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Recommended: Poetry, petrarch sonnet style
Nature’s brilliance
During the literary Romanticism period, there was a big upsurge in the attention and importance of nature. This is because the mavericks and writers of this time laid great prominence not only upon the splendor and grandeur of nature, but the sovereignty of the natural world. To a certain extent, these romanticists viewed nature the way a devout Christian would view Jesus. A great example of this borderline zealous obsession with nature is beautifully displayed in “The World is Too Much with Us” by William Wordsworth. This is a well celebrated Petrarchan sonnet with a rhyme scheme of ABBA ABBA CDCD. Typically, a Petrarchan sonnet is a combination of an octave and a sestet. As a matter of course, the first eight lines (octave)
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Saying in the second and third lines that as humans are “Getting and spending, we lay waste our powers;/Little we see in Nature that is ours.” Through this alone, a negative light is shone upon the excessive materialism of individuals.
Due to daily motions and the growing industry, society had strayed away
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This can be highly linked and supported by the fact that the people’s heart dwelled in mundane/substantial objects than in nature and beauty. The speaker even solidified this thought in the eighth and ninth lines saying that “For this, for everything, we are out of tune;/It moves us not.” Being out of tune refers to being out of sync or disharmonious; therefore, these two lines describe the discontinuity that exists between humans and nature. In all, through use of ethos and pathos, the whole essence of the Romantic Movement is conveyed by urging society to feel mortified, guilty, and shameful for how they perceive nature. Or rather, how they do not perceive nature.
In order to escape from the negligence of nature, the speaker wildly suggests adopting the lifestyle of Pagans. Lines nine through ten openly demonstrate this idea, “Great
God! I’d rather be/A Pagan suckled in a creed outworn.” The speaker is willing to live a life without God in order to be part of a society that
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
In Emerson’s “Nature” nature is referred to as “plantations of god” meaning that nature is sacred. Also mentioned, is that “In the woods is perpetual youth”(#) conveying that nature keeps people young. Therefore, these excerpts show that nature is greatly valued by these transcendentalists. Transcendentalists would likely care significantly about the environment. In contrast, nowadays nature is often and afterthought. Natures’ resources are being depleted for human use, and the beauty of nature is also not as appreciated by modern people as it was by transcendentalists. The threat to nature in modern times contrasts to the great appreciation of nature held by authors like Emerson and
Nature can keep its blissful purity untroubled in the moment, not convicted by what all society has brought into this world. Furthermore, many find nature as their safe place, the one place they can go too, and no one can interfere with their happiness. John Muir and William Wordsworth noticed the peaceful nature brought to their soul when traveling on their journey. Do not let your hands be weak, for you shall be rewarded.” – 2 Chronicles 15:7 John Muir and William Wordsworth both faced challenges to get to where they were going.
John Muir and William Wordsworth use diction and tone to define nature as doing a necessary extensile of life. Throughout Muir’s and William’s works of literature they both describe nature as being a necessary element in life that brings happiness, joy, and peace. Both authors use certain writing techniques within their poems and essays to show their love and appreciation of nature. This shows the audience how fond both authors are about nature. That is why Wordsworth and Muir express their codependent relationship with nature using diction and tone.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity.
Gray, Jessica H. . "Creating Nature." English 610- British Romanticism. Professor J. Jennifer Jones, 25 10 2005. Web. 12 Mar 2010. .
William Wordsworth is easily understood as a main author whom expresses the element of nature within his work. Wordsworth’s writings unravel the combination of the creation of beauty and sublime within the minds of man, as well as the receiver through naturalism. Wordsworth is known to be self-conscious of his immediate surroundings in the natural world, and to create his experience with it through imagination. It is common to point out Wordsworth speaking with, to, and for nature. Wordsworth had a strong sense of passion of finding ourselves as the individuals that we truly are through nature. Three poems which best agree with Wordsworth’s fascination with nature are: I Wandered as a Lonely Cloud, My Heart leaps up, and Composed upon Westminster Bridge. In I Wandered as a Lonely Cloud, Wordsworth claims that he would rather die than be without nature, because life isn’t life without it, and would be without the true happiness and pleasure nature brings to man. “So be it when I shall grow old, Or let me
Nature inspires Wordsworth poetically. Nature gives a landscape of seclusion that implies a deepening of the mood of seclusion in Wordsworth's mind.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
In his poem, 'Lines Written in the Early Spring,' William Wordsworth gives us insight into his views of the destruction of nature. Using personification, he makes nature seem to be full of life and happy to be living. Yet, man still is destroying what he sees as 'Nature's holy plan'; (8).
For Wordsworth nature seems to sympathise with the love and suffering. of the persona, i.e. the persona. The landscape is seen as an interior presence rather. than an external scene, i.e. His idea is that emotions are reflected in the tranquillity of the nature. On the contrary, Coleridge says that poetry is.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.