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An essay on symbolism of the veil
Religious context of persepolis
Religion in persepolis
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Recommended: An essay on symbolism of the veil
A veil is an article of clothing that is intended to cover some part of the head, face, or physical feature that may hold some significance. It is especially associated with women and sacred objects. Not only does it conceal a person’s physical appearance, but it contributes to stifling one’s individuality. In Marjane Satrapi’s graphic novel Persepolis, Marjane, the main character, lives in Iran and is required, by fear of punishment, to wear a veil that only leaves her face uncovered. The veil becomes an important symbol and throughout the novel, the reader can see the lasting impact the veil has on Satrapi. It begins as something foreign and detestable to young Marjane; a simple piece of clothing that deprived her of her free will, into something that integrated into her everyday life and helped shaped her individuality as an Iranian woman. Initially, Marjane sought to fight against the veil, as having to wear the veil was portrayed by not only Marjane, but the different women around her as an insult to women’s individualism. Marjane expresses her rebellion against the veil by writing, “You showed your opposition to the Regime by letting a few strands of hair show” (Satrapi 75). The progressive women in Persepolis, women fighting against the veil, did not find it necessary to cover up to gain respect, as they could not conceive the sexual appeal of hair to men; “Respect must be earned regardless of one’s appearance and it is not earned through a dress code alone” ( “Why We Wear the Hijab”). At the beginning of the novel, Marjane introduces herself by showing her partial form and the solemn look of her veiled friends. By making all her veiled friends have the same expression; Satrapi emphasized how each of her friends was i...
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...imensions for Satrapi, and it is the multitude of these dimensions that allows her to grow and become an individual. By imbedding the veil with her own distinct meanings, Satrapi maintains her individuality.
Works Cited
Satrapi, Marjane. Persepolis. New York, NY: Pantheon Books, 2003. Print.
Hochschild, Arlie. "A review of sex role reseach." JSTOR. N.p., n.d. Web. 6 Dec. 2013.
"Mishal Husain and the veil: what the Daily Mail was really trying to say." theguardian.com. Guardian News and Media, 8 Oct. 2013. Web. 6 Dec. 2013. .
"Meanings of the Veil: Representations of Veiling in Persepolis." Serendip Studio. N.p., n.d. Web. 6 Dec. 2013.
In Persepolis, Satrapi develops the central idea of Marji and her parents rebelling against the social injustices held by the Shah and the government. This is demonstrated in chapters “ The Trip”, “The Passport”, and “Kim Wilde”. Early in the revolution, females were forced to cover themselves up. They were told to wear their veils because it didn’t show a sign of western American style or sexual
In this particular story, the author’s emotions in Persepolis are not just her own, but also the feelings,emotions, and opinions of her people and their country. Throughout the expressiveness can not only be felt but they can visually be seen. The opinions of the Iranian people is expressive of their emotions which led them to demand that their voices be heard to the point where they cannot be ignored. The demonstrations shown on page five, first frame shows the strong opinions that the people have regarding the addition of veils. Their opinions are filled with so much emotions that it eventually lead them to protest publicly. On one side of the protest were those for the veil and on the other side were those who opposed it. Those against the veil felt as though it took away their freedom and the visual representation of their personality; those for the veil felt as though the veil was a representation of order which to them was what their country needed. The author’s emotions are seen throughout the story on various occasions. The year of the revolution was a very difficult time for Iran; even though she knew very little about the dangers of the revolution, she still very much wanted to be apart of it. After speaking with her parents and being told that she could not participate in it she began very upset and somewhat angry. This made her feel as though God had abandoned her which hurt her little heart very much. Emotions are expressions that are a way to show who people are on a deeper level and different situations present different
Throughout Satrapi’s memoir visual text is used to give the readers a visual or image to perceive the effects of the war. On page 3, Marji explains how the veil became an obligation for young girls to wear on their heads, and in the visual shown, these youngs girls are revolting against the government by using their veils as toys. Another effective visual in Persepolis, is the image on page 15 of the citizens running and their bodies burning because the government had set the cinema on fire; it creates a visual that pulls at the reader’s heart strings. This visual represents the suffering of citizens during the war because of their own government. Satrapi’s visuals create pathos within the memoir.
Ever pass by Muslim woman in a hijab at the mall or park and think how oppressive and restraining her culture must be? Maysan Haydar, a New York social worker who practices the Muslim tradition of veiling, believes otherwise. In her article, “Veiled Intentions: Don’t Judge a Muslim Girl by Her Covering,” Haydar highlights on her experiences as a Muslim living in an American culture, where showing more skin is the “norm.” Haydar speaks specifically to a crowd who unconsciously makes assumptions about certain Muslim practices, in hopes of sharing the truth behind them. Haydar suggests that, contrary to popular belief, not all Muslim women cover themselves strictly as an “oppressive” religious practice, but that some women, like herself, find
The Complete Persepolis by Marjane Satrapi is a graphic novel that depicts the life of Marjane Satrapri during the Iranian Revolution. Satrapi tells her story as a child growing up during the time of the many drastic changes forced upon women and the effects of the new laws made by the Shah. During this time people in Iran were banned from reading, or listening to music that was not approved by the regime. Schools were separated by gender and women were forced to wear veils to protect themselves from being molested or raped by men. The middle class women in Persepolis are prescribed the most important roles such as rearing their children and the duties in the home. But most importantly because they are in the home they are unable to attain legal rights for women in Iran. “In no country do women have on have political status, access, or influence equal to man” (Kazemi, 2000). The divorce of a man and woman lies solely in the hands of men. Though the women in the Satrapi family were oppressed outside of the home they continued to live two separate lives, one inside the household and one on the outside. They often had gatherings and drank alcohol even though it was not allowed. The roles that were prescribed to the women were not effective because they had no opinion, and because there were no laws in favor of women who sooner or later begin to give up and inherent the man’s thoughts.
