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Character of revenge in literature
Character of revenge in literature
Character of revenge in literature
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What is revenge? Revenge is an action of hurting or harming someone to retaliate for an injury or wrong suffered at his or her hands. In ‘Chronicles of a Death Foretold’, the theme of revenge is the primary reason behind the unfolding of the entire narrative. The play is set in a Latin American society, where actions taken to in order to avenge honor and virginity are completely justified. In Latin America, vengeance is sought against those who speak or act against someone else. And in extreme cases, revenge leads to mobs, and sometimes-even death. The latter was exactly what happened in the case of Santiago Nasar. The murder committed by the Vicario brothers, Pedro and Pablo Vicario, was an act of revenge against Santiago Nasar, because they believed that he took away their sister’s virginity. In a Catholic society, when a woman is not a virgin before marriage, her entire family is defamed in front of the entire society. Honor killing is “permissible” in such cases. But if it was only the Vicarios holding a grudge against Santiago, why didn’t the rest of the society bother informing Santiago about the planned murder? Why didn’t Victoria Guzmán, despite knowing everything, inform her master about his doomsday? Why did the Vicario brothers think that the Arabs were taking revenge from them? Why didn’t Father Amador and Colonel Lazaro Aponte take stricter measures against the murderers?
We can compare a lot of instances of revenge between the ones mentioned in the novel and real-life Latin American culture. For example, there are conflicts between anti-narcotic officials and natives: officers steal and are abusive and threaten the native people. In order to take revenge on those who speak against them the officers make “evidence”...
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...r’s murder is justified, and thus remain involved in the plan.
From one perspective, even though murder and honor killing as revenge seem very abhorrent, it does induce a fear in everyone, preventing anyone from sabotaging anyone’s honor and dignity. Everyone is aware of the consequences if someone’s virtue is forcefully taken away, resulting in the damage of a family’s image. However, from another perspective, killing is morally and lawfully wrong. Behind the idea of honor killing as revenge, there may lay the forces of dominant but primitive ideologies of culture and society. The desire to take vengeance is inevitable. All the emotions and feelings in the Vicario brothers was driven by the thoughts of revenge as well as the pressures of society, traditions, or a belief. All the occurrences in this play culminate to the major theme of revenge.
Word Count: 1487
Revenge is the opportunity to retaliate or gain satisfaction for a real or perceived slight ("revenge"). In “The Cask of Amontillado” by Edgar Allan Poe, Montresor, the narrator, is out for revenge. Montressor seeks revenge against Fortunato and thinks he has developed the perfect plan for “revenge with impunity” (Baym). Montresor never tells the reader why he feels Fortunato deserves punishment. He only says that Fortunato causes him “a thousand injuries”until “[venturing] upon insult” (Baym ?). As a result, Montresor plans to bury Fortunato alive.
This examination will look at the short story “Killings” by Andre Dubus and the main characters in the story. The story begins on a warm August day with the burial of Matt and Ruth Fowler’s youngest son Frank. Frank’s age: “twenty-one years, eight months, and four days” (Dubus 107). Attending the funeral were Matt, his wife Ruth, their adult children and spouses. Matt’s family is extremely distraught over the murder of their youngest son/brother, in their own way. There are implications of wanting to kill Richard Strout, the guy accused of being the murderer: “I should kill him” (107), as stated after the service. This comment is considered a fore-shadowing of what is to come in the thought progression of Matt and Ruth.
...all want to believe that the crime was truly “foretold”, and that nothing could have been done to change that, each one of the characters share in a part of Santiago Nasar’s death. Gabriel Garcia Marquez writes about the true selfishness and ignorance that people have today. Everyone waits for someone else to step in and take the lead so something dreadful can be prevented or stopped. What people still do not notice is that if everyone was to stand back and wait for others, who is going to be the one who decides to do something? People don’t care who gets hurt, as long as it’s not themselves, like Angela Vicario, while other try to reassure themselves by thinking that they did all that they could, like Colonel Lazaro Aponte and Clotilde Armenta. And finally, some people try to fight for something necessary, but lose track of what they set out for in the first place.
The premise of the play Titus Andronicus can be easily summed up in one word. That word is simply ‘honor’. Honor means a different thing today than it did during the Roman Empire or Shakespeare’s life, but it is important to know honor’s definition in order to understand Titus Andronicus. Honor was used to justify murdering multiple times throughout the play. Titus killed two of his own children to protect his honor. Titus’s honor was also destroyed by Lavinia being raped and mutilated and Aaron tricking Titus into cutting off his hand, an important symbol of his honor. The word ‘honor’ has a huge impact on the play Titus Andronicus.
First, society’s absurd focus on honor and disgrace is culpable for the continuation of the Capulet and Montague families’ “ancient grudge”, which forces Romeo and Juliet to sneak around this to be together, following a precarious plan that ends in their deaths. (Prologue 3) Society’s unreasonable obsession with dignity threatens to disgrace either foe who steps down as cowardly and gutless, so that the two families, who cannot even remember the reason of their inane feud, are burdened to continue fighting or face absolute social humiliation. If this fixation was eradicated, the two foes would have made peace years before, and most importantly, Romeo and Juliet’s lives would be spared, since their families’ harmony would render their risky plan unnecessary. Is the senseless death of innocent young people worth ephemeral glory? Society obviously thinks so, and plants these toxic doctrines into its people’s minds, creating a vicious cycle of unnecess...
