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Women characters in othello
Women characters in othello
Emilia from othello character analysis
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One of Shakespeare’s greatest tragedies, Othello, lends itself to the tragic telling of Desdemona’s death by her beloved husband. Othello requires certain seemingly inconspicuous characters, such as Emilia, to carry the weight of the play forward. Emilia holds the role of Iago’s wife and notably Desdemona’s maid. She is a woman of practical intelligence in her roles Shakespeare cast her. The time of casting has a level of requirement from a woman in terms of her duty to her husband. Emilia fulfills her wifely duties to her husband, Iago, at a high degree and develops a loyalty to her mistress Desdemona. The two women counterbalance one another as Emilia speaks despairingly of men, but will support her husband as needed, while Desdemona temporarily pronounces her idealistic marriage to Othello.
The single dishonest act Emilia performs towards Desdemona is stealing her handkerchief, which unbeknownst to her turns out to have devastating consequences. Desdemona’s loss of her handkerchief is in part a major convincing for Othello that Desdemona is guilty of infidelity. While Emilia presents her husband, Iago, with the handkerchief as he had obsessively been seeking, she was unknowingly going to play a key role in Desdemona’s death by doing so.
Emilia is the one who discovers the truth of Iago’s plotting against Desdemona and Othello and brings light onto his acts of deception. Although Desdemona is not capable of resurrecting her from her untimely death she is capable of unraveling all of Iago’s wrongdoings to clear Desdemona’s name and the accusation of her being false. Emilia speaking out about the scheming of Iago directly disobeys his demanding of her to silence her tongue, as she is not to go against her husband. Rather than st...
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... Emilia’s breaking point of outcry in which she is no longer capable of seeking her husband’s affection after consistently being thrown aside when she is aware of what he has caused. Had he given her his affection as she so desperately longed for there is a realm of possibility that Emilia may not have spoken out against her husband, Iago.
Iago has a keen sense of what any given person is capable of and most notably how he may outwit them. The only character that Iago underestimates is his wife, Emilia. Ironically, Emilia is the only one capable of bringing down Iago as he had outwitted all others, but the one he believed was bound to obedience, his wife. For a man who was so well versed at manipulating the behavior of others failed to understand but one person, Emilia. She was the one person, which he should have known far better than any other, but knew far less.
...ng Desdemona has been unfaithful, ‘Trifles light as air Are to the jealous confirmations strong As proofs of holy writ’. However, his manipulation can also be seen with Emilia, in particular her finding of the handkerchief, ‘my wayward husband hath a hundred times Woo’d me to steal it’. The fact that Emilia gives Iago the handkerchief, despite her initial intention which is to have it copied and to return the original to Desdemona and despite his crude and derogatory remark, ‘it is a common thing’, reveals her desperation to please Iago and to satisfy his need for instant gratification. This contrasts with her outspoken, headstrong nature when Iago is not present and shows that women of this time period were dominated by men in all ways, including the suppression of their natural personalities.
Emilia displays to Desdemona a helping hand and says to leave Othello if she is so hurt by his “understandings”. “…Having the world for your labor, ‘tis a wrong in your own world, and you might quickly make it right” She is basically explaining to Desdemona to leave Othello for his ludicrous antics.
