While the use of language by Stephen Crane does help facilitate the meaning of “Maggie: A Girl of the Streets,” there are ways in which it can be changed to reflect the time period of Cassandra Clare 's Clockwork Angel, without taking away from the overall message. This is accomplished by making the majority of the changes solely to the world building sections, rather than the dialog itself. Take for instance this section:
Evenings during the week he took her to see plays in which the brain-clutching heroine was rescued from the palatial home of her guardian, who is cruelly after her bonds, by the hero with the beautiful sentiments. The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver,
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Within the example, the use of “brain-clutching heroine,” “bonds,” and “out at soak,” can cause issues for modern readers. First, the use of “brain-clutching heroine” may be understood, as the phrase is referencing the sort of leading character who is likely to grab their head in a tense or dangerous situations. The use of the word heroine, though poses a slight problem, as today a heroine is generally thought of as the female hero, rather than the damsel in distress that the phrase “brain-clutching heroine” implies. Similarly, while the word bond is still used today, it is isn 't generally done so in the manner of the example. Rather than denoting an investment bond or a bond of say matrimony or family, it seems from context clues that the obsolete usage of bond to mean serfdom or slavery may have been intended. In this sense, replacing such a problematic word with something like servitude would be the best choice. Finally, the most problematic phrase within the example to a modern reader is “out at soak.” This phrase isn 't clarified by context, and in fact doesn 't seem to be used anywhere else that can be easily researched. However, it is possible to simply remove such a phrase as its meaning does not seem to effect the understanding of the rest of the
Threw out the article judy blmue wrote about censorship a personal view she takes her readers on journey threw her eyes and makes them hop in her shoes to take a test drive threw her life and show her ins and outs of how she experience and dealt with censorship , with coming in contact ,learning ,and rebelling against it. She does in her article by using some clever yet effective ways of using the Rhetorical Strategies to get the reader to think a certain way and feel a certain way. Jude blume use the rhetorical strategies ethos, pathos, and logos to effectively persuade the reader and inform the reader that censorship is not up to a group of people but a personal choice.
In, “The Speech of Miss Polly Baker” written by Benjamin Franklin (one of the Founding Fathers) in 1747, brought up the disparities that were between men and women within the judicial system. Also, “The Speech of Miss Polly Baker” also briefly points out, how religion has been intertwined with politics. All throughout “The Speech of Miss Polly Baker,” Benjamin Franklin uses very intense diction and syntax to help support what he is trying to express to the rest of society. Also writing this speech in the view point of a women, greatly helps establish what he is trying to say. If Benjamin Franklin was to write it as a man, the speech my have not had the same passionate effect as it currently has.
An authors use of ethos, logos, and pathos strengthens the persuasiveness of their work. Although each of the three appeals are extremely important factors to the soundness of writing , logos is by far the most vital rhetorical appeal. Utilizing logic in literature presents evidence and reasoning to the audience, which in turn demonstrates clarity and consistency. When evaluating logical appeal in Maggie Mitchell's short story, "It Would Be Different If", the character's experiences and actions are main contributors to the story's compelling progression. Dealing with rejection, the main character references to past events through out the story, which provides logical reasoning to her obsessive
In this passage “The Street” by Ann Petry, Lutie Johnson’s relationship with her urban setting is expressed using figurative language. Lutie allows us to walk with her and experience one cold November night near the streets of seventh and eighth avenue. The relationship between Lutie Johnson and the urban setting is established using personification, imagery, and characterization.
The third section of the story returns the reader to the calm security, but then quickly sends the tone of the story into a frenzy. These constant tone changes show the reader how strong and resourceful the woman is, but it also shows us how she can be thrown into a panic easily. We come to have little confidence in the main character's ability to react well if a dangerous situation arises.
The play begins with a grand celebration, in which the characters toast to the New Year. Agnes admits that she feels relatively safe living at Berlin at this time, and the group decides to make up a story together. They story is of a cold night and a watchman who tries to beat nature by fighting back and arming himself with a warm coat and scarf. At first he succeeds, but later finds that even his coat and scarf are
“She imagined a future rose-tinted because of its distance from all she had experienced before,” (53). The distance from the broken furniture and drunken bawls was not far. Maggie’s new wonderful cultural experience was a short glimpse at New York’s museums with time spent at cheap theatres and dance halls. Instead of a fairy tale story, Crane told of reality in Maggie: A Girl of the Streets – the reality that would face a young girl from a dirt poor, chaotic existence. Crane contrives to show how much weight poor pre-existing conditions have in determining the future.
