More handpicked essays just for you.
Shakespeare figurative language in the Tempest
Shakespeare figurative language in the Tempest
Metaphor in Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Use of Mood in Macbeth
Noah Webster, author of Webster’s Dictionary, defines mood as the “temporary state of the mind in regard to passion or feeling“ and “a morbid or fantastic state of mind.” E. L. Thorndike and Clarence L. Barnhart, authors of Scott, Foresman Advanced Dictionary, define mood as “the overall atmosphere or prevailing emotional aura of a work.” Shakespeare’s Macbeth, especially the pivotal and ominous second act, exemplifies both denotations of mood. The act has an “overall atmosphere,” even though the mood shifts, while this mood places a sense of cliff-hanging anxiety at the beginning, an ambiance of hysterics towards the middle, a feeling of tragic realization directly following, and an unsure aura of occult extractions. Shakespeare cleverly uses six key elements to further shape and add to the mood: the characters, the imagery, the setting, the sounds, the characters’ actions, and the characters’ dialogue.
In scene one, the setting is revealed. It is late, past midnight, and there are no stars, making extremely dark and a dramatically perfect opportunity to commit murder. In any good horror movie, all the deaths occur at night, when it is dark. The location is a castle, which would have to be the eeriest, coldest, darkest piece of architecture ever constructed. Banquo’s “cursèd thoughts” (II, i, 8) keep him without sleep, in exact contrast with the eternal sleep Duncan will soon begin. Then, as Banquo retreats to his quarters, Macbeth’s imagination and intensified emotional exhaustion and strain generate a looming image of a dagger pointing to Duncan. “I see thee still . . .” (II, i, 35), he yells at the vision, creating a sense of madness. Again, “I see thee still . . .” (II, i, 45), but this time the hallucination is glistening with blood (and in all likely hood, that of Duncan). He casts this apparition aside and awaits his signal to make the final walk into his beloved king’s chambers. The bell rang by Lady Macbeth interrupts this thick, tense mood and startles the audience to either jump out of their seat or creep slowly to the edge of their seat. This also related to a popular sermon of the same time period, Meditation 17 by John Donne. A famous excerpt from it reads, “. . . and therefore never send to know for whom the bell tolls; it tolls for thee . . . ” (Donne, 284).
“Was the hope [Macbeth’s ambition] drunk. . . And wakes it now, to look so green and pale . . . Such I account thy love. Art thou afeard/ To be the same in thine own act and valor/ As thou art in desire? Wouldst thou have that ” (1, 7, 35-41). Lady Macbeth would never be able to commit the crime herself because of the role she believes she has as a woman, but she knew her husband could. To make sure he follows through she makes fun of him and uses peer pressure by saying he is just afraid to actually kill Duncan. The blood that will be shed is a symbol of loyalty Macbeth to Lady Macbeth. Even when he killed Macdonwald, it was to prove his loyalty to king Duncan, but Lady Macbeth still does not trust her husband enough. Macbeth starts to act delusional when he sees the ghost of Banquo, but Lady Macbeth tries to reassure the guests to simply ignore him. “Sit worthy friends. My lord is often thus/ And hath been from his youth. Pray you, keep seat . . . If you much note him/ You shall offend him and extend his passion” (3, 4, 53- 57). Lady Macbeth feels more embarrassed by her husband instead of trying to be there for
The Tragedy of Macbeth has many elements that contribute to the overall theme and plot of the play; the leading antagonists of these elements are The Witches. Also known as “The Weird Sisters”, these characters inspire the central action of the play by disturbing Macbeth’s mental state and morality, influencing the creation of themes throughout the play, using their specific characteristics to spread an air of inevitability and terror, and finally, using their magic to disrupt other characters’ lives as well as stirring the audience’s emotions. Historical information is used throughout the play to make The Witches’ magic and reasons for doing so that much more terrifying. The Tragedy of Macbeth by William Shakespeare uses The Witches to further critical components of the story; these characters make the play increasingly more terrifying because their actions reach to the audience’s emotions as they corrupt Macbeth and his principles, use historic evidence to alter the meaning of their actions, summon
In the story Macbeth, by William Shakespeare, Lady Macbeth, the instigator, employs motivational techniques on Macbeth, the would-be murderer, and later on, Macbeth, the instigator, uses persuasive techniques on the first and second murderers. In both scenes, the instigator uses ethos, pathos, and logos. In Act 1, Scene 7, Macbeth backs out of the plan to kill Duncan, so Lady Macbeth responds, “As thou art in desire? Wouldst thou have that / Which thou esteem’st the ornament of life, / And live a coward in thine own esteem, / Letting “I dare not” wait upon “I would,” / Like the poor cat i' th' adage?” (I.VII.45-49). Lady Macbeth uses pathos to compare Macbeth to a poor cat in an old story, which makes him emotionally upset. Macbeth responds
Examine shakespeare's use of logical, emotional, and ethical by arguing using a passage from Hamlet, Kind Lear,and Macbeth.
