The Value of Life in Camus' The Stranger (The Outsider)
In Albert Camus' existentialist novel “The Stranger,”the alienation of Meursault from society conveys to the reader the theme of the novel: In light of the lack of a higher deity, all promise of value rests in life itself. To express this theme, Camus develops Meursault’s persona, satirizes many institutions, alludes to religion, and creates many moral and ethical questions.
The universal nature of these questions reveal why “The Stranger” remains relevant to society. The novel is divided into two parts: Part One, in which Camus develops Meursault’s character and Meursault commits the murder; and Part Two, wherein, as a result of his trial, his solitary confinement, and his sentence to death, Meursault undergoes an emotional progression which culminates in his epiphany at the end of the novel.
Early in the “The Stranger,” Meursault is a man who is clearly in opposition to his society. He is indifferent, apathetic, wholly materialistic, andlacks any emotional capability. One means by which Camus develops this persona is through developing the persona of other characters. Each secondary character in Part One is a contrast to Meursault. Raymond’sanger, Marie’s passion, and Salamano’s possessivenessare intended to shape this contrast, and show thatMeursault is apart from society.
In Part One, Meursault also reacts to society indifferent ways, showing his ostracization from it. At his mother’s wake, he is not overcome with sadness- he smokes and complains of back pain. When faced with the situation on the beach with the Arab, he states: “It was then that I realized you could either shoot or not shoot,” a rather indifferent reaction which shows his lack of co...
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...gently indifferent.” What are the moral andethical implications of such a realization? For Meursault, it will serve only to content him for the brief time he will remain alive. However, for society the implications are much greater. If, indeed, theworld is indifferent, this means several things- our existence has no inherent meaning; there are no higher powers governing our existence; and finally, if our existence is to be worthwhile, we must find our own reasons for it. When Meursault realizes this, he does not want to die, nor does he want to kill himself. This means he recognizes that all promise of value rests in life itself.
"The Stranger" is relevant today, and will remain relevant, due to the breadth and impact of the moral and ethical questions it raises. In order to raise these questions, Camus must create an “absurd hero” who is in opposition to his society
Originally released in French, The Stranger by Albert Camus (published in 1942) follows the story of Meursault whom is a French man living in Algeria prior to the 2nd World War and gives his own unique perspective of the events between when he receives a telegram stating that his mother had recently pass away to when he is executed for the murder of a man only referred to as “The Arab” whom he had shot. Meursault had an interesting outlook on life and it is unclear why he feels the way he does but his tone is constantly detached, plain, and at times subtly ironic. That is the key reason this book is referred to as a panicle example of existentialism and also corresponds with the quote;
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
The patient still suffers from anxiety and has been taking the Selective serotonin re-uptake inhibitor - Fluoxetine 20mg (BNF 2014: 251-254) once daily since his last visit and the patient reports very low motivation due to a recent separation a...
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Lynch, Michael. “The Emancipation of the Russian Serfs, 1861: A Charter of Freedom or an Act of Betrayal?” History Today (2003), http://www.historytoday.com/michael-lynch/emancipation-russian-serfs-1861-charter-freedom-or-act-betrayal (accessed May 21, 2014).
Bryant, Jonathan M. "Ku Klux Klan in the Reconstruction Era." New Georgia Encyclopedia. 09 May 2013. Web. 21 May 2014.
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Albert Camus has his own toolbox of literary devices when it comes to accentuating the theme of The Stranger, one of them being his unique sense and use of secondary characters. Whether major or minor, every character in the book serves a purpose, and corroborates the theme in some form of fashion. Camus describes his secondary characters as foiling Meursault in one aspect or another, and thus, shining light on Meursault’s characteristics. Whether through close connections like familial relationships (Maman) and friendships (Salamano, Raymond, and Marie), or through bonds as distant as people he briefly converses with (Chaplain), or even so much as complete strangers (Perez and unidentified lady at the restaurant), characters that Meursault encounters foil and therefore, emphasize many aspects of his nature. Furthermore, because Meursault aptly embodies Camus’s ideology of Absurdism, emphasizing Meursault through secondary characteristics simply highlights Camus’ doctrine and theme of the book.
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
By 2003, Bukowski had a film out, Bukowski -- Born Into This, and in the film he states that his father beat him with a razor strop three times a week from the adolescent ages of 6 to 11. Though traumatic and terrifying to believe, he credits his father for doing this by stating that it helped him with his writing. He claimed that it helped him to understand undeserve...
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In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.