Stephen Crane’s first novel Maggie (girl of the streets) is a tale of uncompromising realism. The story chronicles the titular Maggie, a girl who lives in the Bowery with her emotionally abusive parents and brothers Jimmie and Tommy. The novel revolves around the trials and tribulations of Maggie and her family in the Bowery. Highlights of the story include the death of Maggie’s father and brother Tommie which drive Pete to turn into a cold and hard person by novels end. Maggie desperately tries to escape bowery life, but in the end Maggie succumbs to the Bowery and dies a broken woman. Crane is considered a Naturalist, and in Crane’s naturalist world no one escapes their biological chains. Maggie’s parents are both unfit parents: they are emotionally and physically abusive, and have alcoholic tendencies. Despite Maggie’s and (to a lesser extent) Jimmie’s longings to escape the bleak world of the bowery they do not. Crane is making a statement on the adverse effects of industrialization and urbanization with the novel. Industrialization and urbanization on the surface create jobs and strengthen business, but upon further examination it disenfranchises the very people it promises to help. Many of the families in the bowery are immigrant families who become wage slaves. Maggie’s family is no different; because of their dependency on big business they have become disenfranchised and incapable of growth. This idea of being set into a world where there is no escape from one's biological heredity that Crane showcases the in the novel is mirrors Darwin’s survival of the fittest theory. According to Darwin only the biologically strong would survive in the world, with the weaker specimens expiring. In Crane’s novel the people are not inherently weak; it is the environment that shapes them and prevents them from growing. Ultimately, all of the characters in Maggie are victims of the Bowery life.
After the Civil War, realism became a dominant form of writing in the United States, with writers attempting to write about everyday life. After realism came naturalism, a form of writing similar to realism, but with more pessimism. One of the reasons for this pessimism stems from free will and the question of whether people possess it or not. In realism, it is definitely true, while in naturalism it seems less so, but the options are often less than ideal. Because choices do exist for characters, free will is still there, which indicates that naturalism is a derivative form of realism. In Stephen Crane’s “Maggie: A Girl of the Streets,” the characters may have little chance to escape the world they inhabit, like Maggie, Jimmie, and Pete, but choices are there, even if these choices aren’t very good.
Alice Walker’s “Everyday Use” is a short story about an African American family that struggles to make it. Mama tries her best to give Maggie and Dee a better life than what she had. In Alice Walker’s short story “Everyday Use,” Dee is the older sister and Maggie is younger. Dee is described as selfish and self-centered. Maggie is generous, kind, and cares the family’s history together. She would go out of her way to make sure that her older sister, Dee has everything she needs and wants. Maggie is also willing to share what she has with her sister. Maggie is also shy and vulnerable. Mama is the mother of Maggie and Dee. Mama is fair and always keeps her promises to her children. Hakim-a-barber is the boyfriend
In the late nineteenth century people obtained more freedom. The American rags to riches story struck a chord with many people and they tried to change their social class. For some, even with new opportunities in life, it would be hard for them to climb the class ladder. Many people live lives full of hardship and obstacles, such as Maggie Johnson from Stephen Crane's Maggie a Girl of the Streets, who grows up in the slums of New York City. Edna Pontellier from Kate Chopin's The Awakening lives a life of extravagance and wealth but still ends up dying a sad and lonely death because she makes poor decisions. Maggie also dies in a tragic death, but not because of bad choices, but because of the situation she finds herself in throughout her life. Maggie's situation turns her into a victim and facilitates her tragic death while Edna makes herself into a victim and causes her own death.
In the book Dorothy must Die by Danielle Paige, the author develops a tone through the use of facetious language in her novel through the use of irony and absurdity. Amy is a normal girl from Kansas who has a boring life back home until she and her trailer get swooped up by a tornado. She then finds herself in Oz thinking it is a wonderful place because of the movie. She then find out that Dorothy has been taking magic away from the people of Oz, the only way to stop Dorothy is through herself. When she first found out it was oz she assumed it would be magical but that idea is shut down after her first friend there is killed by Dorothy and her evil minions (83) . While Amy is working undercover at the palace Dorothy request to have “a thousand
George Orwell once said, “[p]olitical language . . . is designed to make lies sound truthful and murders respectable, and to give an appearance of solidity to a pure wind.” (1) This phenomenon describes the Victorian court system fairly accurately. Thus, it is unsurprising that in Bleak House, Dickens chooses to satirize this practice through his own usage of language. In Bleak House, Dickens provides a social criticism of the Victorian court system through the Chancery Court with his use of language surrounding it.
Gail Godwin's short story "A Sorrowful Woman" revolves around a wife and mother who becomes overwhelmed with her husband and child and withdraws from them, gradually shutting them completely out of her life. Unsatisfied with her role as dutiful mother and wife, she tries on other roles, but finds that none of them satisfy her either. She is accustomed to a specific role, and has a difficult time coping when a more extensive array of choices is presented to her. This is made clear in this section of the story.
Hero’s plight in Much Ado About Nothing is a perfect example of how the skewed male perspective can turn a sweet and innocent girl into a scheming strumpet in no time.