Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Fate i greek myth
Reading on antigone the character
Reading on antigone the character
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Fate i greek myth
this from happening. However, his actions ultimately lead him to fulfill the prophecy. Similarly, in Antigone, Creon tries to exercise his free will by refusing to bury Polyneices, but his decision leads to the tragic deaths of his family members. These examples demonstrate the irony of free will in Greek tragedy, where characters are ultimately powerless against the forces of fate. Antigone is portrayed as having the power to choose her own fate, despite knowing that "whoever disobeys [Creon] in the least will die, his doom is sealed: stoning to death inside the city walls" (lines 42-43). Nevertheless, she remains headstrong and chooses to persist in her brother's proper burial, opposing Creon and his punishments, in order to "please those below a longer time than people here" (lines 74-75). Although Antigone does not consult an oracle directly about her fate, her choice to oppose Creon is driven by the divine, as funerary rituals are "unwritten, ever-lasting prescriptions of the gods" that not even rulers like Creon should override (line 465). This indicates the wrongdoing of Creon in trying to exercise his power to break societal laws under his own, and the gods use Antigone as a tool to punish him, but they also set a tragic fate upon her. Antigone knows the consequences of conspiring against Creon but continues to live her fate of death in order to honor her brother and the dead, because she believes she is guided by what the gods would want, not by a human.
The main conflict in the story Antigone is between the king of Thebes, also the antagonist, Creon and Antigone the Protagonist. When Antigone's brother dies in war Creon does not want to bury him, But Antigone feels its her brothers rights bestowed on him buy the gods to be able to be buried and that it would be disrespectful not to. For example in scene one page two Creon says "He’ll be left unburied, his body there for birds and dogs to eat, a clear reminder of his shameful fate.That’s my decision." As you can see here Creon thinks he has the authority and makes the laws about what is going to happen but really that is divine authority. Another example is in scene two page three when Creon is interrogating Antigone, Antigone says "Yes. Zeus did not announce those laws to me. And Justice living with the gods below sent no
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
In the play Antigone, created by Sophocles Antigone is a foil to Creon because their personalities contrast. This makes Creon a Tragic Hero because he thinks that he is a god but in reality he is a mortal upsetting the god's and he will eventually meet his demise. At the start of the play the reader is introduced to a character named Creon, who is the king of Thebes, the previous king, Eteocles, was killed by his brother Polyneices. There is a law arranged by Creon, so nobody could bury the body of Polyneices but Antigone, the sister of both Eteocles and Polyneices, wants to bury her brother and is willing to risk her life to bury him. She eventually gets caught and is sentenced to death by Creon.
Although undenialably couragous, determined, and brave. She has an achilles heel that makes her arrogant. She is unwilling to back off her quest, in burying her beloved brother. No matter if she must work alone and alienate herself in order to do so. To ensure she buries her kin with honor. “I will not press you any more. I would not want you as a partner if you asked. Go to what you please. I go to bury him. How beautiful to die in such pursuit! To rest loved by him whom I have loved, sinner of a holy sin, With longer time to charm the dead than those who live, for I shall abide forever there. So go. And please your fantasy and call it wicked what the gods call good”(Antigone 194). /she goes as far as breaking the law, presenting herself as a uncompromising person, similar to that of King Creon. Sadly her achilles heel is not from her doing. Other characters have influenced her into rushed decisions. For example Creon’s cruel punishments and brutality causes Antigone to want to bury her brother. Ismene’s refusal to help bury their beloved brother makes Antigone more determined and persistent to bury him. Eventually leading to Antigone’s suicide. She had hung herself, when Haemon (her love) saw her he stabbed himself and lied next to her in her pool of blood. Then when Eurydice(Haemon’s mother) found out she cut her throat in her bedroom. Creon was now alone. The chorus notes that if it were not
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
When Antigone learns that no one is to bury her brother, she immediately knows what she must do. She doesn’t even hesitate to her decision and she is fully willing to face the consequences to do what is right. She believes that what she is doing is just a humane right and she’s willing to die for what she believes in. She even tells Creon that what he’s doing is against what the gods wanted and that his laws were worthless. She states: “Not through dread of any human pride could I answer to the gods for breaking these.” It seems that gods are almost speaking to Creon through Antigone and warning him of his decision.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
In Antigone, death is a central theme that is consistently present throughout the entire play. In this particular passage, the chorus proclaims that man’s access to resources will allow him to continue to exist; however, as long as man exists, so will death – a fate that no amount of resources can help anyone escape. In this essay, I will explore the correlation and significance of this passage, and more specifically, the correlation and relation to death, with particular characters of the play. These particular characters each have a different relation and perspective of death, however, as the story progresses, I will discuss why their relation, perspective and the way that which they acknowledge death itself evolves and changes so drastically.
In his tragic trilogy, The Theban Plays, Sophocles portrays the essence of Ancient Greek life; their culture, politics, religion and the maxims that are intended to guide their daily life through the actions of the main characters, Oedipus, Creon, and Antigone. Sophocles employs the use of thematic structures that coherently affects each character uniquely, and one of the most common themes depicted in these plays is that of fate vs freewill. In the Theban trilogy, Sophocles uses a well-structured theme of fate vs freewill to establish the relationship between the Greeks and the gods, as well as to illustrate the limits of mortality.