Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The symbolism in the yellow wallpaper
The symbolism in the yellow wallpaper
Research paper on gender stereotypes
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The symbolism in the yellow wallpaper
During the time when Gilman was growing up, women had defined domestic roles and their husbands were the dominating force. In turn, there were women who gained a voice and defied the oppressive male community; one of those voices being Gilman’s. Locked away in a mental and physical prison of her husband’s machination, the protagonist of Charlotte Perkins Gilman’s The Yellow Wallpaper is the embodiment of the struggles faced by women seeking freedom from the restraints placed upon them by men. The narrator remains nameless throughout the story in order to depict the wife as a figurative representation of women in society; women were treated lesser than that of males. In the story, this nameless woman is the wife of a “physician of high standing” (Gilman, 1), and has a “[brother who is also a physician] of high standing” (1). The wife is oppressed in a big, airy nursery by her oppressive, but well-meaning husband because she is suffering from a “temporary nervous depression—a slight hysterical tendency” (1). She was actually suffering from what is known today as postpartum depression. Throughout the story, the wife is not treated as an equal. Her opinions and physical activity is constantly oppressed and dismissed by the husband. The story portrays John’s dominance over his wife. As well, her deteriorating sanity is evidence that the male discourse is not superior and, therefore, enforces feminist pedagogy. In addition, the environment in which the wife is oppressed represents the dominance forced upon her by her husband. The feminist literary lens addresses the imprisonment of women, and the imbalance of power between the two genders.
During the whole of the story, John portrays his male dominant characteristics by treating th...
... middle of paper ...
...power struggle. The Yellow Wallpaper has profound symbolism that transcends from Gilman’s personal life. The dominance of John’s over the wife’s is a clear reflection of the dominant differences between men and women in the past. Through the interaction between the characters, and the wife’s inner thoughts, one can say that the women during the time period had very little or no freedom of speech. As well, the confined surroundings around the wife represent how oppressed and imprisoned women were physically and mentally. Gilman’s feminist writing of The Yellow Wallpaper gained her a little bit of that power and freedom she so desired. Gender roles and power differences must be removed from the social order for women to ever be free and equal to those of men—only then will social harmony prosper.
Works Cited
Gilman, Charlotte Perkins. The Yellow Wallpaper. Print.
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” has opened many people’s eyes since it was first published in 1892. In the beginning, readers only acknowledged Gilman’s story as showing how women with mental illnesses were treated by physicians during the 1800’s. They overlooked the deeper meaning the text contained, and it was not until later that readers discovered it. Eventually, “The Yellow Wallpaper” became known as feminist literature. Gilman does a great job showing how women suffered from inadequate medical treatment, but above that she depicts how nineteenth century women were trapped in their roles in society and yearned to escape from being controlled by males.
would not say it to a living soul, of course, but this is dead paper
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
Although the narrator feels desperate, John tells her that there is “no reason” for how she feels, she must dismiss those “silly fantasies”(166). In other words, John treats her like a child and gives her reason to doubt herself. “Of course it is only nervousness”(162). She decides. She tries to rest, to do as she is told, like a child, but suffers because John does not believe that she is ill. This makes her feel inadequate and unsure of her own sanity.
The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism.
Narration is one literary element of a story that controls the meaning and themes perceived by the reader. The author uses this as a way of putting themselves in their writing; they portray a personal reflection through the narrator. We see this in pieces of literature, such as Charlotte Gilman’s, “The Yellow Wallpaper”, an intense short story that critics believe to be an autobiography. Charlotte Gilman wrote this piece in 1892, around the time of her own personal mental depression, after the birth of her child. This story invites the readers into the mind of a well-educated writer who is mentally ill, and takes you through the recordings of her journal, as her mental health deteriorates so does the credibility of her writing. The author uses the element of the narrators’ mental health to create a story with different meanings and themes to her audience. Gilman uses the role of an unreliable narrator to persuade the audience’s perception of protagonists’ husband John and create a theme of entrapment.
“The Yellow Wallpaper” was a groundbreaking piece for its time. It not only expressed feministic views through the defiance of a male but also discussed mental illness and the inefficacy of medical treatment at the time. This fictional piece questioned and challenged the submissive role forced upon women of the 19th century and disclosed some of the mental struggles one might go through during this time of questing. Gilman shows however that even in the most horrific struggle to overcome male dominance, it is possible. She herself escapes which again shows a feminist empowerment to end the
Gilman has stated in multiple papers that the main reason for her writing “The Yellow Wallpaper” was to shed light on her awful experience with this ‘rest cure’. However, she also managed to inject her own feminist agenda into the piece. Charlotte Perkins Gilman chose to include certain subtle, but alarming details regarding the narrator’s life as a representation of how women were treated at the time. She wants us to understand why the narrator ends up being driven to madness, or in her case, freedom. There are untold layers to this truly simple, short story just like there were many layers to Gilman
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.