Persepolis is a graphic novel depicting the life of author Marjane Satrapi’s life throughout the Islamic revolution, starting from her childhood. At one point in the story, the Shah of Iran has left the country, and Marjane’s parents think that they will have new freedoms. Later, however, the country is bombed and fundamentalists occupy the United States embassy. After these events, Marjane is ultimately forced to leave the country without her parents to live in Europe. This was foreshadowed in arguably the most significant panel in Persepolis, the 7th panel on page 43. It features Marjane and her parents, sitting in the family’s living room, the news on a television in the background. They are discussing the fact that the Shah recently left Iran to live in Egypt. Around the panel’s frame is a serpent-like creature. In this panel, Marjane Satrapi uses the frame, and contrasting facial expressions and dialogue to show that the Shah is not the only problem in Iran, foreshadowing the unexpected events of unrest that fill the rest of the story.
A major venue for identity formation is an individual’s homeland or nation. At the outset of the novel, Marji’s identity is ascribed to her because of her nationality and ethnicity. Being in an Islamic country, Marji adheres to her Islamic values and traditions. At an early age of six, the formation of her identity leans towards her Islamic religious values and traditions. Marji is convinced that she “was the prophet” (p. 6). Her words that she “was [a] prophet” (p. 6) demonstrates that Marji’s imagination and intelligence conceive thoughts that are very pertinent to her religious beliefs. At this early age, Marji’s relationship with religious thoughts and values are clearly defined. However, Marji’s thoughts and beliefs are not pinned to a static foundation. In her book A Reader’s Guide to Marjane Satrapi’s Persepolis (2010), Heather Lee Schroeder writes “Satrapi lived through the civil and political unrest during the 1970’s and early 1980’s. Before the revolution, she attended a western style French school” (p. 41), which was a non-religious and westernized school. Marji is very well acquainted with the western or modern values, of freedom, liberty, ...
Nowadays, there are many religions that one can choose from. Religion, to some, is a guide line, but to others it’s more like falling in love. In 1979, Iran was in the midst of the Islamic Revolution. During this time, some people held tight to religion while others let it go. Marjane Satrapi wrote Persepolis about her life at that time. At the beginning, Satrapi grasps religion tightly; however, by the end of the book, she seems to let it go. Throughout Persepolis, religion acts like a security blanket and enhances the understanding of the graphic novel’s theme, which is “stay true to yourself.”
When it comes to culture, different views can cause major conflicts, and these said conflicts occur in the novel Persepolis. The book is a memoir about Marjane Satrapi, also known as Marji, growing up in Iran under the Shah’s rule and the Islamic rule. Even with the many different cultures in Iran, she stuck up for what she believed in and rebelled against the things she thought were wrong. In Persepolis, Marjane’s growth is affected by various aspects of culture including religion, government, and social organization.
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
Persepolis, a graphic novel by Marjane Satrapi, is not a run-of-the-mill comic book. It is written with purpose. Satrapi wrote and illustrated this book to show Americans that their perspective of her home country, Iran, is askew. She believes Americans are too focused on the “fundamentalism, fanaticism, and terrorism” (Satrapi ii), of the nation and that they forget to notice the normality and humanness of it. Since these two perspectives have vast differences, Satrapi wants to change their minds. Thus, it is crucial that she effectively communicate this humanness of Iran to the literary audience in America. Since the literary devices in a work are needed to correctly convey a message, she found it necessary to include these and manipulate them in her favor. Satrapi uses the innocence of a child along with morals in her pictures and a relation of cultures to effectively communicate her message. It is necessary to examine how she manipulates such literary devices in order to gain a full understanding of the text.
(Cherney & Dempsey, 2010; Cherney et al., 2003) this in... ... middle of paper ... ... W., & Mize, J. (2001). Contextual Differences in Parent--Child Play: Implications for Children's Gender Role Development. Sex Roles, 44(3/4), 155-176.
Toys, literature, media, and films also encourage sex roles. Males are depicted as "doing", while females are always "receiving." In this paper, 5 articles focusing on sex roles were used. The articles look at the damaging effects of sex role stereotyping, and some ways the sex roles are accentuated in the schools.
Sex Role Theory–expands upon this assumption and proposes that women and men learn appropriate gender roles through socialization within the culture of the family and wider society (Isaacs,
Reese, C. (2000). Biological Differences Establish Gender Roles. Male/female roles: opposing viewpoints (pp. 18-19). San Diego, Calif.: Greenhaven Press.