German poet Friedrich Schiller once said “Revenge is barren of itself: it is the dreadful food it feeds on; its delight is murder, and its end is despair.” The burning sensation you feel inside when imagining how to get back at someone who has wronged you has tremendous power, and more often than not it leads to hurting yourself more than what was done in the first place. In “The Cask of Amontillado” by Edgar Allan Poe the protagonist Montresor gets revenge on his dear old friend Fortunato without causing any more pain to himself. The setting of this story is limited to two different places. While they contrast each other in certain aspects the carnival and Montresor family catacombs go hand in hand to portray the implicit meaning of the feud
Revenge is best served cold or so says the well-known expression. This idea of revenge that they seek is usually to restore a balance and take an “eye for an eye” as the bible says. Revenge, if by chance everyone were in Plato’s perfect utopia, would be in a perfect form, where justice and revenge would be one, and the coined phrase an “eye for an eye” would be taken literally. By taking an eye for and eye, and punishing those who did wrong equally as they did wrong, there is justice. However, this revenge sometimes goes to far and is consequently not justice. This notion of Revenge and justice is often in literature, one of the better-known being the novel The Count of Monte Cristo, written by Alexandre Dumas. However, literature is not the only time that revenge and justice is discussed in. Works and Rules and real-life events that took place like the Bible, Hammurabi’s code, Twelve Tables, and others each have something different about the topic. More religious texts seem to forbid violence, while laws, such as the Hammurabi’s code, recommend revenge, but equal revenge. By judging from literature, it can be concluded that most authors have different opinions on the matter at hand, and revenge is sometimes justice, but usually not, and tends to lead to violence that was not intended.
In The Chronicle of a Death Foretold, religion acts as a foremost determinant of the meaning of Santiago’s murder and parallels biblical passages. Gabriel García Márquez employs religious symbolism throughout his novella which alludes to Christ, his familiars, and his death on the cross. There are many representations throughout the novella that portray these biblical references, such as the murder of Santiago, the Divine Face, the cock’s crowing and the characters, Bayardo San Roman, Maria Cervantes, Divina Flor, and the Vicario children.
Revenge is defined as harming someone for the wrong doings that they commit. Revenge is the key ingredient to hundreds of the most loved and action packed movies, books, and shows of today. Because of the fact that there is so much vengeance played out in entertainment media, society encourages revenge as necessary to those seeking retribution. Works of art such as Kill Bill and “Killings” are prime examples of stories that are about revenge.
Revenge is considered part of human nature because it is a survival instinct. Humans are inclined to commit acts of savagery because people are delicate beings. The Oxford English Dictionary defines revenge as, “the action of hurting or harming someone in return for an injury or wrong suffered.” Two good examples involve Montresor from the Cask of Amontillado and the unknown narrator from the Tell- Tale Heart. Montresor murders a fellow wine connoisseur because he insulted Montresor in a manner that could not be exonerated. The narrator of the Tell-Tale Heart enacts revenge by murdering an old man for provoking the narrator’s worst fears in the form of a “ vulture eye”. In both of these works by Edgar Allen Poe, the need for revenge consumed their internal fears and insecurities to perform those cruel acts. In the end though, both of the people discussed showed signs of remorse that in a way formed the character.
The Roman poet, Juvenal, once said that, "Revenge is always the weak pleasure of a little and narrow mind." Most people would agree with Juvenal that revenge is an abhorrent human need that can only satisfy narrow-minded people. Even though, we know revenge will generally not bring us much satisfaction, we still constantly lust for taking revenge on someone. It is because revenge is such a natural part of human nature that writers so often use it as their theme. Revenge can easily be an awe-inspiring theme for a novel because it is something that all people can relate to, whether they know it or not. The suspense from it will make most people sit on the edge of their seats.
Philosopher Friedrich Nietzsche once declared, “It is impossible to suffer without making someone pay for it.” In other words, when one is suffering, the desire to reap revenge without consideration as to who is being harmed in the process is innate. This is a common theme within the poem The Epic of Gilgamesh, Euripides tragic play, Medea, and Shakespeare’s play, The Tragedy of Hamlet. Characterization is used in these three works to exemplify the revenge seeker’s disregard for anyone but themselves in order to take vengeance on those who committed an act against them.
Revenge almost always has the makings of an intriguing and tragic story. William Shakespeare’s Hamlet is a perfect example of how revenge unfolds and what it unveils. The play tells the story of Hamlet, the prince of Denmark. Claudius, Hamlet’s uncle, marries his mother soon after his father’s death. Hamlet greatly disapproves of the hasty marriage and suspects foul play. His suspicions are confirmed when the ghost of his father appears and tells him that Claudius murdered him. Hamlet’s father asks him to take revenge upon Claudius, and soon everything takes a drastic change. The courses of revenge throughout Hamlet surround each character with corruption, obsession, and fatality.
In the play, Hamlet, William Shakespeare explores the theme of revenge. Throughout the work, Hamlet acquires a moral dilemma; he cannot decide how to carry out revenge without condemning himself. Thus, although the play promotes the idea of revenge at the beginning, the cultivation of dialogue, relationships, and complications provide evidence of the detrimental consequences and limitations of the theme.
Throughout 'The Spanish Tragedy', by Thomas Kyd, there is a constant theme of justice and revenge. Justice is the supreme law of the land; without justice, a country would fall into disrepute and those who are readily concerned with the status of society would have no grounds to stand upon. Therefore, those in power venerate justice. Revenge, however, upsets the delicate balance that holds Spanish society together. Hieronimo does his best to maintain a civil attitude towards incrimination and justice, but his plans for revenge lay waste to the very law he professes to adore. A series of carefully plotted steps, coupled with thoughts of revenge, reveals the descent of Hieronimo into madness and thereby fueling his rejection of justice.