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"A&P" Analysis
Literature the theme of conformity
Literature the theme of conformity
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The author of A & P, John Updike, uses the grocery store as a vehicle to represent conformity present in the 1950’s, and to show how the main character Sammy, and the three girls breaks this barrier of conformity. The story takes place within a small-town grocery store called A & P during a period where conformity is at an all-time high- which is shown throughout the various observations and decisions Sammy makes at work. Seeing how three girls were uninfluenced by society sparks Sammy’s intuition. Conformity was common among all ages in the 1950s. Men were expected to work and support their family financially, while women, even though some worked, were expected to cook, clean, and take care of the family. This is best shown within A & P when Sammy describes how the costumers, he referred to as “sheep”, pushed their carts down the aisles in the same flow of traffic every day. He even refers to them as “house slaves in pin curlers” (Updike 354). Distracted by the three girls, Sammy couldn’t remember if he’d rang up a costumer’s item or not. So, he rings it up again, and states, “the costumer starts giving me hell” (Updike 352). He shows the readers this theme of conformity when he says, “She’d been watching cash registers for fifty years and probably never seen a mistake before” (352). He reiterates the pattern and routine He describes Stokesie as a married man with two children, and his dream to one day take Lengel’s place as the store manager. In Sammy’s eye’s he sees Stokesie and Lengel as unhappy and realizes that one day that could be him. However, Sammy doesn’t want to keep going through the stages to become manager, because Sammy see’s that there is more out there for him. Since, Sammy does not want to continue to the pattern, he is showing anti-conformity in the workplace. Sammy has been influenced by these three girls to have a different
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
The negative way that Sammy describes his place of work and some of the people that he works with
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
We see Sammy's immaturity at its worst with his snide labeling of the customers in the A & P. An example of this occurs when he calls one lady "a witch about fifty with rouge on her cheekbones and no eyebrows" (p.33). Sammy places the blame on her for his mistake at the cash register. He claims she would have been burned at the stake in Salem if she had been alive then. In another instance, he refers to the housewives shopping as "houseslaves in pin curlers" (p.34).
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
Sammy's feelings for Queenie changes when he hears her voice. Her voice is normal and he has built this romantic image of her in his mind. Hearing her voice and realizing she is a normal person, (that happens to be wealthy) slightly changes his feelings for her. It brings him back to reality a little. “Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room.” Sammy feels as if he has no chance to get noticed by her unless he does something out of the ordinary. So after she is done arguing with Lengel, Sammy decides to stand up for her and quit his job in hopes that she will notice him.
Sammy was obviously near the bottom of the class ladder, a place where he was extremely unhappy. His dead-end job at the grocery store, where lower class citizens are the prime patrons, was not a place he felt he belonged. He wanted to be a member of the family where the "father and the other men were standing around in ice-cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big glass plate and they were all holding drinks the color of water with olives and sprigs of mint in them" (Updike 1028). Sammy realizes that Queenie comes from this sort of background, a very different one from his. When Queenie is being harassed by Lengel, Sammy sees that "she remembers her place, a place from which the crowd that runs the A & P must look pretty crummy" (Updike 1028). Queenie’s family was in the class that he envied, that he admired, that he wanted to become a part of.
Sammy observes their movements and gestures, up until the time of checkout. At which point, they are confronted by the store manager and chastised for their unacceptable appearance. He believes their attire is indecent. Sammy, feeling that the managerial display was unnecessary and unduly embarrassing for the girls, decides to quit his position as checker. Though he knows that his decision may be hasty, he knows that he has to follow through and he can never go back.
Sammy worked a typical boring job and what seemed to be in a typical small town. The only person in the store he really related to was Stokesie, which is the foil to Sammy, because Stokesie is married, has kids and eventually wanted to be manger one day. Something Sammy did not want to stick around and see. The customers in the store were all pretty much the same, in which Sammy did not show much emotion towards except he referred to them as “the sheep pushing their carts down the aisle” (Updike 261). It is easy to tell Sammy did not like his job, but it also seemed he had no other option, as if he was stuck in his small town and there was no way out. Then out of the blue he saw three girls wearing only their bathing suites walk in the store. Sammy noticed something different about them, like they were liberated from the conservative values of those times; they were part of a new generation. Especially Queenie, he referred to...
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
Although one’s good deeds may often not be acknowledged, the inevitable lesson of maturity can be taught through such experiences. In “A&P”, Sammy is a teenage clerk who is not acknowledged for accomplishing what he thinks is a good deed. During a hot day, three teenage girls walks into the A&P grocery store, wearing only their bathing suits. The image of the girl’s revealing attire provides an absolute contrast to both the simple interior of the store and also of the other conservative customers. Sammy describes the customers as “sheeps” because they look mindless as they follow each other around the aisles in continual, constant motion. However, these three girls conflict with the imagery of “sheeps” by breaking the norms of what the A&P grocery store, and society in general, has proclaimed as acce...
Like stated earlier, gender roles in the 50’s were very strict and narrow-minded. That being said, women were extremely limited in their role in society. First of all, women were expected to be homemakers. By homemaker, I mean the women w...
He even makes this comment about Stokesie: "I forgot to say he thinks he’s going to be manager some sunny day, maybe in 1990" (Updike 1027). His disenchantment with the job of manager only suggests Sammy’s ideas of real life existing outside of his work at A&P. The most obvious display of Sammy’s maturity is his sympathy for the girls after they are harshly reprimanded by Lengel. His established sympathy is shown in "the contrast between the girls and the typical cash register watcher" (Greiner 389).
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
“A&P” is a short story by John Updike about a nineteen-year-old male named Sammy. Sammy lives in a small town five miles from the beach and works at a grocery store called A&P. Throughout the story Sammy reveals signs of agitation at his job. Things begin to change as he gazed his eyes on three girls that walk into the store. The A&P and the girls are important symbols in “A&P” that help reveal the conflict in the story.