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The representation of women in society
The representation of women in society
The representation of women in society
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Crazy is a word most often deemed to teenagers, toddlers, and the mentally insane. The protagonist in The Yellow Wallpaper by Charlotte Gilman, could quite easily be described by this word, but I would suggest that rather than crazy, this woman was actually quite intelligent because against all odds, she was able to finally welcome her creative side, it just happened to be in a form that no one had expected. She was not crazy, she was a warrior, trapped in a battle of conscious verses unconscious. Only after completely analyzing the narrator, her physical state, and her mental illness, will we be able to understand the woman in the wallpaper and decide who was victorious in the narrator’s inner battle.
In order to fully understand the narrator’s
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However, we cannot be quick to judge John, the husband, for giving this unfortunate advice to his wife because what we are not told is the backstory behind John’s prescription for the narrator. During the time The Yellow Wallpaper took place, Postpartum Depression, anxiety, and many other similar mental illnesses all fell under the umbrella term neurasthenia, which covers many nervous related issues (Stiles). Dr. Silas Weir Mitchell, a leading psychologist of the time, prescribed his female nervous patients with the same treatment John forced on his wife called the Rest Cure: refraining from writing, “sleep[ing] all [she] can,” and isolation, which explains the sudden three month rental of the house (Mays 533). John was also well aware of Dr. Mitchell and his practices, as the narrator mentions, “John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall” (Mays 530). Even though it is easy to blame John for the narrator’s insanity at the conclusion of the story, he truly was following the practices of the best psychologists. Once viewed as the ideal treatment, there has now been more research done to show that Mitchell’s Rest Cure actually causes more harm to its patients and the American Psychological Association has labeled this treatment as a, “… striking example of 19th …show more content…
The Rest Cure calls for complete relaxation of the brain, making the patient do everything in her power to keep from thinking and activating her conscious, which actually pushed the narrator further into her anxiety. As previously mentioned, when a person’s conscious is being threatened, it responds with one or two of eight defense mechanisms: repression, denial, reaction formation, projection, regression, rationalization, displacement, or sublimation (Schultz, Schults 52, 53, 54). John was pushing his wife to use repression, described as when a person represses their emotions, or memories, out of their conscious thoughts, but we can see that this is in fact the opposite of the narrator’s instinctive action because she finds writing soothing: “I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me” (Mays 529). The narrator tells us she enjoys letting her feelings out, which does not correlate with the actions of someone who would find relief in the repression defense mechanism, explaining why John’s tactics caused more harm for his wife. The narrator in the end actually portrays the defense mechanism of projection, explained as “attributing” your own feelings onto another person (Schultz, Schultz 53). In this
“I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin.” Just like anyone’s first impression of a misfit, Jane from Charlotte Perkins Gilman’s “Yellow Wallpaper” is unsettled by the wallpaper in her room from the first time she lays eyes on it. A misfit being someone, or something in this case, that doesn’t fit in, explains why the yellow wallpaper is the misfit character in this story. Society views those who differ as deviants, and “normal” people are expected not to accept these misfit characters for what they are. By just showing their true colors and not hiding behind society’s expectations misfits make the ones who choose to hide uncomfortable. The more time one may spend with one
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The medical profession’s godlike attitude in “The Yellow Wallpaper” demonstrates this arrogance. The Rest cure that Dr. Weir Mitchell prescribed, which is mentioned in Gilman’s work, reflects men’s disparaging attitudes. His Rest cure calls for complete rest, coerced feeding and isolation. Mitchell, a neurosurgeon specializing in women’s nervous ailments, expounded upon his belief for women’s nervous conditions when he said,
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
The narrator claims that John loves her, “He loves me very dearly, and hates to have me sick” (651). The narrator believes that John loves her and wants to get her better. If the narrator is correct, then John would provide the best treatment for his wife; especially, because he is a “…physician of high standing…” (648). John provides rest as a recommended treatment, “I lie down ever so much now. John says it is good for me, and to sleep all I can” (653). In this quote, the narrator is saying that he is offering advice that he thinks is best for her. “The Yellow Wallpaper” has a historical setting that occurs during a time in medicine where any physician can treat a patient’s physical body or their physiological well-being. In today’s health profession, there are now doctors who treat the physical body and doctors who work solely on the physiological part of the body. Since there isn’t any specialist on the mental part of health, a common treatment for depression is “rest cure”. When one is treated with the “rest cure”, a part of the treatment is to get a lot of rest, so John is simply giving her what treatment is available in her time period. In addition to John’s affection and professional opinion of the narrator’s mental health, the narrator declares, “John says if I don 't pick up faster
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
Charlotte Perkins Gilman experienced a relatively similar life story to the life of the narrator in “The Yellow Wallpaper”. She was prescribed the same “rest cure” as the narrator that subsequently led to a mental breakdown. The prescribed “rest cure” entails minimal human contact, repressed imagination, and female confinement. Comparatively, persistently being told that you are insane especially if you’re not, may drive someone to actually become psychotic.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest.
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were