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Queen of spades interpretation
Queen of spades interpretation
Alexander pushkin queen of spades analysis
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The Use of Numbers in The Queen of Spades
The use of numbers, especially the three and to a lesser extent the seven, is of major importance in Alexander Pushkin's The Queen of Spades. The use of three permeates the text in several ways, these being major, minor, and in reference to time. According to Alexandr Slonimsky in an essay written in 1922, "A notion of the grouping of three is dominant..." (429).
In the major details of the story, we find "three fantastic moments" (Slonimsky 429), three cards, three major catastrophes, three main characters, and the use of six chapters, six being a multiple of three. The three fantastic moments are: "the story of Tomsky (Chapter 1), the vision of Hermann (Chapter 5), and the miraculous win (Chapter 6)" (429). These three moments form the backbone of the story. In Tomsky's story, one first reads of the three cards guaranteed to produce a winner at the game of faro. What makes this incident fantastic in relation to the story is the importance of the story to the events that follow when contrasted to the nonchalant attitude attributed to those in attendance. The second fantastic incident is that of the appearance of the dead Countess to Hermann. This incident is fantastic in that the three cards named by the Countess are actually the winning cards, meaning the Countess is an apparition and not simply a dream. The final fantastic incident occurs when Hermann miraculously wins at the faro table the first time. The reader now knows, beyond a shadow of a doubt, the three are magic cards.
"The particular significance of the three cards is shown in the rhythmic quality of Hermann's thoughts" (Slonimsky 429). In looking at the original text, the rhythmic quality is much more appa...
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...the greatest of the classical literary tradition and is also considered to be one of the triumvirate of great Russian literature. As concerns The Queen of Spades, D.S. Mirsky has this to say, "The Queen of Spades is beyond a doubt Pushkin's masterpiece in prose" (436).
Works Cited
Mirsky, D.S. Title unknown. 1926. Nineteenth Century Literature Criticism Volume 3. Ed. Laurie Lanzen Harris. Detroit: Gale Research Company, 1983.
Pushkin, Alexander. The Queen of Spades. 1834. Trans. Ivy and Tatiana Litvinov. Literature of the Western World, Third Edition, Volume Two. Ed. Brian Wilkie and James Hurt. New York: Macmillin, 1992. 870-890.
Slonimsky, Alexandr. Title Unknown. 1922. Nineteenth Century Literature Criticism Volume Three. Ed. Laurie Lanzen Harris. Detroit: Gale Research Company, 1983.
Machiavelli’s views were drastically different from other humanists at his time. He strongly promoted a secular society and felt morality was not necessary but stood in the way of a successfully governed state. He stated that people generally tended to work for their own best interests and gave little thought to the well being of the state. He distrusted citizens saying, “In time of adversity, when a state is in need of its citizens, there are few to be found.” In his writings in The Prince, he constantly questioned the citizens’ loyalty and warned for the leaders to be wary in trusting citizens. His radical and distrusting thoughts on human nature were derived out of concern for Italy’s then unstable government. Machiavelli also had a s...
Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
...Chrie, D., (ed.), Nineteenth Century Literature Criticism. Detroit, MI: Gale Research Company, 1986. Vo. 13, pp. 53-111.
By the turn of the sixteenth century, the Italian Renaissance had produced writers such as Danté, Petrarch, Boccaccio and Castiglione, each with ideas rooted in the revival of Greek and Roman Classics, localization of the Christian traditions, idealistic opinions of women and individualism. From these authors spread the growth of the humanistic movement which encompassed the entirety of the Italian rebirth of arts and literature. One among many skeptics, including Lorenzo Valla, who had challenged the Catholic Church fifty years earlier in proving the falsity of the Donation of Constantine, Niccolò Machiavelli projected his ideas of fraudulence into sixteenth century Italian society by suggesting that rulers could only maintain power through propaganda, as seen with the success of Ferdinand of Aragon in Spain circa 1490. Today, the coined term Machiavellian refers to duplicity in either politics or self-advancement. Unlike most philosophers of the sixteenth century, Machiavelli wrote from the perspective of an anti-Humanist; he criticized not only the Classics and the Catholic Church, but also encouraged the deceitful use of religion and hated the humanist concepts of liberty, peace and individualism.1
“The Prince”, by Niccolo Machiavelli, is a series of letters written to the current ruler of Italy, Lorenzo de’ Medici. These letters are a “how-to” guide on what to do and what not to do. He uses examples to further express his views on the subject. The main purpose was to inform the reader how to effectively rule and be an acceptable Prince. Any ruler who wishes to keep absolute control of his principality must use not only wisdom and skill, but cunning and cruelness through fear rather than love. Machiavelli writes this book as his summary of all the deeds of great men.
