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Milton and dante's inferno
Compare and contrast paradise lost and the inferno
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Geothe's Faust is similar in many ways to both Dante's Inferno and Milton's Paradise Lost. The obvious similarity is how each work relates to evil or Hell. Other similarities include how the villains of two of these epics are the most likable characters, and the use of classical and Christian mythology in each poem. Faust deals with evil when he makes a deal with Mephistopheles, or Satan. This deal is that Mephistopheles will give Faust whatever he wants in return for his (Faust's) soul. Inferno is a journey through Hell. Dante is being lead by his guide, Virgil, through the icy parts of Hell, to the center of the earth, while he climbs up Satan's legs into Heaven. Paradise Lost is about how Satan is newly cast out of Heaven and just getting used to his surroundings, which is a more traditional furnace-like Hell unlike the one in Inferno.
Mephistopheles, who is supposedly Satan, in Faust, and the Satan portrayed in Paradise Lost are the most likable characters in these plays. Faust seems like more of a villain than Mephistopheles, which is very ironic. Satan is made out to be an evil, manipulating demon, but Mephistopheles is not really like that. He does manipulate Faust in some ways, like with the contract of Faust selling his soul, but Mephistopheles has little more power than a regular person. Also, in the beginning of the play, when he talks to The Lord, he doesn't act serious at all. He actually tells The Lord that he likes Sunday's because of the "peace and quiet". In Paradise Lost, Satan makes God look more evil than (Satan) himself. Satan implies that God is some kind of slave driver, and that it would be "better to reign in Hell then serve in Heaven". They are considered the more likable characters becau...
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...your willingness to ask for forgiveness) and deeds you have done. He also uses symbolism through characters in the work to express the nature of man. He implies that man has the power to know the difference and choose between good and evil but because man is imperfect he is bound to makes mistakes. He implies that since the ultimate sin is placing yourself on a level equal to God, pious persons who judge other people, thinking that they are higher than them are placing themselves dangerously close to being equal with God in their assumption they have the power to judge people. This shows hypocrisy because these people believe that they are following God exactly but in effect they are taking it too far and committing one of the worst sins you can commit. Geothe seems to imply all of these things and more based on your personal interpretation of the work.
Dante’s Inferno is a narrative poem, with a very complicated rhyme scheme, originally written in Italian. It documents the author’s, Dante, trip through hell, where he learns how hell is organized and the way in which sinners are punished. Dante is guided by the great poet Virgil, who leads him throughout hell. The Odyssey, is an epic authored by the Greek, Homer. The epics centers on Odysseus’ protracted journey home. The protagonist, Odysseus, visits the underworld for a very short amount of time. The two literary works contain many common elements, such as characters being punished, the protagonists interacting with those in the underworld, repeating characters, and the misery of the underworlds. There are also differences between the two works including the types of interactions between the protagonists and those they encounter, the reasons for each protagonists visit to the underworlds, and how the underworld operates. These differences and similarities can be attributed the Dante’s and Homer’s religion, the time period and culture in which they wrote their respective works, and the purpose for the visits to the underworlds in each work. Although there are many similarities between the underworlds in Dante’s Inferno and The Odyssey, the two works ultimately offer two different visions of the underworld due to the authors’ different religious beliefs and culture, as well as the role of the underworld in each literary work.
Malhotra, N., & Kuo, A. G. (2008). Attributing blame: The public's response to Hurricane Katrina. The Journal of Politics, 70(01), 120-135.
Metallica is the best-selling band of all time behind the Beatles. With being a successful band, Metallica has reached out to various audiences in their thirty- year career. Metallica is a heavy metal band that has had more success than other artists in more popular genres, like pop and hip hop. Since their formation in 1981, Metallica has released ten studio albums that have all been heralded as classics, even through tragedy.
