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Essays on stopping by woods on a snowy evening by robert frost
Symbolism in poetry of Robert Frost
Robert Frost - Stopping by the woods on a snowy evening
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The Use of Literary Devices in Robert Frost's Stopping by Woods on a Snowy Evening
In Robert Frost's poem. “Stopping by Woods on a Snowy Evening.” the speaker uses literary devices to show the reader the poem's meaning. Symbolism plays an important role in this poem. Robert Frost uses symbolism to show the correlation between the woods and village with heaven. Mythological symbolism is also found in this poem. when the speaker talks about the lake. it is a reference to Hel in Norse Mythology. The tone of the poem, and Robert Frost's syntax. portray a tranquil yet dark feeling throughout the poem. The observations made exhibit how the speaker views life and death. The personification of the horse shows how the horse is important to the poem. In Robert Frost's “Stopping by Woods on a Snowy Evening.” he portrays the barrier between Heaven and Hel. and how one should cherish one's life.
In the first stanza of the poem. the speaker identifies where he is and who owns the land. The woods are owned by a man who lives “in the village” (2). The man the speaker is referring to is God. who owns all the land on earth. because he created it. The speaker then adds that God “will not see me [the speaker] stopping here.” showing that the man feels unnoticed by God. As the speaker “watch [es] his woods fill up with snow.'' (4) time passes by relating to the speaker's life passing. The woods represent the Gates of Heaven. and the speaker is outside of Heaven. watching as life continues without him.
The second stanza of the poem introduces the horse and further develops the location of the events occurring. The horse represents the speakers conscience. following the speaker throughout his life. and hinting at what paths o...
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...t yet completed. These promises could be his promise to God to keep life holy, and, in breaking that promise, he would go to Hel. The repetition of the last two lines of the poem signify the importance of the lines. When the speaker says that he has “miles to go before I [the speaker] sleep,” (15-16) he refers to how many years he has yet to live. This final decision shows that the speaker has given up on suicide, and instead chooses to walk with God and live out his life to the end.
In “Stopping by Woods on a Snowy Evening” by Robert Frost, Frost utilizes literary devices to show how one should live one's life, and how Heaven and Hel are closely related. The relationship between the speaker and the horse is personal, and connects the two to each other. Robert Frost gives the reader an outlook on the matter of life and death, and obstacles between the two.
Epictetus once wrote, "First say what you would be; and then do what you have to do." This aphorism of self-discovery and obligation clearly describes Robert Frost's poem, "Stopping by Woods on a Snowy Evening." In the course of the poem, Frost's speaker is confronted with two choices: he can either forget his problems or he can follow through with his responsibilities and make the most of life. It is through Frost's remarkable presentation of the speaker's thoughts that the reader may see how difficult this decision can be. Through powerful elements, such as alliteration, rhythm, and imagery, Frost stresses the importance of perseverence and facing one's fears and obligations.
Robert Frost composed “Stopping by Woods on a Snowy Evening” in June of 1922, after he wrote the poem “New Hampshire,” he went outside his home in Shaftsbury, Vermont, and had the idea for “Stopping by Woods on a Snowy Evening.” Frost’s poem has multiple meanings, but the
Robert Frost’s poem “Stopping by Woods on a Snowy Evening” and Christina Rossetti’s poem “Up-Hill” share a common dominant theme which deals with humankind’s passage from the cradle to the grave. Additionally both works are examples of poetry which are; Rich in imagery, Highly effective in the use of figurative language, metaphors, and personification Contain symbolism and allusions.
The poem “Stopping by Woods on a Snowy Evening”, also considered Frost’s masterpiece, not only has the theme of isolation and nature but it was also his first Pulitzer Prize winning poem. “Stopping by the Woods on a Snowy Evening” is about a man traveling through the woods on a snowy night. He pauses to look at the beauty of nature on private property, but is not able to look at nature for long because he has an extensive distance to travel. As Karen Hardison explains, “"A Soldier" is composed around an extended metaphor that is introduced in the first line: "He is that fallen lance.."
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
There is a very straight forward structure to this poem that contributes to the complexity and unity of the poem as a whole. The rhyme scheme follows a very straight forward ABAAB variation. This rhyme scheme flows throughout the poem with no variations and adds to the organic unity of the work. The meter of this work follows iambic tetrameter which, when read aloud, adds to the thoughtfulness of the speaker. However, the meter is interrupted during one line of the poem which reads, “I shall be telling this with a sigh” (line 16). This line brings attention to itself in order to alert the reader to the ambiguity of the statement, which will be discussed later. The poem itself is constructed with four stanzas with five lines in each stanza which adds to the unity by giving the poem a sense of a full circle and rounded out. Throughout the poem, the rhythm is slow and thoughtful, as if the speaker is reflecting on the choices that he has made in his lifetime. This slow rhythm adds a layer of complexity by demonstra...
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
Analyzing a poem involves examining various elements. After understanding the story, one can explore the speaker's perspective, as well as other aspects such as setting, language, figures of speech, symbols, atmosphere, mood, characterization, theme, and conflicts. Ultimately, the analyst should determine the poem's underlying message. Robert Frost's "Stopping by Woods on a Snowy Evening" is a poem about the speaker who halts his horse near the woods on a snowy evening to admire the serene beauty of the falling snow. The speaker takes a moment to appreciate the peacefulness of the scene as the snowflakes descend from the dark sky.
Robert Frost’s love of nature is expressed in the setting of his poem "Stopping by the Woods on a Snowy Evening." His elaborate description of the woody setting brings vivid images to the reader’s mind. Frost explains the setting so descriptively that the reader feels he is in the woods alsoThe setting is a very important tool Frost uses in writing this poem. The setting is obviously in the woods, but these are not just any old woods. Something caught the speaker’s eyes in these woods making them a special place for the speaker. It seems as if the speaker has associated these woods with an aspect of his "personal paradise". The peacefulness, tranquillity, darkness, and silence are all important parts of this "paradise".
The Great In and Out Doors: An Analysis of Robert Frost’s Use of Natural and Rural Depictions in his Poetry. Edward Abbey once stated: “Water, water, water.. There is no shortage of water in the desert but exactly the right amount, a perfect ratio of water to rock, water to sand, insuring that wide free open, generous spacing among plants and animals, homes and towns and cities, which makes the arid West so different from any other part of the nation. There is no lack of water here unless you try to establish a city where no city should be.” Through poems such as Birches, Stopping by Woods on a Snowy Evening, Mending Wall, Out, Out--, Acquainted with the Night, and The Gift Outright Frost uses an amazing capacity of human intellect to personify the areas of living.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” show the readers similar struggles of life. “The Road Not Taken” is about taking control of one’s life and living it aside from how others live theirs. While “Stopping by Woods on Snowy Evening” shows the desire for rest. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road that they
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground in his subject matter, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression. Works Cited and Consulted Frost and Nature, www.frostfriends.org.
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
The speaker communicates many things in the first stanza of the poem. The first line, ?Two roads diverged in a yellow wood,? uses imagery with the color yellow, the color of gold, to show that the speaker sees an opportunity ahead of him. The two roads symbolizes the choices and consequences he must choose. The next line, ?And sorry I could not travel both,? illustrates how difficult it is to make a choice. It is impossible not to wonder what could happen by choosing the other road and what he could be missing out on. ?And being one traveler long I stood,? shows how the speaker would like to be in two places at once. Unable to accomplish this, he takes a long time to decide on what he should do. Finally, the speaker describes studying the first option, looking as far into the future as he possibly could with the lines, ?And looked down one as far as I could to where it bent in the undergrowth.?