Moulton, Charles Wells. Moulton's Library of Literary Criticism of English and American Authors through the Beginning of the Twentieth Century: Volume 1. New York: Frederick Ungar, 1966. Print.
Century Literature Criticism. Ed. Jay Parini. Vol. 14. Detroit: Gale Research, 1987. Literature Resource Center. Web. 24 Jan. 2012.
In The Prince he writes to a ruler about how to keep power and that word – Prince – is used on purpose as a representation of a political system. The Discourses is a little less about power and a little more about behavior in politics and more of Machiavelli’s ideas’ themselves are talked about. This is where one of his most famous quotes comes from: “It is best to be both feared and loved. But if you have to choose between the two, it is better to be feared than loved.” This is a pretty good generalization in one sentence of his overall ideas on politics. He didn’t care about how things SHOULD work, he focused on how to be successful with how things DID work. He was a
Gilman, Charlotte Perkins. "Essay date 1935." Twentieth-Century Litirary Criticism 9. Ed. Dennis Poupond. Detroit: Gale Research, 1983. 316-317
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
In The Prince, Machiavelli separates ethics from politics. His approach to politics, as outlined in The Prince, is strictly practical. Machiavelli is less concerned with what is right and just, and instead with what will lead to the fortification of the government and the sustainment of power. Machiavelli believed that a ruler should use any means necessary to obtain and sustain power. He says, “…people judge by outcome. So if a ruler wins wars and holds onto power, the means he has employed will always be judged honorable, and everyone will praise them” (Machiavelli, 55). According to Machiavelli, the ends of an action justify the means (Machiavelli, 55). His motivation for these views in The Prince was the reunification of the Italian city-states (Machiavelli, 78-79). Machiavelli wanted Italy to return to its glory of the Roman Empire (Machiavelli 78-79). Some of the beliefs of Machiavelli could be perceived as evil and cruel, but he found them necessary. Machiavelli was not concerned with making people happy. His purpose was outcome and success, and in his opinion, the only way to be successful was to be realistic. These views of Machiavelli could classify him as one of the earliest modern
Niccoló Machiavelli is perhaps the greatest political thinker in history. He was a historian, musician, a poet, and he wrote comedies. He liked poetry as much as he liked philosophy. Machiavelli wrote and collected poems. His works, which are inspired by his life experiences, have been read by many of the worlds greatest politicians. Niccoló Machiavelli’s writing was influenced by the Medici family, the Soderini government in Italy, and his own diplomatic career. His great work, The Prince, is legendary for its impact in politics and its controversial proposals.
This is demonstrated and practiced, caring is consists of curative factors promotes growth, a caring environment accepts a person as they are and looks to what the person many become, a caring environment offers development of potential, caring promotes health better than curing, prevention, and caring is central to nursing. Watson’s theory “ the goal of nursing is to help persons attain a higher level of harmony within the mind-body-spirit. Attainment of that goal can potentiate healing and health” (Masters, 2014, p.
The goal of this theory was to find ones full potential and harness it. A person with this personality will spend the time essentially building themselves. Finding the intrinsic values, what kind of person they want to be in life. But under Rogers theory this would only be possible if society wanted it to happen. Another well-known humanistic theorist named Abraham Maslow believed that this could happen regardless if society wanted it to, but only to a small amount of people. According to Maslow these types of people were confident but not cocky, and focused on the real-world problems at hand. This is what helped them become self-actualized. A disadvantage of this theory is that you cannot tell when a person reaches the full capacity of humanism. An advantage would be that it helps people live a more honest life to