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Thelma and louise film analysis
Thelma and louise film analysis
Feminism of Thelma and Louise
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The Use of Different Genres in Thelma and Louise and Pulp Fiction
The term ‘genre’ is used for classifying media texts into groups that
have similar characteristics. In Thelma and Louise and Pulp Fiction, a
mixture of genres was used in these films. This is known as hybrid
genre. In Thelma and Louise, the following genres were used throughout
the film: chick-flick, drama, comedy, musical, action, police chase,
western and romance. In Pulp Fiction, the following genres were used
throughout the film: gangster, sporting events (boxing), comedy,
action, musical, mystery, romance and suspense (the Adrenalin
injection for Mia).
Thelma and Louise is classified as a road movie because; the film
involves two female characters travelling around the western states by
road to escape the male society. Pulp Fiction is classified as a
gangster film, as it tells us a story(s) of two male characters, as
professional assassins and the lives of other characters associating
with these main characters. The film consists of three interwoven
stories: “Vincent Vega and Marsellus Wallace’ Wife”, “The Gold Watch”
and “The Bonnie Situation”. Pulp Fiction also tells another interwoven
story, “The Diner” at the beginning (prologue) and the ending
(epilogue) of the film.
Thelma and Louise starts with equilibrium, of an image of a broad
landscape that gradually brightens and then instantly turns back into
darkness. The connotation of this opening scene is, everything will
begin fine with the two women but, it could turn horribly wrong later
in the film. There was also a rock ‘n’ roll country music, Tex-Mex,
playing in the background to tell us that the film...
... middle of paper ...
...0’s- Buddy Holly, Marilyn
Monroe, Zorro, James Dean, Donna Reed, Martin Lewis etc.
Based on Vladimir Propp’s theory, Louise is the heroine in Thelma and
Louise, because she saves Thelma from the rapist, Harlan who is the
villain in the film. Another villain in the film is JD, who stole the
money from Thelma and told the police where they were going to. The
donor is Thelma because, she brought the pistol with her and this
pistol plays the important part in the film (e.g. murder, robbery,
shooting air holes in policeman’s trunk, etc). I think Harlan is the
dispatcher because after his death, the women were forced to runaway
from the incident. Thelma and Detective Hal are the helpers in the
film. There is no princess in the film but, at the end of the film,
Thelma and Louise (heroine) got their reward, which is freedom.
Genre and Narrative Establishment in the Opening of Pulp Fiction, The Krays and Goodfellas In this piece of coursework I am going to study, compare and evaluate three films in order to show how the genre and narrative are established in the opening five minutes of each. The three films I have chosen to study are 'Pulp Fiction', 'The Krays' and 'Goodfellas'. Pulp Fiction was released in 1995, it was written and directed by Quentin Tarantino and was star studded with the likes of John Travolta (Vincent Vega), Uma Thurman (Mia Wallace), Samuel L Jackson (Jules) and Bruce Willis (Butch). Pulp Fiction has a non-linear narrative; the film follows Vincent's life and the scenarios he transpires within just a few days.
Cinderella. Dir. Clyde Geronimi, Hamilton Luske and Wilfred Jackson. Perf. Ilene Woods and Betty Lou Gerson. Walt Disney, 1950. Film.
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
Before the civil rights movement could begin, a few courageous individuals had to guide the way. Dr. Vernon Johns was one of those individuals. Dr. Vernon Johns was a pastor and civil rights activist in the 1920s. Johns became the pastor of Dexter Avenue Baptist Church in Montgomery, Alabama in the late 1940s. During his time as a pastor, Johns preached many sermons on how African American people were being treated not only in the community but in society. Johns on multiple occasions upset his community through his ideas on social change. Through a sociologist perspective, many sociological concepts were displayed in The Vernon Johns Story. Some of those concepts included: ascribed status, conflict theory, deviant behavior, alienation, and
This, however, demonstrates a fundamental difference between 'Fight Club' and 'One Flew over the Cuckoo's Nest': the 1990's society 'no longer breeds a contempt for the virtues of individualism [...] on the contrary, totalitarianism now resides in a thorough dislike for all things social, public, and collective,' as Henry Giroux wrote. The positivity of Fight Club may lie primarily in that it is an unsanctioned, underground, counterculture collective.
Movies produced by Disney are some of the highest grossing movies on the planet, and for a good reason. The characters are well developed, musical numbers are choreographed to a tee, and the animations (when there are any) are vibrant and realistic. Enchanted, released in 2007 (The Internet Movie Database), is no exception. What sets Enchanted apart from other princess movies of the genre, though, is the juxtaposition between Giselle, the fair maiden, and the “real world” she becomes immersed in, courtesy of the Evil Stepmother. Enchanted defies the “Disney princess” norms set by the industry by setting the film in the very-real New York City as opposed to a fictitious fairy-tale land.
In both Japan and America, the film industry is a big industry. Part of that industry is the genre of horror. Movies like this include the themes of an evil entity usually killing people or causing havoc and the protagonists, which are represented as good. Many cultures have their own takes on horror movies. How they’re done and the themes that they believe are evil or that they’re scared of. Ultimately horror movies are dark and invoke fear. Japan and America are two good examples of how horror movies in different cultures can be different, similar and how they can influence each other.
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
of the Cinderella story are psychologically harmful to women.” (p648). The fact that Cinderella is a limited character may give the girl an impression that she should be happy with what she has and not have any or aspirations in her life. That is, until her Prince comes to rescue her. Since these comments were made, the Cinderella story has been modified and changed. In order to see how gender roles have changed in fairy tales from the old to the new, let’s compare the classic version of Cinderella by Charles Perrault to a recent version which is a movie that was released in 1998 called “Ever After”which was directed by Andy Tennant.
A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the synthetic feeling of being terrified.
The familiar tale of Cinderella has made its way through history for centuries. However, the highly identifiable plot of Cinderella still continues to be a popular theme today: a young girl cast into isolation, suffering, and pain who is saved by a young prince charming. In her film Beyond the Lights, Gina Prince-Bythewood draws upon aspects of the Cinderella story through the demanding life of Noni, a famous pop singer. Unlike Cinderella, Noni may not have a glass slipper or evil stepmother, yet she finds her way out of an unhappy existence. Gina Prince-Bythewood’s Beyond the Lights is a nontraditional Cinderella story that reflects how the traditional roles of the prince and princess become gender neutral. Noni and Kaz are saved by one another as both characters are faced with the unyielding expectations of their parents, the inability to overcome fears, and the finding of their true selves.
Has anyone ever stopped and thought about why movie remakes exist? There is always a simple explanation to this conception, and it’s either that Hollywood directors are “lazy” or that Hollywood wants to destroy our childhood scares. For the most part, Hollywood isn’t literally attempting to become futile or destroy the integrity of films, but it’s much for the profit of recreating former popular movies. In addition to that, the revamp graphic quality allows for older movie plots to compete against their modern counterparts, but there still remains an issue. In order to reestablish an older horror film, a newer one has to take its place for the sake of pleasing the current technologically adept generation; however, alterations may completely
Throughout history, fairy tales have grown to captivate the hearts and minds of many. A Cinderella Story is set firmly in reality and in the present day; in fact, it's every bit a fantasy as the original story. This film refrains from any allusions to magic, but instead lets serendipitous occurrences provide the engine on which this fairy tale creates its plot. The impression A Cinderella Story is in place of a well-thought out story and characters that anyone could relate to or believe. Although the target audience of the film are teens, females, and romantics, A Cinderella Story can be praised and savored by all audiences because of its ingenious screenplay, acting, and melodic soundtrack.