Truth Behind the Dolls
In “The Youngest Doll” by Rosario Ferré, there are numerous encounters with a feministic theme. Through an unfortunate turn of events, Ferré had first hand knowledge of gender inequality. From witnessing, experiencing, and living in a world that acknowledged women as nothing more than a pretty face. These circumstances not only influenced Ferré as an individual, but as a writer too. “The Youngest Doll” is an embodiment of Ferré’s ideology and opinions towards gender inequality, which can be seen in the rhetoric, and themes of the piece. Rosario Ferré is a novelist, a short-story writer, a critic, a professor, and one of the leading women authors in contemporary Latin America. Ferré was born in Ponce, Puerto Rico in
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“Each day he made her sit out on the balcony, so that passersby would be sure to see that he has married into high society” (Ferré 485). This exemplifies how men not only use women for their wealth, but for their beauty as well. The doctor's son put his wife on the balcony to show off, to boast about, to bring light to his extravagant way of living. “As the years passed, the doctor became a millionaire” (Ferré 486). His love was artificial and was only existent because of the money coming from his new patient, his wife’s aunt, and the porcelain physique of his new bride. Ferré believed that men only attached themselves to women with the intention of using them for what they had, whether that be money, beauty, or sex. Men can’t be trusted, and Ferré uses the women in the story to not only bring light to men's manipulation, but to also bring light to how oblivious women can be. In no point in “The Youngest Doll” did either of the women realize the ways in which they were being used. It can be seen as a lesson, coming from Ferré, to the women of the world, to not let the emotions, the “love goggles” effect the process of understanding the toxicity of a relationship. “The youngest went on sitting in her rocking chair on the balcony, motionless in her muslin and lace, and always with lowered eyelids” (Ferre 486). The niece became nothing more than a doll put on display. She was not an individual, she was an …show more content…
Feministic views are sprinkled all over “The Youngest Doll”. The belief that men naturally use women, the belief that women should be equal to men; her opinions and beliefs are what make “The Youngest Doll” more than just a short story. Feminism has five major concepts, one of which is patriarchy or, “the dominance of men in society, and the oppression of women for men’s gain” (Feminism). Patriarchy is a major component to the story and in turn can be seen as a major concern to Ferré as a woman. She strives for equality, a voice, and to stand up against the superiority of men. This short story is motivation for change. Women do not want to be a doll used for their beauty. Women do not want to be latched onto like a prawn under the skin. This theme of men using women is an act of rebellion against the actions condoned by society since the beginning of
206 paragraph one, (line 1), Sandra Cisneros reveals a model of how girls see themselves in the future. The girls felt the dolls represent the same story and scenario each time they came together and play with each other. The attitude, style and quality of dolls. The interchanging of clothes, character's likes and dislikes as depicted the deception by a doll; from a child's point of view. The girls noticed that when the male Barbie doll drops by the other Barbie would steal him away. A typical boy meets girls; girl thinks boy is cute; boy leaves with the opposite girl. This is a reflected of Sandra Cisneros’s short story "Barbie-Q, "p. 206 , paragraph 1 , (line 2 , 3 , 4 , and 5 ) . The girls are tired of the social scene the boy Barbie represents. They only want to play among themselves without any boys. The girls enjoyed looking forward to Christmas and receiving gifts of clothes for their Barbie dolls. This is also, reflected in the insults the girls shared among their future Barbie dolls. In the short story "Barbie-Q,” by Sandra Cisneros, the girls enjoyed going to the flea market, purchasing used clothes for Barbie dolls. Barbie dolls meant so much to the two little girls because they didn't care if their Barbie dolls were wearing hand-me-downs; second hand doll clothing sold alongside the street. The joy came from undressing and dressing up the dolls. The girls even found career clothes to match up to their doll's future. In the short
The treatment of females from the 18th century through the 21st century have only gotten worse due to society’s ignorant judgment of the gender. Of which, is the change from the previous housewife like actions to the modern day body figure. This repulsive transaction is perceived throughout literature. From the 19th century’s short story, “The Story of an Hour” written by Kate Chopin in 1894 and the 20th century’s poem, “Barbie Doll” composed by Marge Piercy in 1971.
In Marge Piercy’s, “Barbie Doll,” we see the effect that society has on the expectations of women. A woman, like the girl described in ‘Barbie Doll’, should be perfect. She should know how to cook and clean, but most importantly be attractive according to the impossible stereotypes of womanly beauty. Many women in today’s society are compared to the unrealistic life and form of the doll. The doll, throughout many years, has transformed itself from a popular toy to a role model for actual women. The extremes to which women take this role model are implicated in this short, yet truthful poem.
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
Rosario Ferre, a Puerto Rican writer whose mother came from the landowning elite and whose father, an industrialist, was a pro-statehood governor of the Commonwealth, is herself a supporter of independence for the island. Set in Puerto Rico in the era in which the old sugar cane aristocracy was giving way to the new industrial wealth, each class patriarchal in its own way, "The Youngest Doll" contains a shocking doctor-patient scene showing how social classes use their power and, in particular, how they use women as objects.
...ates a deeper sense of solidarity between women. By making the two share the house’s ownership, which is often acquainted with the womanly duty or “place”, Ferré suggests that the constant “other” presence was finally allowed to take over the home. Creating characters that shared a name, lover, and societal restriction reinforces the outspoken solidarity.
In the beginning of “Barbie Doll”, pleasurable and unpleasurable imagery is given so that the reader can see the extremes girls go through to be considered perfect.
A Doll?s House presents a revolutionary change for Norway in the 1880?s. During this time period women were seen as second or even third class citizens, and though numerically this is not true, a minority . Ibsen presents his character Nora as a plaything, sorely manipulated by the men in her life. As the play pro...
The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
The old and new attitudes toward sexuality and the proper behavior of women is very apparent in the play called A Doll House. The play shows how each woman has sacrificed who they were for the men and the other people in their lives. The play also shows how men see women in general. Several characters give up who they thought they were meant to be, because of the social aspect in their lives. Society has always placed a burden on women as who they are supposed to be as wives, mothers, and as adult women. Women were seen as the inferior sex in the past and in the present. Things have changed over the years as women earn more and more freedom and rights that men have had for a very long time. The sacrifices that are made in this play speak to how things work for women in society. Women give up their right to happiness because they feel obligated to change who they are to help someone else.
The first thing that the reader will notice regarding gender is the title of the play “A Doll’s House”. This reveals to the reader, Nora’s and possible Torvald’s status within the play. Nora is unable to be herself as she is not seen as an equal in her marriage. Instead, she is something to be admired and flaunted. This need for her to be something that Torvald can show off. Both Nora and Torvald are living lives based on illusion. Torvald has made Nora his perfect little doll so that he can look good. She thinks that he is a person with incredible strength, she becomes disillusioned with him at the end of the play when he exposes himself as just a man. This paper will look at the way that society’s expectations of gender roles are perceived
The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.
During the late 1800s, gender inequality was one of the common issues that existed in the society. Men and women were often distinguished among themselves. Men were regularly portrayed as the one who had power and strength, whereas women were supposed to do all the household work and they were seen as weak and trivial. Henrick Ibsen shows a prefect illustration of this example in the play A Doll’s House. Ibsen develops a notion of how the existence of gender roles in society affected one’s lives. The protagonist Nora, whose identity is shaped after seeing her husband’s actions, which depicts his beliefs of gender inequality, demonstrates this idea.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.