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Symbolism of the yellow wallpaper
Symbolism of the yellow wallpaper
Symbolism of the yellow wallpaper
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In The Yellow Wallpaper, written by Charlotte Perkins Gilman in 1892, was mainly about this women who was suffering from Nervous Condition and Depression. Jane felt unease in the house. Her husband was a Physician and he kept telling her that nothing was wrong with her, but she felt like something was wrong in her mind. She told her husband that the wallpaper was ugly in the house and she wanted to change the wallpaper. He went on to say that she was over reacting. Over time she’d write in a journal every day about this yellow wallpaper. For some reason she hated it. I believe the husband acted as he didn't pay her no mind, so she would continue to hide her journal and write to ease the pain she was going through.
In contrast, the story of No Name Woman by Maxine Hong Kingston, was written in 1975. Kingston’s aunt was alienated by her family, who committed suicide because she could no longer withdraw from the crude humor amongst the villagers and her family. She became pregnant and thought to escape the hell she suffered unfortunately through suicide. In comparison, these women endured withdrawal from family and sought ways to handle their troubled lives in the worst way. Ms. Gilman describes concern for the troubled loveless relationship that occurred in the story. She also reveals the period in time when woman were supposed to be jovial instead this only drove women insane.
In No Name Woman, the story recapped some old ethics and moralities that happened back when woman had to abide according to what heritage they were a part of. According to Papke, women were known to be emotional servants. "They were dedicated to the welfare of home and family in the preference of social stability" (Papke). Men had power to retain control ...
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...om different postpartum disorders.
An important aspect to grasp from these two stories would be the theme. Both stories are similar ensuring men’s power over women. In the Yellow Wallpaper, she is somewhat forced to repress her disorder in a way that isn't quite normal. I believe the marriage that she and her husband once had ended a long time ago. After she tried to relieve her pain through writing, she couldn't for the sake of her condition. I think it was only right to ensure she was taken care of the right way with proper treatment and created other possible solutions to relieve unnecessary problems that could cause great harm to her health. In No Name Woman, Kingston’s aunt was treated with the utmost disrespect from her community and family. It's a shame how being a woman could give you such a bad name or create bias thoughts and judgments amongst others.
While on vacation for the summer, the narrator of "The Yellow Wallpaper" is, at the most, depressed at the beginning of their visit to a colonial mansion. Her husband John, however, thinks there is nothing wrong with her except temporary nervous depression (pg 391) and has her confined to a bedroom upstairs. I believe John loves her very much and is trying to help her get well, but he won’t believe there is an illness unless he can read about it or see something physical with his own eyes. "He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures." (pg 391) During the time of this writing it was the norm that men dominated women. Women were to be seen but not heard. They were not to argue with men, so she was forced to do as he said. Her husband has forbidden her to "work" until she is well again. (pg 392) She is held prisoner in her bedroom and has nothing to do to keep her mind active except stare at the wallpaper, although she did sneak in writing in her journal when possible.
The story, ‘The Yellow Wallpaper,’ is one of intrigue and wonder. The story was written by Charlotte Perkins Gilman, and it happens to be the story under analytical scrutiny, hence the title as well as the first sentence. The characters in the story consist of the narrator, Jennie, the wet nurse, the narrator's husband John, and the women in the wallpaper. In the story, the narrator and her husband, as well as her newly born daughter and the nanny for the daughter, take a summer trip to a house away from the city. The husband and brother of the narrator are physicians, and neither believe that she is sick, they say “there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency...”
In conclusion, these stories have similarities in terms of the victimizations and subordination of women. Black and yellow color was used to symbolize the overall surroundings of the situation. However, both of these stories had difference. As mentioned, “The Lottery” was a very violent and cruel event and “The Yellow Wallpaper” was towards self-expression. Thus the difference and similarities in both of these stories can be compared and contrasted.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
Kingston, Maxine Hong. "No Name Woman." 50 Essays: A Portable Anthology. 4th Edition. Ed. Samuel Cohen. Boston/New York: Bedford/St. Martins, 2011. 227-39. Print.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest.
The Yellow Wallpaper is a popular book when discussing psychology in the late nineteenth century. The author, Charlotte Gilman, wrote her experience of mental illness through her narrator. Gilman suffered with depression after giving birth and she never fully recovered from it. (Gilman 95). The narrator is depicted as a woman who has been diagnosed with what was called a nervous disorder. Her husband, a psychologist, gave her several different tonics and other substances that are supposed to make her better. She was also put on bed rest meaning that she was not able to work or do anything that would tire her out. She is told to go and rest several times during the story and it is evident that her ‘psychosis’ gets worse when she is forced to stay in her room and rest for the majority of her days and all night. She begins to see women in the pattern of her wallpaper and she becomes obsessed with it. The narrator becomes very protective of her wallpaper and gets almost jealous when she sees her sister-in-law looking at it and touching it. She even says “no person touches this pa...
Kingston’s “No Name Woman” is a story that revolves around morals, society and family expectations, and women role in society. Kingston writes the story of her aunt that committed suicide in China and she has never heard of until her mother spoke of her once. The purpose of Kingston story is to show women role in China and how women were trap in their society.
The narrator’s mother’s role in“No Name Women” and “White Tigers”is to serve as a protector. However, in “No Name Woman” the mother wants to protect the narrator from shame and in “White Tigers” the mother wants to protect the narrator from being inferior to men. In “No Name Woman”, the narrator’s mother is very fearful of society and being humiliated. Therefore, the mother tells the narrator about her (narrator) aunt who was humiliated by the village people because she (aunt) had a child out of wedlock. Also, the mother tells the narrator about how her (narrator) aunt committed suicide because of the shame. The narrator’s mother says, “‘Don’t let your father know what I told you. He denies her. Now that you have started to menstruate, what happened to her could happen to you.