Theme Of Childhood In The Great Gatsby

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There lies a child within every human being. No matter how small, some sense of freedom and hope tends to endure in adults, as they once experienced youth. While Tom, Daisy and Jordan exhibit how they share this feeling in the novel, this youthful instinct most evidently appears in the behaviors of Jay Gatsby and Myrtle Wilson. Because they never learn how to survive in the real, adult world, their uncontrollable attitudes catalyze their early deaths. In F. Scott Fitzgerald 's The Great Gatsby, Myrtle Wilson and Jay Gatsby represent childlike desire and the corruption of maturity in the 1920s. Their deaths signify the actuality that childhood terminates, exposing the inevitable reality of adulthood.
Jay Gatsby’s character embodies a childlike …show more content…

At the hotel gathering, Gatsby struggles to persuade Daisy to confront her husband and she responds with “Oh, you want too much! . . . I did love him once--but I loved you too” (Fitzgerald 132). Daisy desperately tries to satisfy Gatsby but his imagination blocks his mind to such a degree that it eliminates his chances of learning how to comprehend reality. After Myrtle’s murder, Nick advises Gatsby to leave town but instead he realizes that “[Gatsby] wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn’t bear to shake him free” (Fitzgerald 148). No matter how hard Nick attempts to help him make the better choice, Gatsby continues to skew his priorities like a juvenile. Unfortunately for Gatsby, Daisy stays with Tom, a more secure and experienced adult, leaving Gatsby alone. As Gatsby’s life loses his vitality, he obviously needs learn how to act like an adult and survive in the world; but unable to accomplish this, Wilson kills him soon …show more content…

At Wilson’s garage, Tom tells Myrtle “I want to see you . . . Get on the next train” (Fitzgerald 26). At this point in the novel, Myrtle’s presence serves as an irresistible necessity to Tom. Her presence regresses him to act as though he never grew up. Myrtle recalls how Tom and she met by explaining “When we came into the station he was next to me, and his white shirt-front pressed against my arm, and so I told him I’d have to call a policeman, but he knew I lied” (Fitzgerald 36). Myrtle’s young and flirtatious behavior compels Tom to take advantage of her in a way that helps him escape from reality; but by doing so, he cheats on his wife. On their way to New York, Myrtle tells Nick “Come on . . . I’ll telephone my sister Catherine. She’s said to be very beautiful by people who ought to know” (Fitzgerald 28). In her persuasive tone, Myrtle entices Nick to join in on her and Tom’s festivities, with some hesitation he eventually succumbs to the pressure, just like Tom gives in to her desires. Myrtle manages to get her way by ignoring the adult morals and makes that act appealing to others, therefore persuading them to join

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