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
She is the only one who is involved but not counted in Iago's scheme. Desdemona shall die, Cassio shall die, but Iago does not plan anything to prevent Emilia from speaking, because he does not anticipate Emilia will abandon her husband for Desdemona. Yet Emilia speaks, and speaks an extremely defenseless thus courageous speech. When Othello tries to stab Iago, he is disarmed twice, once even after everybody has realized what a villain Iago is (Othello 5.2 242&292). But nobody disarms Iago either when he threatens Emilia with his sword or when he stabs Emilia (Othello 4.2 228&242). She is armless but not powerless. The truth she speaks brings justice in, wins the audience's respect, and shows the potential power of a female
Emilia is not just in the play to be a simply friend. She is there to tell everyone the horrible acts that have happened. Once, Emilia realizes her mistress has died she starts asking questions which helps her put two and two together. Emilia finds out that Othello thinks Desdemona cheated on her something that Desdemona would never do. Emilia then asks Othello, why? The main reason is the handkerchief. Othello gave Desdemona handkerchief that represents their love and its precious. Because Othello finds out Cassio had it he thinks an affair was going on. Then is when, Emilia reveals that she gave the handkerchief to Iago because she found it. Quickly after that it’s revealed that Iago (her husband) is doing evil acts. Emilia “...That handkerchief thou speak’st of I found by fortune and did give my husband. For often, with a solemn earnestness—More than indeed belonged to such a trifle—He begged of me to steal it.” With that said, Emilia was much more than a
Her story begins to extend far beyond one of abuse as it delves into the subjects of loyalty and equality during her interactions with Desdemona, where she begins to question her loyalty towards Iago. Emilia displays her desire to aid Iago in his quest for power when saying, "Who would not make her husband a cuckold to make him a monarch? I should venture purgatory for 't" (4.3.85-87). Despite this claim, it is clear that she is torn between her loyalties to Iago and Desdemona. She feels conflicted about taking such a precious token as it is the handkerchief from her lady, even though Iago has repeatedly asked her to steal it. Almost as soon as she hands it over to Iago, she begins to worry about Desdemona 's wellbeing and asks Iago to return it, “Give 't me again: poor lady, she 'll run mad / When she shall lack it.”(3.3.1899-1990). Her conversations with Desdemona also allow her to openly discuss her thoughts on equality in relationships; views which are probably permeated by her own resentment towards her husband. This change in personality and portrayal in her character allows her to take on a more active role in the plot, and is what will later make her a crucial
Emilia is a realistic woman. She does not always do what is right, but does things to make life easier for herself. When Emilia steals Desdemona’s handkerchief she says,
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
Iago plants the handkerchief on Cassio. Convinced of Desdemona’s infidelity, Othello smothers his beloved wife in their marriage bed. Emilia then proves Iago’s guilt and Desdemona’s innocence to Othello. Othello stabs Iago, who is under arrest, but fails to kill him and commits suicide.
She is unwittingly responsible for her friend’s death because, she never mentions the handkerchief until Desdemona has been killed. Although, Iago is the mastermind behind Desdemona’s death and Othello is the person who murdered her, if then, it were not for Emilia who initiates Iago’s plans, Desdemona would still be alive. Emilia is unwittingly responsible for Desdemona’s death because she is nave about her husband’s actions; she is silent about the handkerchief and lacks courage to prove to Othello that Desdemona’s is innocent. Desdemona’s death is caused because Emilia is naive and has poor judgment of Iago. Iago believes that Emilia is promiscuous; this sparks his jealousy toward Othello.
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
...her murdered mistress, resuscitates morality in this play. Emilia refutes the untrue notions which Othello says motivated him to kill; she counters Iago’s lies (“She give it Cassio? No, alas, I found it, / And I did give’t my husband.”) and lays the guilt for Desdemona’s murder on his shoulders. And she sacrifices her very life for the truth; she dies a martyr, stabbed by evil Iago. Othello also is a martyr in a sense, paying in full for the crime that he committed.
While she does have good intentions through out parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. "Come on, come on. You are pictures out of door, bells in your parlors, wild-cats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and housewives in your beds." (Act 2 scene 1 line 119) Not once does she ever defend herself. In fact, she is nothing but eager to please her husband to win his affection. "I nothing but to please his fantasy" (Act 3 scene 3 Line 343) She betrays her friendship with by stealing her handkerchief and gives it to Iago hoping to satisfy him. This utterly fails leaving Emilia with the desire to continue to try to please him. "Who would not make her husband a cuckold to make him a monarch? I should venture purgatory for 't" (Act 4, Scene 3, line 85) She is a representation of an abused woman who does not have enough self respect to defend herself. It is evident she makes herself a slave to Iago by consistently trying to make him happy despite his malevolent behaviour. Emilias lack of self confidence and passiveness proves that the women in Othello are powerless and
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Her strength and determination to punish Iago leads to her death though in this respect she may be seen as a victim. In her only moment of strength she was struck down. Iago's language towards Emilia gives an impression that she may be a victim.