The Use Of The Theocratic Microcosm In The Crucible By Arthur Miller

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Amidst the trials of adversity, the delicate interrelationship between individual and collective experiences is unveiled, demonstrating the transformative influence of personal beliefs, ethical decisions, and communal dynamics on the fates of those involved. In establishing the theocratic microcosm of Salem, Arthur Miller's Modern Tragedy, The Crucible, emerges as a timeless allegory for the 1950s McCarthy era. An era paralysed by the forces of fear, mob psychology and its hegemony that paralyses individuality. The recontextualised egocentrism elicits an understating of the individual experience of resistance and identity through the augmenting nature of characters. Moreover, Miller plumbs the depths of the disquieting "weight of truth" within domains steered by fervent …show more content…

Miller starkly portrays the perilous consequences of conforming to societal expectations amidst a climate of fear-mongering. Through the lens of Salem's witch trials, Miller underscores the erosion of individuality and the suppression of rational thinking, emphasising the destructive impact of succumbing to collective hysteria. The catalyst for the demise of Salem was triggered by Abigail's ruthless accusations, seen through her ironic confession, "Uncle, we did dance; let you tell them I confessed it—and I'll be whipped if I must be. But they're speakin' of witchcraft. Betty's "not witched" utilising an ellipse to momentarily reveal a point of hesitation within her voice, revealing the vulnerabilities of the community but also ignites reflection on the extent to which fear can be manipulated to serve one’s own agenda. In this pivotal moment, Parris's paranoia about his ‘enemies’ and social standing is brought to the forefront by Miller as he cries, "There is a faction that is sworn to drive me from my

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