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Immortality in the epic of Gilgamesh
Epic of gilgamesh immortality
Immortality in the epic of Gilgamesh
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In The Epic of Gilgamesh, the great Gilgamesh is praised for his journey in which he achieves great wisdom. Although he lives in a civilization, Gilgamesh is wild; he is a king who abuses his power and carelessly rapes women. Enkidu, Gilgamesh’s other half, teaches Gilgamesh about friendship. After the death of his beloved companion, Enkidu, Gilgamesh desires to become immortal out of fear. Gilgamesh's journey to reach immortality is him entering the wilderness. This desire for immortality and his pursuit of it by going on a quest through the wilderness exemplify the connection between wilderness and the concept of immortality. The wilderness is immortal in the sense that it is always replenishing itself, keeping itself alive for centuries …show more content…
However, in order for Gilgamesh to realize that he is not suitable for an immortal life, Utnapishtim gives Gilgamesh a test -- to prevail against sleep for six days and seven nights. But Gilgamesh immediately fails: “... a mist of sleep like soft wool teased from, the fleece drifted over him” (Gilgamesh 39). Gilgamesh falls asleep right away because he is exhausted from his journey, and as a human, sleep is an instinct behavior. Gilgamesh cannot escape sleep, and he sleeps for 6 nights, and 7 days. Sleep can symbolize death. Gilgamesh sleeping represents his incapability of escaping death, because death also is a part of human nature. Gilgamesh not only learns to live through others, but he learns through how to live. Through Utnapishtim, Gilgamesh gets closer to his human side. He thinks he’s capable to reaching immorality, but he learns instead that death is not escapable, and eventually accepts …show more content…
After the death of Gilgamesh, the people of Uruk all grieve for him: “The people of the city, great and small, are not silent; they lift up the lament, all men of flesh and blood lift up the lament. Fate has spoken; like a hooked fish he lies stretched on the bed, like a gazelle that is caught in a noose.” (Gilgamesh 42). Gilgamesh is compared with a fish and a gazelle because both a fish and gazelle are animals, and animals death is natural; the hooked fish is dead, and so is the hanged gazelle. Just as how the fish nor the gazelle could escape death, Gilgamesh could not either because death is inevitable for all natural creatures and life. The people of Uruk mourning for Gilgamesh’s death shows that Gilgamesh continues to live on through the thoughts of the people; he is not forgotten even after his death. Gilgamesh achieves the immorality he has been seeking because his legacy continues to live on, passed through generations. Gilgamesh leaves a legacy behind because he is known as a king who achieved great wisdom; a king who accepted death; and a king who learned to accept civilization by living through others rather than continuing living a careless and selfish
Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. In the Epic of Gilgamesh, Gilgamesh is the king of Uruk, but he is not a kind or gentle ruler. The narrator describes Gilgamesh as "surpassing all kings, for his stature renowned" (I.30) and yet the people pray to the gods for help because Gilgamesh "would leave no son to his father" (I.67) or "girl to her mother" (I.73). In other words, Gilgamesh sees nothing wrong with taking what he wants from his people, including their lives. However, when Gilgamesh's best friend dies, he finds himself face-to-face with his own mortality, which he is not prepared to accept as inevitable. Gilgamesh states, "I have grown afraid of death . . ." (IX. 5). He decides to continue wandering the land un...
After encountering the death of his friend Enkidu, Gilgamesh realizes that all men will die. Gilgamesh evolves from the beginning of The Epic of Gilgamesh as an unruly king to a realistic king who’s life ends in death. In the end after accepting that he too must die and be subject to fate, Gilgamesh settles back into his city setting, only this time to be a wise king rather than the foolish hero he once was.
While Gilgamesh was a hero thought to be more beautiful, more courageous, more terrifying than all of the people of Uruk. Even though his desires, attributes, and accomplishments were just as there’s, he was still mortal.
Through the many of mankind’s tales of adventure the search for immortality is a very common theme. Many heroes have made it the objective of their travels and adventures. This is no different in The Epic of Gilgamesh and The Odyssey. The heroes in both are tempted by the offer of immortality, however each of them turns it down for their own reasons.