“O! yet I do repent me of my fury, That I did kill them.” (2.3.103-104). Macbeth was very fearful that the servants would remember what had happened to Duncan if they were still alive, even though Macbeth set them up to make them appear guilty. Again, near the end of the play, Macbeth is having more and more hallucinations now and they are happening more frequency, “It will have blood; they say, blood will have blood” (3.4.121). At the inauguration dinner for Macbeth being crowned king, Banquo’s ghost sits in the current King’s chair and Macbeth beings to become agitated and loses his composure around the Thanes and other Lords; at that time, Macbeth feels pressured by the sins he has committed in the past.
The most important emotions that we see in Macbeth are ambition, remorse, and fear. They are significant because they provoke Macbeth to do evil and cruel things. Ambition takes control of him earlier in the play when the witches tell him he is going to be king. After he already has done the deed, killed Duncan, he is remorseful for his actions. Out of fear for himself, Macbeth murdered Macduff’s family and killed Banquo.
On the night that Duncan is supposedly going to get murdered, there is some dramatic irony of lightness and darkness demonstrated in the play. After Macbeth leaves Duncan’s castle, he wants the stars to hide their fires, in other words for there to be no stars or moon at night when he kills Duncan. Well his wish was granted, but Banquo is a little suspicious as he tell his son Fleance: “There's husbandry in heaven; / Their candles are all out" (2. 1. 6-7). It is pitch black outside, and darkness symbolizes fear. Then Banquo claims: “Merciful powers/ Restrain in me the cursed thoughts that nature/ Gives way to in repose” (2. 1. 11-13). It seems like Banquo is very tired but cannot sleep because he is afraid of something but nobody knows what. Banquo explains to Macbeth that he had a dream about the three weird witches. Could the suspicion be growing for Banquo, very dark night, not a star in sight, could Macbeth be planning a murder? Darkness is emphasized in his part of the novel because the darker side of Macbeth and Lady Macbeth is shown as there is evil side shows that they will do anything to unrightfully make Macbeth become the new King of Scotland even that includes murder to anybody that gets in their way.
After Macbeth committed a dreadful crime at the start of the play, he realizes that by killing even more people he can get what he wants whenever he wants. Macbeth reaches a point where he is too busy fulfilling his own ambitions that he was not fulfilling his obligations as king. “Those he command move only in command, / Nothing in love…” (5.2.22-23). His obsession with power caused him to murder his good friend Banquo, and Banquo’s son. Macbeth’s out of control ambition has caused him to lose his emotion. He progressively sta...
“If chance will have me king, why, chance may crown me Without my stir?” Macbeth ponders after three witches foresee that he will become king in the tragic play Macbeth written by William Shakespeare (349). Macbeth is wondering how he could become king of Scotland without him intervening as he is not in line for the throne. He believes that he will have to take action to gain this position. Macbeth was right to doubt fate, because his choices led to his ascension to the throne and, later in the play, to his downfall.
Upon his return home, Macbeth and his Lady decided upon a course of action that was dastardly and by no means legitimate. The terrible twosome prepared to assassinate their good King Duncan, in order to clear the way for Macbeth to take the throne. On his way to Duncan’s chambers, Macbeth is visited by a hallucination of a bloody dagger, floating in the air before his eyes. This leaves him shaken, questioni...
