The narrator begins the story very cheerful. It all starts when she and her husband go on a summer “vacation” and they rent a country estate. The house is a mansion! The only downside to the house that is noticeable is that, “ ... a hereditary estate, I would say a haunted house (Page one).” Right away, she is disgusted by the look of the yellow wallpaper. The man thinks that his wife is not “sick”, although she is going insane. The woman keeps telling him that she needs help, and he does not listen to her. To start off within the story, you can see that the woman is not normal, and that John is completely oblivious to her actual state. “You can see he does not believe I am sick! And what can one do? If a physician of high standing, and one’s own husband, assures friends and relatives that there is nothing the matter with one but temporary nervous depression- a slight hysterical tendency- what is one to do” (Pages 1 and 2)? I believe that John was trying to help her at first, due to him not realizing that she was going crazy. I also believe that once he realized she had a serious problem, he was not sure what to do- so he did nothing to help her. …show more content…
She writes “That spoils my ghostliness, I am afraid, but I don’t care- there is something strange about the house- I can feel it” (Page 648). In this passage, you can see that her path of thoughts is very strange and she seems to be ghostly and demonic. She believes that if she is able to write, then she may get better. She writes “I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me” (Page 648”. The only reason she does not write is due to John not allowing her to write. John is so strict about her not being able to write, that he even tells his sister who helps out around the mansion to not let her
To start off, first, the narrator thinks that the house her and her husband John are renting for the next three months is haunted or it wouldn’t be as cheap as it is for being such a beautiful place. Another thing is that she unhappy in her marriage. Her husband doesn’t listen to her, tells her she’s wrong and laughs at her. She is feeling very unwell and all he says is she has temporary nervous depression and only tells her to stay in bed and do nothing. The way she describes things is very bleak, dark, depressing. She keeps going back to thoughts of the house being haunted and gets anxious. She becomes angry with John for no reason sometimes and thinks it’s from her ‘nervous condition’. Something the reader may not catch onto when she talks about how she doesn’t like her bedroom is how she took the nursery, so right away, we know she has a baby. She feels trapped with the barred windows and not being able to go anywhere, having to just lay down and look at the most revolting yellow wallpaper shes ever seen. Writing the story alone makes her extremely exhausted and she says that John doesn’t know the extent of her suffering. Eventually, it’s made known that she can’t even go near her own child and it makes her increasingly nervous. She has unwanted thoughts throughout the entire story of the terrifying ugly yellow
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
By closing her off from the rest of the world, he is taking her away from things that important to her mental state; such as her ability to read and write, her need for human interaction, her need to make her own decisions. All of these are important to all people. This idea of forced rest and relaxation to cure temporary nervous problems was very common at the time. Many doctors prescribed it for their female patients. The narrators husband, brother, and their colleagues all feel that this is the correct way to fix her problem, which is practically nonexistent in their eyes. Throughout the beginning of the story, the narrator tends to buy into the idea that the man is always right and makes excuses for her feelings and his actions and words: "It is so hard to talk to John about my case, because he is so wise and because he loves me so," (23).
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Treating the narrator as though she is incompetent and not capable of taking care of herself, John does not care
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
Even though her husband treats her with what seem at first as love, it becomes clear she is nothing more to him than a piece of property. Every time he talks to her, he asks her to get better for his sake and the children's, and only after mentions hers interests. He doesn't think that she has any normal human feelings or worries and attributes her behavior to minor nervous depression. He doesn't see her true suffering since he believes "there is no reason to suffer" (574). He could never understand that a woman can be unsatisfied with the role imposed on her by society. Even though the heroine recognizes that her condition is caused by something other than John's theory, she is too scared to voice her opinion.
During the 1890’s married women had little to no freedom or rights, the men controlled
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
MacPike, Loralee. "Environment as Psychopathological Symbolism in 'The Yellow Wallpaper.’” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com.gmclibrary.idm.oclc.org/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&it=r&id=GALE%7CH1420082948&asid=562f132388d74c4bd92439b5842a2fe7. Accessed 25 Oct. 2017.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping