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Gender in science fiction
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The Women of Cyberpunk Women have always been on the fringes of the science fiction writing community. Not only have there been few female writers, but few female characters of substance have explored the universe, battled aliens, or discovered new technologies. Even in Mary Shelley's Frankenstein (1818), considered by some to be the first science fiction novel, Elizabeth, who is the major female character, does little more than decorate Victor's arm, snag his heart, and eventually contribute to his self-destruction. Women were virtually non-existent in the Golden Age SF (1938-1949) writings; except perhaps as trophies to be rescued, or smoldering, sexual beings that really didn't contribute to the overall plot other than as the hero's love interest. However, the female characters of cyberpunk are not damsels in distress; nor are they the mother earth goddesses or cyborgs of the feminist SF writings of the `70's. These characters are not quite the equals of their male counterparts; and in some cases, objectification is still blatant. But in general, there is twisting of traditional gender and sexual roles in cyberpunk writing that helps set it apart from previous SF. Two characters that particularly embody these radical differences are Molly Millions of Gibson's Neuromancer and "Johnny Mnemnonic" and Lizzie from Tom Maddox's "Snake Eyes." Molly is not sexual trophy for Case (Neuromacer) and Johnny ("Johnny Mnemonic"). She is their bodyguard. Because of this, Molly often instigates violence while the male lead character essentially stands by and watches. This is a major transgression of a role traditionally assumed by men in previous eras of SF. Molly doesn't need the protection and saftey that men traditionally supplied to... ... middle of paper ... ...typical `damsel in distress.' Despite the fact that Pat Cardigan's story "Rock On" is told from Gina's point of view; in the end, she is not allowed to be independent of her "boyfriend" Man-O-War. However, a majority of the female characters have helped cyberpunk become the first SF movement that has portrayed women as strong and dynamic. Works Cited Aldiss, Brian W., and David Wingrove. Trillion Year Spree: The History of Science Fiction. New York: Avon Books, 1986. Ben-Tov, Sharona. The Artificial Paradise: Science Fiction and American Reality. Ann Arbor: The Universtiy of Michigan Press, 1995. Gibson, William. "Johnny Mnemonic." Writing About Cyberpunk. Ed. Tonya Browning. The University of Texas at Austin, Fall 1995. Maddox, Tom. "Snake Eyes." Mirrorshades: The Cyberpunk Anthology. Ed. Bruce Sterling. New York: Ace Books, 1986. pp. 12-33.
Web. The Web. The Web. 15 Mar. 2014. The 'Standard' of the 'Standard'. http://www.rogerebert.com/reviews/menace-ii-society-1993>.
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
The women in the book seem to take up important and powerful roles that make significant change in the key areas of the narrative. The writer asserts that women can be independent, intelligent, assertive, and similar to the men, women can survive in the street by being smart. This is illuminated by the fact that a majority of women in the book are good hackers. The skills and character of the women help in discovering the cure for the virus. They are given roles that are not traditional and instead they take on leadership positions that are a great determinant of the success of the mission. This is unlike the notion in most scientific novels that leaves out women. This is portrayed by one of the major characters Y.T who worked hand in hand with the protagonist of the novel to bring out different skills and talents of women. In the book, we see Y.T talk on behalf of his partner, which shows stereotyping of gender in leadership. “Y.T. has to step in on his behalf. “Okay, “she says. “Speaking for my partner and myself, we 'll stay away from him” (Stephenson,
The Best Science Fiction of the Twentieth Century. Ed. Orson Scott Card. New York: The Berkley Publishing Group, 2001. 212-217.
...e. How We Became Posthuman: Virtual Bodies in Cybernatics, Literature and Informatics. Chicago: The University of Chicago Press, 1999.
"Johnny Mnemonic," is a short story written by William Gibson. It appears in a book of short stories written by Gibson called Burning Chrome in 1986. Gibson is a writer of science fiction and one of the first to write in the new genre called cyberpunk. Cyberpunk is a type of fiction that examines a futuristic world dominated by computer technology, massive cartels, and cyberspace. In other words, its an artificial universe created through the linkup of tens of millions of machines (Gibson 904). This is the futuristic world of Johnny Mnemonic. Even though this story is very interesting in terms of science and technology, it is also interesting in the sense that this short story examines how technology and science can affect the worlds delicate cultures. In this examination of the short story "Johnny Mnemonic", I will define what is meant by culture and describe how technology and science has effected the unique subcultures of the Lo Teks and Yakuza. Two subcultures that are within the larger cyberpunk cultures described in "Johnny Mnemonic". As well, I will describe where the characters such as Johnny Mnemonic and Molly millions , fit in to these cultures, if they do at all. Also on this same theory, I will give examples of how our own cultures in today's world contrast with these fictional cultures in "Johnny Mnemonic", but I will also show how we are following in the same path in which those in "Johnny Mnemonic" have followed.
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
For centuries, women have been forced to live life on the outskirts of a male-dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters.
The Web. The Web. 1 May 2014. http://bookriot.com/2014/03/13/apocalypse-later-dystopian- novels-speak-us/>. de la Garza, Alejandro.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.