The desire to do good is oftentimes easily distracted by the constant temptation to perpetrate evil. Ideas of good and evil, however, stand highly subjective; in other words, what may not offend one person may seriously affect another. The contrast between good and evil is prevalent in the values of a multitude of cultures and societies, yet each culture and religion depicts good and evil differently. For example, Christians portray good and evil through God and his angels and Satan and his sinners. These portrayals of good and evil undergo an evolution as time progresses. Both Paradise Lost by John Milton and Canto XXXIV of the Inferno by Dante Alighieri display evil through Satan. The two writers effortlessly distinguish the conflict between
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
depicted at the fair. It was done in that way to touch at the curiosity of
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
In considering Aristotle’s idea of hamartia, someone who is a good person, but fell from grace, and apply it to Satan then it seems reasonable to interpret Satan as having hero like characteristics. Aristotle would say that a courageous person is inspired by confidence, faces dangerous, and acts appropriately to this courage (Nicomachean Ethics). Not only is Satan a courageous figure, but starts off as a good character even though he makes mistakes along the way. In the first two Books Milton does this very thing of portraying Satan as a hero to appeal to the readers so that they are able to identify with his charact...
Mephistopheles, from the epic poem Faust, by Goethe, is one of the most interesting characters if examined carefully. Much like today's crude interpretations of the devil, Mephistopheles was a skeptic, a gambler, self- confident, witty, stubborn, smart, creative, tempting and of course, evil. There were very ironic things about him. Though he was evil, he was a force of goodness. The evil in him was portrayed in the negative aspects of Faust's personality, which showed that no matter how powerful the Lord was, the devil would always have an impact on a persons life and decisions.
The American prison system has long touted the principal of deterrence – meaning that crime can be controlled by giving very harsh sentences to those who are caught, hoping that future crimes will be avoided because a would be perpetrator sees and fears what the potential punishment of following through with such an act might be. The idea that a single person’s punishment is going to keep others from committing a crime a key argument for our system of crime and punishment. This paper is going to focus on this currently failing policy of deterrence, examining its true nature, and then discuss its place, if any, that it has in our law enforcement system.
A conclusion that one may draw from analyzing these texts is that pride is where all evil begins because it creates the illusion that anyone can do anything at any point in time. This is seen in both Lucifer and Faustus as they go on throughout the story making wrong choices and thinking that there will be no greater consequence and this feeling of elevation is mainly attributed to arrogance. One of the biggest impacts that these works make is to illustrate the ‘falling’ part of temptation. When both Lucifer and Faustus decided to take the wrong way and go against God for their own interests, both of them fell from a very high place without any chance of returning. Lucifer who was one considered the angel of light fell into a pit of fire full of pain and agony. Similarly, Faustus who had once been a man of great knowledge in the matters of God brought damnation upon himself by choosing to side with evil instead of
As the children of a melting pot culture of British, French and German influences, the American consciousness is uniquely poised to reflect upon the impact of one of the most prevalent and oft-retold legends of the modern age: Faust. German in origin but moreover a culmination of various historical figures and indigenous lore, the story of Faust is that of a man who sells his soul to the devil for youth, wealth, pleasure, power or whatever else the writer in question can think to attribute to him. The legend's themes touching so frequently on the subjects of the supernatural and the struggle of good and evil in a Christian mythological setting, it is little wonder that the story has caught the attention and inflamed the imagination of literally hundreds of storytellers from all over Europe and, more recently, North America. Enjoying in excess of five centuries of exposure through books, plays, opera and film, not to mention its basic concepts permeating to the depths of modern speech and expression, Faust is indeed one of the most notable singular legend of modern times. Yet Faust is a malleable figure, gaining influence just as much as it gave, to finally become an amalgam of half a dozen countries' sensibilities.
The Tragic History of Doctor Faustus is known as one of the many books to display a popular understanding of the evolution of modern Western Science. The story is about a medieval doctor who sells his soul to the devil in exchange for knowledge and power. However, he starts to fear hell as his motive to repent for his wrongdoings haunts him. This story takes place in Europe during the 16th century, which was when major changes in philosophy and science occurred. Unfortunately, this was also when conflict between Medieval and Renaissance values occurred. People who held values from the Medieval era strongly believed in God and religion while those with Renaissance values focused on science and the natural world. This conflict is
These people are crushed, collapsed, cauterized, contused, and overall, they are tortured. Torture is purposely harming another person for multiple reasons and it should never be used in any situation. Even though torture dates back to medieval times, it is not acceptable even if used as punishment. Whether to gain information, discover a disaster plan, stop future attacks, or anything else, using excess force and hurting another human being is awful. The effects on the victims and culprits of torture are too substantially great to ignore or to be outweighed by the ‘benefits’ of this type of aggression. Countless people have been murdered and many survivors still live with scars, horrid memories, mood disorders, bipolar tendencies, and many other health effects.
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his