of Fortunato. Montresor is a manipulative person. He challenges Fortunato's connoisseurship on wine tasting and leads him to his family estate.
An additional symbol is the cask of Amontillado itself. The cask could be interpreted to represent various things, but the main idea this symbol signifies is Fortunato's desires and greed. All Fortunato cares for is to taste this rare delicacy of a wine and forgoes thinking of his personal health and safety to have it. Montresor ironically warns him he may become ill if he enters the vaults where the wine is kept, " the severe col...
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
For instance, Montresor’s family crest is a serpent biting into an ankle treading upon it. The emblem is symbolic of Montresor’s response to being bitten by Fortunato’s foolish pride. The snake on the crest and the family’s motto, “No one wounds me with immunity,” both address Montresor’s seemingly inherited nature to retaliate. Another instance of symbolism in the story, is the reference to the secret society, the Freemasons. As a sign to prove his fellowship, Montresor pulls out a trowel to show his brotherhood. Ironically, this is the same trowel that will seal Fortunato’s tomb. The final major symbol in “The Cask of Amontillado,” is the Amontillado wine. The way the wine is created is through the deprivation of oxygen, the same way Fortunato is killed. The thought put into the murder portrays Montresor as a genius, but also shows the regard he has for his victim. Montresor sees his victim like a cheap bottle of sherry instead of the fine Amontillado that is revered and mature. Taking it upon himself, Montresor decides to mature Fortunato and views it as a masterpiece. The death of Fortunato is Montresor’s art (Lewis
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are