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Pessimism in hardy's poetry
Hardy's philosophy of life
Hardy s literary devices
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Recommended: Pessimism in hardy's poetry
How important is the use of irony in Thomas Hardy's poetry and in his
novel The Mayor of Casterbridge?
Hardy's use of irony is clear throughout his work; The Mayor of
Casterbridge1 (referred to from this point on as Casterbridge) clearly
features many ironic twists in the plot, both obvious ones such as
Henchard discovering Elizabeth-Jane's true parentage at such an
inappropriate time, and more subtle uses of irony as when Mrs.
Goodenough only betrays Henchard's past because Susan and
Elizabeth-Jane remind her of it. Irony is also a clear feature in
Hardy's poetry, especially prominent in the poem Hap2, where Hardy
speaks of a 'vengeful god', laughing at him. Hap and Casterbridge were
written twenty years apart demonstrating how irony was a constant
feature of Hardy's work and not used in a brief experimental phase.
Key to the debate on ironies importance in Hardy's work is to ask
whether it is a motivational force behind his writing or is it used
more as a tool for expressing Hardy's views on fate and mankind?
It must be noted though that the use of irony in Hardy's work is often
most prominent when representing his views on the cruelty of fate, and
also for highlighting flaws in his characters' personalities. Trevor
Johnson has described Hardy as believing "Life… was a walk on a
razor-edge, love and happiness were accordingly infinitely precarious
yet infinitely worthwhile"3. There is irony in that to lead a secure
life, free from danger, one also has to live without happiness;
Hardy's The Darkling Thrush can be interpreted in a way reflecting
this belief. The "full-hearted evensong of joy" is something Hardy
cannot appreciate, being "unaware" of the "hope" the thrush sings of.
The poem seems to i...
... middle of paper ...
...sterbridge but in all his novels.
Irony is not used for its own sake; it is combined with a sense of the
supremacy of fate to give life's irony meaning. Hardy seems to believe
that there is no freedom from fate but in fact freedom within fate and
irony occurs through this.
Freedom, Hardy seems to be saying, is not opposed to nature nor
independent of it. Freedom is within nature.15
Fate is natural and irony is a part of fate; without irony then the
fate in Hardy's novels and poetry would be left empty of meaning and
also of interest. Irony and fate are tangled together in a complex web
where they mutually rely on each other and would disintegrate without
the other for support. Irony's importance is no greater and no less
than the importance of fate in Hardy's novels and it is irony and fate
together that make Hardy's work compelling to read and study.
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
Like salt and pepper to beef, irony adds “flavor” to some of the greatest works of literature. No matter if readers look at old pieces of work like Romeo and Juliet or more modern novels like To Kill a Mockingbird, irony’s presence serve as the soul fuel that pushes stories forward. By definition, irony occurs when writers of books, plays, or movies destine for one event or choice to occur when the audiences expects the opposite; like Tom Robinson being found guilty after all evidences point other ways in To Kill a Mockingbird. These unique plot twists add mystery and enjoyability to hundreds of books. From the very beginning of The Chosen, a novel written by Chaim Potok, to the very end, irony’s presences does not leave the reader at any
Alexandre Dumas pronounces in, The Count of Monte Cristo,”I think you realize that you have confidence in me, so listen to my advice.” This quote is Villefort talking to Dantes after he throws the letter into the flames. This is an example of Irony because, Villefort is saying that you have confidence in me but, really Villefort is just going to send Dantes to jail because he wants to save himself before Dantes could figure out Nortier was Villefort’s Father. Once again it’s Villefort’s ego that is causing others to suffer. An additional example of Irony takes place in Ozymandias once again describing pride to sometimes be a demonizing thing to others and thyself. Shelly states,”Look on my works, ye mighty and despair.” In other words he is taking pride in his work and not distributing the quality everyone was eery to see. We have realized a frequent topic in Ozymandias, he talks a whole lot about what he is doing or going to be doing for his community and realizes it isn’t there
“The supreme irony of life is that hardly anyone gets out of it alive.” -Robert A. Heinlein. In the short story, “The Possibility of Evil”, the author Shirley Jackson uses irony to develop the traits of the protagonist, Miss Strangeworth, in her small hometown. Throughout the story, there are many examples of irony as Miss Strangeworth goes through her normal day. Irony is an engaging literary device used by authors to expose underlying intentions which become critical to the development of the plot.
1. Irony is a useful device for giving stories many unexpected twists and turns. In Kate Chopin's "The Story of an Hour," irony is used very effectively in her story. Situational irony is used to show the reader what is assumed to happen sometimes doesn't. Dramatic irony is used to hint to the reader something is happening to the characters in the story that they do not know about. Irony is used throughout Chopin's "The Story of an Hour" through the use of situational irony and the use of dramatic irony.
There are so many examples of situational irony that is clear throughout these stories Mr. Mallard being dead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage better than Dee, Mathilde finding out she worked her whole life for nothing, and when Mr. Graves tells Tessie that Eva draws with her husband's family, Tessie is angry. Dramatic irony is everywhere as well. Louise dies from the shock of seeing her husband who is supposed to be dead and when Dee never wanted anything to do with her heritage until somebody was impressed by it.
