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What are Janie's characteristics when they were watching god
What are Janie's characteristics when they were watching god
Discuss the significance of janie's relationship with her grandmother in their eyes were watching god
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Karl Lagerfeld stated, “Fashion is a language that creates itself in clothes to interpret reality.” In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie wears several different types of clothing which signify the important moments in her life. Each article of clothing outlined in the book suggests Janie’s inner self and the feelings she has at those particular moments of her life. For Janie, when told to wear certain articles of clothing, whether a head rag, an apron, or white clothing six-months after Tea Cup dies, Janie’s confidence and inner self struggle because these are particular pieces of clothing she would rather not wear. All of Janie's clothes represent her search for love and describe each relationship. Janie …show more content…
feels free and more openly willing to express herself when wearing clothes of her choosing. Clothing is an integral part of a person’s identity and expressions, when dictated by others one can lose their inner self. Throughout Janie’s childhood she wears hand-me-downs from Mrs.Washburn .
Mis’ Washburn uster dress me up in all de clothes her gran’ chillum had. And then she uster put hair ribbon on mah head fuh me tuh wear” (Hurston 9). Janie feels poor and rejected by the other white children. Janie did not get to choose her own clothes, rather they were chosen for her. Janie realizes that she does not fit in and hopes for a different life. However, the arranged marriage to Logan Killicks and the apron she wears represented a housewife tied to someone. In the quote, when she flings off her apron, she is symbolically freeing herself from the bonds of her marriage to Logan and her “homemaker” lifestyle. “The morning road air was like a new dress. That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on, picking flowers and making a bouquet” (Hurston 31). Janie realizes the confinement of this type of life and rids herself of the apron for freedom from the marriage.
Janie still manages unhappiness when marrying Jody. At first, “Jody told her to dress up and stand in the store all evening. Everybody was coming sort of fixed up, and he didn’t mean for nobody else’s wife to rank with her. She must look on herself as the bell-cow, the other women were the gang. So she put on one of her bought dresses and went up the new cut road all dressed in wine-colored red. Her silken ruffles rustled and muttered about her. The other
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women had on percale and calico with here and there a head-rag among the older ones” (Hurston 38). Janie realizes Jody wants her to look nice for everyone else, but quickly get jealous when she gets attention. Jody tells Janie to hide her hair in a head rag. Although this is the first life Janie chooses on her own, she is still being told how to dress. Janie is not sad about Jody’s death, but more upset about the fact that she has to wear certain widower clothes for six months. “Jody ain’t never in his life picked out no color for me. De world picked out black and white for mournin’, Joe didn’t. So Ah wasn’t wearin’ it for him. Ah was wearin’ it for de rest of y’all” (Hurston 107). She only dresses in grieving clothes, because society expects her to. Janie is still not in control of what she wears or how she lives her life, until the six months is up. Janie breaks loose and starts wearing her hair in different styles and colored dresses.
She also meets Tea Cup and begins to wear overalls. She finally found the lifesytle she envisioned, a life down in the everglades with Tea Cake. In the quote, Janie imagines what her friends would say if they could see her in the overalls. “No expensive veils and robes for Janie this time. She went on in her overalls. She was too busy feeling grief to dress like grief” (Hurston 180). This quote shows the grief she felt when dressed by others. The overalls symbolize comfort and freeness in her new life. The masculinty of the overalls also represents the new
found independence Janie found with Tea Cake. Tea Cake treated her like an equal. All of Janie's clothes represent her search for true love and her relationships with those around her. We all wear our clothes a silent messengers, and Hurston used this tool clearly and well in her novel.
By the end of the story, Janie has accomplished finding and conquering self-actualization, she has reached her enlightenment through the her marriages to Logan, Jody, and Tea Cake. It is apparant when she tells Pheoby, “You got tuh go there tuh know there.. Two things everybody's got tuh do fuh theyselves. They got tuh go tuh God, and they got tuh find out about livin' fuh theyselves" (Hurtson 183).
When Janie became the mayor’s wife things have change for her. In the beginning of chapter 7 Hurston describes Janie as being a ‘rut in the road’ ever since she has gotten that title of being the mayor’s wife. “ For a while she thought it was gone from her soul. No matter what Jody did, she said nothing. She had learned how to talk some and leave some. She was a rut in the road. Plenty of life beneath the surface but it was kept beaten down by the wheels. Somethings she stuck out into the future, imaging her life different from what is was, But mostly she lives between her hat and her heels , with her emotional disturbances like shade patterns in the woods-come and gone with the sun. She got nothing from Jody except what money could buy, and she was giving away what she didn’t value” (pg 76). This metaphor shows how the relationship between
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
Though Janie had three marriages in total, each one drew her in for a different reason. She was married off to Logan Killicks by her Grandmother who wanted her to have protection and security. “Tain’t Logan Killicks Ah wants you to have baby, its protection.” (Hurston 15) says Janie’s grandmother when Janie said she did not want to marry Logan. Though Janie did not agree with her grandmother, she knew that she just wanted what’s best for her. Next, she married Joe Starks, Janie was unsatisfied with her marriage to Logan so Joe came in and swept her off her feet. Janie did not like the fact that Logan was trying to make her work, so Joe’s proposition, “You ain’t never knowed what it was to be treated like a lady and ah want to be de one tuh show yuh.” (Hurston 29) was too good to pass up, so she left Logan and married Joe. Janie’s last marriage was to Tea Cake. Fed up after having been treated poorly by Joe, Janie finally found someone who liked her for who she was. “Naw, ...
Until one day, towards the end of their long marriage, when Jody made a very mean comment about Janie's body. She came back with, "When you pull down yo' britches, you look lak de change uh life." After these words came out, Jody hit her. These harsh words could never be forgiven. At the end of their marriage, before Jody died she finally told him her feelings.
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
In Eatonville, gossip spreads throughout the townspeople. Sitting on each other's porches will become a usual community assembly. In the movie, the men gossip rather than the women who gossip in the book because Oprah wants equally between the men and the women. Janie’s best friend, Pheoby Watson, sits and talks with the women of Eatonville when Janie returns. Oprah portrays Janie in the movie as friends with all the women on the porch, but in the book she did not speak to none of the women. Pheoby walks to Janie’s house and Janie knows that the women have talked about her. Janie makes it clear that what the women say does not affect her. "To start off wid, people like dem wastes up too much time puttin’ they mouf on things they don’t know nothin’ about […]" (Hurston 6). Janie shows she does not care about what the women on the porch think of her because she knows what occurred in her and Tea Cake’s relationship not the women. Pheoby walked to Janie’s house to understand her reasoning for coming home in worn out overalls with no shoes on her feet and to bring her dinner. Oprah wants a weaker relationship between Janie and Pheoby. Zora Neale Hurston made them closer because Pheoby had the comfort of walking through Janie’s back door whereas in the movie she walks in the front door. In the movie version, Janie and Pheoby argue and in the book they never did. Oprah made them argue to continuously display Janie’s
The first time Janie had noticed this was when he was appointed mayor by the town’s people and she was asked to give a few words on his behalf, but she did not answer, because before she could even accept or decline he had promptly cut her off, “ ‘Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’/Janie made her face laugh after a short pause, but it wasn’t too easy/…the way Joe spoke out without giving her a chance to say anything on way or another that took the bloom off things” (43). This would happen many times during the course of their marriage. He told her that a woman of her class and caliber was not to hang around the low class citizens of Eatonville. In such cases when he would usher her off the front porch of the store when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT to show in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over course of their marriage, he had silenced her so much that she found it better to not talk back when got this way. His voice continuously oppresses Janie and her voice. She retreats within herself, where still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grows out of her identity, but out of her division into inside and outside. Knowing not mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until; Joe lies sick and dying in his death bed.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
In Zora Neale Hurston’s “Their Eyes Were Watching God” and “Sweat,” Hurston uses the characters Janie Crawford and Delia Jones to symbolize African-American women as the mules of the world and their only alternative were through their words, in order to illustrate the conditions women suffered and the actions they had to take to maintain or establish their self-esteem.
Janie's first marriage was to Logan Killicks when she was just a young girl at the age of seventeen. Janie?s wardrobe mainly consisted of aprons and work clothes. Logan was very demanding and controlling over Janie, he made her work in the field and cook all day. Most of her time was spent cooking and she almost always wore her apron. ?That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road an walked on??(page 32). Janie threw off her apron while she was leaving Logan, symbolizing how she was no longer under his control and she was now back on her journey for love.
The movie and the book of Their Eyes Were Watching God both tell the story of a young woman’s journey to finding love; however, the movie lacks the depth and meaning behind the importance of Janie’s desire for self-fulfillment. Oprah Winfrey’s version alters the idea from the book Zora Neale Hurston wrote, into a despairing love story for the movie. Winfrey changes Hurston’s story in various ways by omitting significant events and characters, which leads to a different theme than what the novel portrays. The symbolisms and metaphors emphasized throughout the book are almost non-existent in the movie, changing the overall essence of the story. While Zora Neale Hurston’s portrayal gives a more in depth view of Janie’s journey of self-discovery and need for fulfilling love, Oprah Winfrey’s version focuses mainly on a passionate love story between Janie and Tea Cake.
herself. Janie, all her life, had been pushed around and told what to do and how to live her life. She searched and searched high and low to find a peace that makes her whole and makes her feel like a complete person. To make her feel like she is in fact an individual and that she’s not like everyone else around her. During the time of ‘Their Eyes’, the correct way to treat women was to show them who was in charge and who was inferior. Men were looked to as the superior being, the one who women were supposed to look up to and serve. Especially in the fact that Janie was an African American women during these oppressed times. Throughout this book, it looks as though Janie makes many mistakes in trying to find who she really is, and achieving the respect that she deserves.
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey