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Deception and disguise in twelfth night
Discuss deception on the twelfth night
Deception and disguise in twelfth night
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The Use of Deception in William Shakespeare's Twelfth Night Deception is a key theme in William Shakespeare's Twelfth Night. The characters must use deception to obtain good things, escape bad situations, or to play cruel hilarious ticks on other people. One example of deception is when Viola clothes herself in men's clothing in order to obtain a job under the Duke of Illyria, Orsino. During another scene Sir Andrew, Fabian, Maria, and Sir Toby Belch trick Malvolio into making a fool of himself. A third example of deception is when Feste the jester disguises himself as Sir Topas and taunts Malvolio. Each of these scenes and characters helps depict the different uses of deception. The first example of deception is Viola's decision to dress as a man. She must do this in order to survive. Viola is a young woman who narrowly escaped a shipwreck along with her twin brother, Sebastian. Unfortunately, the twins where separated during the shipwreck and each believes the other perished. Viola has no way of survival other than to dress as a man and serve Orsino. Viola says: "For such disguise as haply shall become the form of my intent. I'll serve this duke...for I can sing...That will help allow me very worthy his service". (Shakespeare, 54-59) While serving as a messenger between the Orsino and his love Olivia, Olivia happens to fall in love with Viola instead of the Duke. Later a captain finds Viola's brother, Sebastian, on the shore of Illyria. They both g...
The first instance of trickery and deception is when Don Pedro tells Claudio that he will woo Hero for Claudio to marry her in Act I Scene I. Tricking her to believe that Don Pedro himself has feelings for Hero:
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
Everyone has lied at one point or another in their life. Whether it is a small white lie about an outfit’s mishaps or something that ruined a relationship, lying or hiding the truth is a universal theme that everyone could relate to. In Hamlet, William Shakespeare uses the theme of deception to develop characters and cause their ultimate downfall in the play. Deception is not only woven in the plot but also portrays through the characters’ action and personality, such as Claudius, Polonius, and Hamlet.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
The passage below is found in the opening act of one of Shakespeare's most illusive plays of control and manipulation. The word "deception" is defined as "the act of misleading" or "to trick, cheat, lie, and mislead". From this definition, it is obvious that deception is normally perceived to be evil and results in the harm of others mentally and physically. It leads to broken hearts, untold truths, or even unpunished murder. However, in Shakespeare's The Tempest, deception is used as a virtuous art to manipulate an unjust situation and rectify it.
As in most comedies, William Shakespeare's Twelfth Night extensively. uses disguises, masks and mistaken identities to add to the comical nature of. the play. Viola's disguise as Orsino's page, Cesario, becomes crucial to the action in the play. Without this important element, the action in the play would slow down dramatically, making the story much less intriguing.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
In order to capture the recurring theme of falsehood, William Shakespeare uses the death of King Hamlet to force a trickery of security and responsibility on the major characters in his play, Hamlet. The audience rapidly discovers that masks don’t just hide physical appearances and actors aren’t just simply for theatre, they exist all around us. Everyone has the ability to create multiple identities in order to achieve a darker goal but whether or they access this ability is based on the integrity of that person. Shakespeare wanted to make a bold statement of fake personalities through his play Hamlet. False personalities will eventually fall under the force of the truth. They will eventually have to demonstrate their true character. Just like a crumpling building, they dishonesty will lead to their demise.
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Mabillard, Amanda. "Deception in Shakespeare's Hamlet." Shakespeare Online. Shakespeare Online, 20 Aug. 2009. Web. 2 Feb. 2012. .
Different Forms of Disguise and Deception in Twelfth Night Twelfth Night is said to be Shakespeare's most complete comedy. As in most comedies, Twelfth Night celebrates different forms of disguise and deception in order to make the play more entertaining. ” There's something in it that is deceivable”(ActIV, ScIII), indeed the crux of the play is based on disguise and deception. The most significant deception would definitely be Viola’s disguise as Orsino’s page, Cesario, which makes the story remarkably intriguing. In addition to Viola’s disguise, the deceptions of some characters further intensify the amusement of the play.
The action of Twelfth Night begins shortly after a damaging tempest shipwrecks the heroine, casting her upon foreign shores. Upon arrival in this strange seaport, Viola--like the Princess Leonide--dons male disguise which facilitates both employment and time enough to orient herself in this unfamiliar territory.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.