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Irony is a useful device for giving stories many unexpected twists and turns. In Kate Chopin's "The Story of an Hour," irony is used as an effective literary device. Situational irony is used to show the reader that what is expected to happen sometimes doesn't. Dramatic irony is used to clue the reader in on something that is happening that the characters in the story do not know about. Irony is used throughout Chopin's "The Story of an Hour" through the use of situational irony and the use of dramatic irony.
In the book Hamlet by Shakespeare, irony is used numerous times in order to give the reader insight on what is going on. As stated in the Merriam-Webster dictionary, irony is an action that is understood by the audience but not by the characters in the play. If this strategy were not included in this drama, it would take away the whole purpose. This play would consist of no suspense and would be extremely boring to the reader because the characters would know as much as the readers know. This allows for incite to what can happen in the future or what has happened in the past. The irony in this play ultimately revolves around Hamlet and his plan to achieve revenge with Claudius. From the play that Hamlet organizes about the death of his father to the ending where Fortinbras happened to be at the right place at the right time to take over the throne in Denmark; this paper examines the cases in where irony is used to show how Hamlet is preventing his murderer uncle from getting away with his fathers death.
There are three different types of irony. There is dramatic irony, which is where the reader knows more the character actually does. For example horror films, when you the scary monster is under the bed but the character does not know. Verbal irony, which is when you say something and actions show otherwise. For example relationships, when your husband tells you he loves you and then has an affair with another women. Situational irony, which is where expecting something to happen in a certain situation and it, ends up being the complete opposite of what you thought would have happened. For examples cops, when cops get tickets for getting pulled over for speeding. Irony is a huge part of story telling. It’s the suspense that irony
because, if the reader understands the irony of what a character is saying, then the reader can see the true nature and intentions of the character.
Henchard's fate was strongly rooted in his character. He has several character flaws that contributed to the break down of every relationship he had. At the beginning of the novel it is his temper that starts the whole story off. At the fair in Weydon - Priors, he becomes angry with his wife while he is drunk. Henchard tries to sell her because he believes that it is Susan's and the child's fault that he is not successful. This is evidently not the first time. He finds an interested man who pays five pounds and five shillings for her. This of course is the beginning of the break down of his family life and his role as a father. Henchard is upset when he sobers up the next morning. There are other instance where Henchard's temper destroys his relationships. The next episode in the story is when Farfrae's idea for the fair works better than his own. In a fit of jealous rage, Henchard fires his good friend. This alienates Farfrae from both Henchard and Elizabeth-Jane. It also distances Henchard from Elizabeth-Jane and Farfrae. His temper has now caused a fault in his business and his family. Farfrae sets up a business in competition with him. Henchard also denies Farfrae the right to court his daughter. This of course pushes Elizabeth-Jane farther from her father. In Henchard's anger and other habits there is an element of control. That is lack of control. Henchard, it seems, likes his drink. In the beginning of the story he asks for some liquor to be added to his furmity. Once drunk, he losses control and becomes angry. This of course leads to the family break up. In the morning, he swears, While he is sober for those years, he is very prosperous. Henchard becomes a wealthy corn merchant as well as the Mayor of Casterbridge. However, when the twenty-one years are over he starts drinking again. Prior to this because of his temper and the such, he is a ruined man. When he takes up drinking again it just hastens the downward spiral he is on. He is an embarrassment to himself and all that know him. This quote is from the visitation of the Royal Personage. Farfrae had set up a reception for the royal guest. Henchard's presence at the arrival of the guest was denied by the council.
Thomas Hardy's The Mayor of Casterbridge. Sex is so intertwined in our society that it pervades each facet, including television, books, advertising, and conversation. Movies like The Matrix toss in gratuitous sex because the audience nearly expects it. Thomas Hardy's The Mayor of Casterbridge, therefore, is exceptional in its lack of sexual situations. The subject of sexual motivation and its inherent ambiguity with regard to Henchard's actions is a topic that caught my attention from the very first pages of The Mayor of Casterbridge.
Countless literary devices are used to make publishable literature. One most used devices is irony. Irony is defined as a situation or statement characterized by a significant difference between what is expected or what is understood and what actually happens or is meant. Two famous pieces of literature that use this device are The Cask of Amontillado by Edgar Allan Poe and The Glass Menagerie by Tennessee Williams
ABSTRACT: In contemporary literary culture there is a widespread belief that ironies and paradoxes are closely akin. This is due to the importance that is given to the use of language in contemporary estimations of literature. Ironies and paradoxes seem to embody the sorts of a linguistic rebellion, innovation, deviation, and play, that have throughout this century become the dominant criteria of literary value. The association of irony with paradox, and of both with literature, is often ascribed to the New Criticism, and more specifically to Cleanth Brooks. Brooks, however, used the two terms in a manner that was unconventional, even eccentric, and that differed significantly from their use in figurative theory. I therefore examine irony and paradox as verbal figures, noting their characteristic features and criteria, and, in particular, how they differ from one another (for instance, a paradox means exactly what it says whereas an irony does not). I argue that irony and paradox — as understood by Brooks — have important affinities with irony and paradox as figures, but that they must be regarded as quite distinct, both in figurative theory and in Brooks’ extended sense.