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Essay african american theatre
The difference in african american theatre
Essay african american theatre
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Theater Scenery in the 1960's
In the 1960’s, culture and society saw great upheavals and changes, changes that would affect every aspect of life in America. Naturally, theatre came to be affected in due time, as could be seen in the new subject matter found in the plots of new plays. One of the aspects that came to be affected was scenery of the time. Theater is a diverse and complex art. It requires collaboration among many artists, craftspeople, and managers in order to create a performance for audiences. Since the time of the ancient Greeks, theatrical events have included such production elements as costumes, scenery, properties, music, and choreography. Lighting and sound are more recent additions. Each element in today's theater has its own designer, composer, or choreographer, who collaborates with the director to focus the audience's attention on the actor in the special environment or seeing place. In addition to the actor and the audience in a space, other elements of theater include a written or improvised text, costumes, scenery, lights, sound, and properties (props). Most theatrical performances require the collaborative efforts of many creative people working toward a common goal: the production. Fundamental to the theater experience is the act of seeing and being seen; in fact, the word theater comes from the Greek word theatron, meaning "seeing place." Throughout the history of world cultures, actors have used a variety of locations for theater, including amphitheaters, churches, marketplaces, garages, street corners, warehouses, and formal buildings. It is not the building that makes theater but rather the use of space for actors to imitate human experience before audiences.
One of the bigger things to affect scenery was the increasing influence of black culture in theatre. Whereas blacks were once a part of the scenery in a play, they could now imbue their aspects of their culture into scenery for their plays. People could now see America as most black playwrights saw it, the barriers that most white Americans could never fully understand.
The specialization and individualized professions in the field of Technical Theatre are relatively new to the stage in comparison to the period of time in which the art of Theatre has grown. Aiding in the development of concentrated professions such as scenic design has been a plethora of talented, skillful, intelligent and highly driven individuals. Among these influential fountains of creativity have been John Lee Beatty, Eugene Lee, Boris Aronson, Ming Cho Lee, Jo Mielziner, Tony Walton, Robin Wager, John Napier, Santo Loquasto, Heidi Landesman, and Julie Taymor along with many more.
“You know some guys just can’t hold their arsenic” (Chicago). Theater in the 1920’s was greatly influenced by prohibition, mobsters and large murder cases as shown in the musical Chicago. Prohibition fueled many of the social issues of the day and also influenced theater. 1920’s theater was in turmoil as American society struggled to establish a new moral code. The musical Chicago gives examples of corruption in the legal system and the changing roles of women in society.
...ts have been brought to millions of American citizens of the economic system generally described as underprivileged'" (Burg, 296). Though it was very short-lived, the Federal Theatre Project was helpful to thousands of Americans during the 1930s. To those involved in theatre, it was able to give the unemployed jobs and for those who were not involved in theatre, it was a wonderful form of public entertainment that helped boost American morale during the Great Depression. The Negro Theatre Project gave black Americans an equal opportunity in theatre as well. Though Living Newspapers caused conflicts, they were still a good way to combine the powers of entertainment and enlightenment for the public. Even if it was a very controversial project, the Federal Theatre Project had a large impact on society in the 1930s and was the most important of the Federal Arts Projects.
It is human nature to tell stories and to appreciate and participate in theatre traditions in every society. Every culture expresses theatre and may have their own traditions that have helped pave the way for how they are today. The involvement of African-Americans has increased tremendously in theatre since the nineteenth century and continues to increase as time goes on. African-Americans have overcome many obstacles with getting their rights and the participation and involvement of Theatre was something also worth fighting for. American history has played an important role with the participation of African-Americans in theatre. Slavery occurrence in America made it difficult for blacks in America to be taken seriously and to take on the characters of more serious roles. With many obstacles in the way African-Americans fought for their rights and also for the freedom that they deserved in America. As the participation of African-Americans involvement within the theatre increase so do the movements in which help make this possible. It is the determination of these leaders, groups, and Theaters that helped increase the participation and created the success that African-Americans received throughout history in American Theatre.
Mise en scene is a French theatrical term meaning “placing on stage,” or more accurately, the arrangement of all visual elements of a theatrical production within a given playing area or stage. The exact area of a playing area or stage is contained by the proscenium arch, which encloses the stage in a picture frame of sorts. However, the acting area is more ambiguous and acts with more fluidity by reaching out into the auditorium and audience. Whatever the margins of the stage may be, mise en scene is a three dimensional continuation of the space an audience occupies consisting of depth, width, and height. No matter how hard one tries to create a separate dimension from the audience, it is in vain as the audience always relates itself to the staging area. Mise en scene in movies is slightly more complicated than that of an actual theater, as it is a compilation of the visual principles of live theater in the form of a painting, hence the term “motion picture.” A filmmaker arranges objects and people within a given three-dimensional area as a stage director would. However, once it is photographed, the three-dimensional planes arranged by the director are flattened to a two-dimensional image of the real thing. This eliminates the third dimension from the film while it is still occupied by the audience, giving a movie the semblance of an audience in an art gallery. This being so, mis en scene in movies is therefore analogous to the art of painting in that an image of formal patterns and shapes is presented on a flat surface and is enclosed within a frame with the addition of that image having the ability to move freely within its confines. A thorough mise en scene evaluation can be an analysis of the way things are place on stage in...
"The arts of the western world have been largely dominated by the artistic standards established by the Greeks of the classical period" (Spreloosel 86). It is from the Greek word theatron, meaning a place for sitting, that we get our word theater. According to James Butler, "The Greeks were the first people to erect special structures to bring audiences and theatrical performers together" (27). "The theaters were normally located near a populated area at the bottom of or cut out of a carefully selected, sloping hillside overlooking a seascape, a plain, or a city" (Butler 30). "They eventually with few exceptions consisted of three distinct parts: theatron (viewing place) for spectators, orchestra (dancing place) where the chorus and actors performed; and a later addition, a skene (scene building), which provided a scenic backing" (Butler 30).
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
The 19th century was a time of change for Americans. The civil war took place in the 19th century which divided our country into two sides. Theater plays helped the people get through the war and hard times throughout all of history. The 19th century was a time of great change for American theater (19th century).
“The theatre was created to tell people the truth about life and the social situation,” says Stella Adler. Theater is unique and intriguing because it blends literary and visual arts to tell a story. Before Theater 10, I viewed theater on the surface level: cheesy plot lines with dramatic scenarios for entertainment purposes. Throughout the course, I have learned what it means to appreciate theater, such as understanding Brechtian and Chinese theatre; however, I believe understanding theater’s ability to convey crucial historical and social messages, such as in the production of RENT, is more relevant and important for theater appreciation.
The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing with their conflicts and fates challenges as well as reinforces values and the morality of society. The theatre provides an exciting opportunity to watch stories and situations as if they were real life, showing us the truth of our nature.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.