It is very popular in American Literature that most authors explore how characters shape the society in which we live. Society consists of people who help create the social order and social norms, and those who rebel against the social order. The insiders of society are the people who practice the values of the society and try to live up to cultural standards of that society. In American Literature the outcast of society is shunned by the rest of society for their inability to live up to the moral, social, economic, or cultural standards of society. I am going to explore three different literary works of American literature and explain how one of the characters in each literature is rejected by society, or portrayed as a social outcast because of the inability to live up to either the social, economic, or cultural standards of society.
In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper,” the main character is also the narrator of the story, and her name is unknown. The story is written in diary format and the narrator is giving personal accounts about her experience battling depression, her marriage to her “rational” husband John who is also her physician, and her inability to express herself. The narrator is very imaginative and being confined to a large room with the yellow wall paper causes her to battle with reality. She is portrayed a social outcast in the story because her illness does not allow her to perform the social duties that women are portrayed to perform in society, such as raising her child, and assisting in household chores. Gilman also portrays the narrator as an outcast through imagery. She writes the story in diary format so that the story is told from the narrator’s point of view, and the only...
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...s one who is very ambitious and will try to reach for the American Dream at all cost. Gatsby’s social status interferes with his affairs with Daisy and why they could not be together in the past.
The character in each literary works inability to live up to the social, economical, cultural, and moral standards of society has made them an outsider, and each story ended with a negative outcome of the character’s life. In “The Yellow Wallpaper,” the narrator’s inability to fit into society causes her hysteria to only worsen. Daisy Miller suspecting of committing unethical behavior Giovanelli causes her to catch Roman Fever, which leads to her death. Gatsby inability to live up to the social status of one born with wealth destroys his possibilities of obtaining the American Dream, and his character is murdered. These lives shape the evolution of society.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman’s gradual descent into insanity, after the birth of her child. The story was written in 1892 after the author herself suffered from a nervous breakdown, soon after the birth of her daughter in 1885. Gilman did spend a month in a sanitarium with the urging of her physician husband. "The Yellow Wallpaper" is a story about herself, during the timeframe of when Gilman was in the asylum.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
In The Great Gatsby, Fitzgerald reveals to us our narrator Gatsby’s neighbor and cousin of the lovely, but shallow Daisy Buchanan, Nick Carraway, who construes to us about the infamous and mysterious Jay Gatsby. From the lavish parties, living in the fictional West Egg, and symbolic yellow car, who is Jay Gatsby? Jay Gatsby is a man blinded by his own greed and imagination. All he wants in life is money and love and the only way he affords his lavish lifestyle is by participating in crime. The era that this story takes place in, which is the 20’s, an era of economic prosperity, reflects greatly on the action...
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Nick describes Gatsby as “one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life(Ch.3).” Such description unifies the appearance of Gatsby with people’s expectation of a man who accomplished the American dream. The obsession with wealth often blinds people from the potential crisis. The crisis of having everything they worked and struggled for redefined if the reality fails them. Just like strivers who chase the American dream, Gatsby also spent his whole life in pursuit of his American dream, which Daisy was a major component of.
The psychologically thrilling story of “The Yellow Wallpaper” by Charlotte Perkins Gilman explores the dark and twisted aspect of the American society in the nineteenth century. Through the use of theme, Gilman creatively captures the cultural subordination and struggles women faced on a regular basis.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
“Yellow Wallpaper” by Charlotte Gilman was analyzed by many perspective readers and writers. In my research paper I analyzed work by Ann Oakley and Karen Ford. These two authors had similar but yet different arguments. During my review process on both articles, I found that there can be many interpretations of any literary work. When you typically see topics written about women, you tend to see biased explanations. Reading these from a female standpoint you would go on to assume the writer will only defend what is morally right.
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
The story of The Yellow Wallpaper begins with a family going away on vacation. It is revealed later that there are repairs or renovations being done on their regular house. The wife in the story believes at first that the house is haunted since no one has occupied the house for so long, but she finds out that it was only because of an ownership dispute.