It introduces Fleance, Banquo’s son. Banquo and Fleance are walking around the castle because Banquo could not fall asleep. While they were walking around, they run into Macbeth and his servant. Banquo asks why Macbeth was awake because everyone in the castle was either relaxed or asleep. He also mentions how much the king likes Macbeth, and even gives him a very nice diamond for Lady Macbeth for being such a great hostess.At this point, Macbeth is pondering whether or not to really kill King Duncan because as Macbeth is thinking, the king has literally done nothing wrong to him. He pushes those thoughts away and tells the servant to ring for lady, which is code saying that he’s ready whenever she was. As the servant goes away, Macbeth starts to get a vision. He sees a dagger floating in the middle of the room and he tries to grab it, failing to do so. As he tries to grab the dagger, it slowly gets covered in blood, and the dagger started to point towards the direction of where King Duncan was staying for the night. This was to foreshadow what Macbeth was about to do, which was kill the king. This was also to show that only bad things happen at night. Scene II starts with Lady Macbeth portrayed as a psycho again. She says that she’s given the servants the drugged alcohol and that she had some herself, making herself feel nice. The servants were snoring, and they were so drugged that you could not tell if they were even alive or not. Macbeth returns and Lady Macbeth says that everything is set up. Macbeth goes and kills the king, and returns with bloody daggers. By this point, Macbeth has done a villainous thing by killing an innocent character, King Duncan. Duncan has done nothing but good to Macbeth, yet he murdered him with no reason except for being power hungry and selfish. Keith Waddington put it in a great way: “Though perhaps something of a truism, both Macbeth and Lady Macbeth suffer from the same
A combination of Macbeth’s ambition and paranoia lead to many senseless murders. He killed his best friend Banquo out of fear and he senselessly murdered Macduff’s family. The hallucination of Banquo’s ghost is a representation of Macbeth 's guilt, all of Macbeth’s guilt is manifested in the ghost. Macbeth states that he feels guilty because of the murders. “Ay, and since too, murders have been performed Too terrible for the ear.” (III, iv, 80-81) Seeing the ghost of Banquo is the breaking point for Macbeth. The ghost also causes him to think more irrationally which leads to the murder of Macduff. Also, after the murder of Duncan, Macbeth is full of regret and guilt. The voices he hears reflect his mental state. “Methought I heard a voice cry, “Sleep no more!” (II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145) Macbeth claims that after committing a murder, there is no turning back. He killed his best friend due to his ambition and fear. The third murder was outright moralless and unnecessary, he compulsively killed Macduff’s wife and children. Macbeth shows no remorse in his murders, he becomes an absolute monster towards the end of the play. As Macbeth loses his human morales, hallucinations appear to remind him of the sins he
This theme is further verified by King Duncan's statement "There's no art/ To find the mind's construction in the face..." (Act 1, Scene 4, Lines 11-12) Although Macbeth has the semblance of the amicable and dutiful host, ("fair") he is secretly plotting Duncan's death ("foul"). Furthermore, Lady Macbeth's orchestration of the murder exemplifies the twisted atmosphere in Inverness. Both a woman and a host, she should be the model of grace and femininity. She is described, however, as a "fiendlike queen" (Act 5, Scene 6, Line 69) and exhibits a cold, calculating mentality. In addition, the very porter of Inverness likens the place to the dwelling of the devil Beelzebub. This implies that despite its "pleasant seat," (Act 1, Scene 6, Line 1) Inverness is a sinister and evil place. It is also interesting to note that Macbeth is unable to say a prayer to bless himself after murdering Duncan. It is strange and "foul" that he should think of religion after committing such an unholy act. The very sanction of sleep and repose is also attacked in Macbeth. What is normally considered a refreshing and necessary human activity is "murdered" by Macbeth after he commits his heinous crime. Neither Macbeth nor his wife is able to sleep after killing Duncan. Macbeth's lack of sleep makes him a brutal killer; Lady Macbeth begins to sleepwalk and inadvertently reveals the source of her distress through her nightly babble.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
Macbeth had invited the King and the King's men to his castle to celebrate the victory of the battle that had been won. That night, while everyone was asleep, Macbeth took a dagger and killed the King. After the murder he became very paranoid. In act 2, scene 2, he cries: "Didst thou not hear a noise? ...There's one did laugh in's sleep, and one cried `murder!', Methought I heard a voice cry `Sleep no more! Macbeth does murder sleep'...I am afraid to think what I have done; look on't again I dare not."