The idealization of Gilgamesh success will help its ethical structure. However, in the beginning of the epic Gilgamesh was very arrogant by the gods and so the people of Uruk decide to teach him a lesson. They sent Enkidu. At first they were enemies and soon after they became friends during their dangerous journey. It has been a long time Gilgamesh needed a friend and we learned that in the epic they teach each other some lesson and their friendship grow stronger. They were now brothers and they both show some weaknesses but they teach each other how they can conquer it. During the whole journey Gilgamesh has truly changed for the better. So, the people of Uruk can learn from their ruler. They realize that the king has risked his life and that the people of Uruk ethical structure was created. They had specialized occupations and the most common work was architecture. They were the ones who build the strongest and tallest walls to make sure that the accomplishments of Gilgamesh will remain forever. The people of Uruk were also educated, they were the first city to ever discover literature and writing. Gilgamesh was amazed by his people and he was content with everything now since all he was worrying about was being immortal. Yet, his people and the creation they construct made Gilgamesh immortal. The structure of the community must also be equal since Gilgamesh is working hard for his people,
He is unable to accept the fact that people die and life is limited, instead of making new relationships and getting the best out of what life has to offer he decides to dwell on the negative. Gilgamesh would also state on (X.210) “I have worn myself out in sleeplessness, my muscles ach of misery.” This shows me the reader that humans are fragile beings that can be worn out through old age, pain and misery which are traits and qualities that makes it seem like being human has many physical downfalls. The epic fails to show the tavern girl or Ur-Shanabi trying to help Gilgamesh cope with his depression and this is another reason why I think humans are depicted has pessimistic beings in this epic. As a reader I am influenced to see life has meaningless through the lens of Gilgamesh. After the snake took away his only chance of becoming immortal, Gilgamesh would be left with nothing to go home to; his mother was a god who was too busy for him and his subjects all hated and feared him. This teaches us the reader that in our life we can loss everything we care about and can be forced to live a pathetic life until we
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
“How can I rest, how can I be at peace? Despair is in my heart. What my brother is now, that shall be when I am dead. Because I am afraid of death I will go as best as I can to find Utnapishtim whom they call farwell, for he has entered the assembly of gods.” (Gilgamesh, 507) Gilgamesh finally finds Utnapishtim and demands for immortally. Untnapishtim explains to Gilgamesh that all that he did was obey the gods, in return the gods gave him immortality. Utnapishtim than gives Gilgamesh a three obstacles in order to receive immortality. “As for you, Gilgamesh, who will assemble the gods for your sake, so that you may find that life for which you are searching? But if you wish, Come and put it to the test: to Prevail against sleep for six days and seven nights.” (Gilgamesh, 511) Gilgamesh accepts Utnapishtim’s test but fails within hours and lies about his outcome. Utnapishtim’s wife feels sympathy for Gilgamesh, giving his another test in return for ever lasting life. “There is a plant that grows under the water, it has prickles like a thorn, like a rose; it will wound your hands, but if you succeed in taking it, then your hands will hold that which restores his lost youth to a man.” (Gilgamesh, 512) Gilgamesh accepts the test once again and actually succeeds but tying rocks to his feet in order for him the sink to retrieve the
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
For example, before he starts to return home he realizes how his dear brother Enkidu dies and does not want the same thing to happen to himself. Not only is Gilgamesh afraid of death, he sets off to find immortality by seeking Utnapishtim, a man who the gods gave eternal life too. Gilgamesh then tells Utnapishtim that he wants eternal life aswell, and how to receive it, “Because of [his] brother, [he is] afraid of death”(Sandars 32). Utnapishtim then takes Gilgamesh to Urshanabi, a ferryman who shows Gilgamesh how to receive eternal life by telling him about a plant that grows under the water and it shall give him the life he wants if he succeeds in taking it. Like the man Gilgamesh is, he goes into the water and grabs the plant so he can bring it back to Uruk to give to an old man, but also eat it himself to restore both their youth. Soon after, when Gilgamesh arrives back to land, a serpent eats the plant which makes Gilgamesh heartbroken, but then he remembers everything he learned on his journey and is appreciative of mortality. Once Gilgamesh arrives back to Uruk after his long journey, “He [became] wise, saw mysteries and [learned] secret things”(Sandars 38).
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).