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Literary analysis essay of the yellow wallpaper
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Her Psychology of Yesterday, Today, and Tomorrow
Since its publication in New England Magazine in 1891, The Yellow Wallpaper has been one of the most contested and most analyzed pieces of literature. Literary critics have looked at the piece from many different perspectives including feminist and anti-feminist perspectives, psychological perspectives, and even perspectives looking at The Yellow Wallpaper as a science- fiction piece. Many analysts have even claimed that the work’s narrator is a direct reflection of
Charlotte Perkins Gilman and her political view on psychology of the time. However, most frequently, there have been two major critical psychological perspectives: psychology from a literary perspective, which tends to blame the illness of the narrator on the patriarchy of society; and psychology from a physician’s perspective, which looks at legitimate medical causes for the depression that the narrator suffers from. What these analyses of The Yellow Wallpaper lack is a balance that accepts both social and biological causes for the narrator’s insanity.
In order to better one’s understanding of The Yellow Wallpaper , one must first understand the life of Charlotte Perkins Gilman. Charlotte Perkins Gilman was born in Hartford,
Connecticut in 1860. Gilman’s father left her mother shortly after Charlotte was born. Gilman was related to some of the most influential women of the time including Harriet Beecher Stowe, the author of Uncle Tom’s Cabin . Charlotte attended Rhode Island School of Design for a time before moving on to work as a commercial artist and a teacher. She married a fellow artist named Charles Stetson in 1884 and they had a daughter the following year. She fell into a deep depression afte...
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...ngrando, J. S., eds. The Mixed Legacy of Charlotte Perkins Gilman .
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Marecek, J. “Disappearances, Silences, and Anxious Rhetoric: Gender in Abnormal
Psychology Textbooks.” Journal of Theoretical and Philosophical Psy. Vol. 13. No.
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Post, S. L. “His and Hers: Mental Breakdown as Depicted by Evelyn Waugh and Charlotte
Perkins Gilman.” Literature and Medicine . 9 (1990) p. 172-180.
Scott, H. “Crazed Nature: Ecology in “The Yellow Wall-Paper”.” The Explicator . 67.3
(2009): 198-203.
Tucker, P. et al. “Helping Medical Students Understand Postpartum Psychosis Through the
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Fall 2004: 247-250.
Harriet Beecher Stowe was born on June 14, 1811. Her father was Lyman Beecher, pastor of the Congregational Church in Harriet’s hometown of Litchfield, Connecticut. Harriet’s brother was Henry Ward Beecher who became pastor of Brooklyn’s Plymouth Church. The religious background of Harriet’s family and of New England taught Harriet several traits typical of a New Englander: theological insight, piety, and a desire to improve humanity (Columbia Electronic Library; “Biography of Harriet Beecher Stowe”).
Frances Ellen Watkins Harper was a unique and vital character in American history. She played an imperative role in the equality and advancement of not just African-American women, but women in general. Although she was born a free women in Maryland she had an unparalleled knack for describing and capturing the evils and horrors of slavery. She wrote a plethora of novels, short stories and poems. In her early years she taught in both Ohio and Pennsylvania, after leaving teaching she left teaching to lecture for the Maine Anti-slavery society along with other anti-slavery organizations. She also worked to help fugitive slaves escape to Canada through the Underground Railroad. Frances E. W. Harper was an impeccable writer and human being, she made unmatched contributions to history through her works as an equal rights activist and beautifully captures the identity of
Unfortunately, she got married to Claude Glenn, but she never really said it publicly since she knew he wasn’t really for her life so s...
She realized she would never have to depend on a man for financial stability. A habit she might have learned growing up without her real father. She remarried in 1921 to Willie Baker, whose last name she decided to keep. She remarried again in 1937 to Frenchman Jean Lion, from which she obtained French citizenship. Then a last time in 1947 to a French orchestra leader Jo Bouillon, who helped to raise her 12 adopted children.
In 1924 she went back to live with her mother, traveling and being schooled all over the state until she was fourteen. At the age of fourteen she decided to drop out of school and go to work. Because she was talented and light skinned it was not hard for her to find a job. She became a chorus girl in Harlem’s Cotton Club where blacks entertained a strictly all white crowd. At that time she was making about $25 a week. It was here that Lena got to meet and observe now famous artists such as Duke Ellington, Cab Calloway, Count Basie, Ethal Waters, and Billie Holiday.
Written expression is a beautiful thing and is a freedom Americans are granted when becoming citizens here. Harriet Beecher Stowe is known as “the most important American woman writer of the nineteenth century” (Showalter). Famous for Uncle Tom’s Cabin, Harriet published ten novels during her writing career. Stowe began writing in the 1830’s to support her family of seven children and husband, Calvin Stowe. Stowe wrote with a comedic tone, but yet, she also had intention. She was a very bright, intelligent leader, and a visionary of equality amongst all. Stowe lead in a different way, she made history through her writing of Uncle Tom’s Cabin. Despite writing
Published in the early 1850’s, Uncle Tom’s Cabin had a huge impact on our nation and contributed to the tension over slavery. It was written by Harriet Beecher Stowe, a woman who was involved in religious and feminist causes. Stowe’s influence on the northern states was remarkable. Her fictional novel about slave life of her current time has been thought to be one of the main things that led up to the Civil War. The purpose of writing it, as is often said, was to expose the evils of slavery to the North where many were unaware of just what went on in the rest of the country. The book was remarkably successful and sold 300,000 copies by the end of its first year. It is even rumored that upon President Lincoln’s meeting Stowe, Lincoln said, “So this is the little lady who made this big war.”
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
Married twice and had one daughter, Lisa Celeste Stroud (AKA Simone Kelly) who followed in her mother’s musical steps. In her later years, she became a world wanderer and preferred Europe to America.
two married at the ages of 35 and 34, respectively. Eventually, they had one daughter,
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
She was beautiful and full of life. At the age of sixteen, she married her high school sweetheart, Roy Thorton. The marriage turned sour but they did not divorce even though Roy was incarcerated.
The wallpaper, the narrator's obsession, destroyed the peace of mind for all parties concerned. The imagery, used in the short story "The Yellow Wallpaper", paints a vivid picture and the reader becomes a front row spectator to the mental deterioration of the narrator to utter insanity.
Harriet Beecher Stowe wrote the anti-slavery novel Uncle Tom’s Cabin along with other lesser known works. Stowe wrote to bring to light the wrongs in society, most notably slavery. The literary period, the historical period, the community in which she lived, her family background, her religious beliefs, and her education all influenced Stowe’s desire to write Uncle Tom’s Cabin illustrating the lives of slaves. Despite the criticism she received, she continued to support the abolitionist movement with the same conviction, her actions eventually fulfilling her true goal: freedom.
“The desire to be a free person is very worthwhile. To be free means you are no longer the victim of fear, anger, craving, or suspicion” (Hanh). There are two women who share their thoughts and experiences with freedom through their writing: Kate Chopin in the “The Story of an Hour” and Charlotte Perkins Gilman in the “The Yellow Wallpaper”. During the time period in which these short stories occured, women were often looked down upon. In creating these works of literature, these female authors were breaking the stereotype and speaking out against the norm. In each of these story stories a theme of the women in the relationship having a strong desire to become free exists. At the end of the stories, each woman in their own way became free