The Truth of War Exposed in A Farewell to Arms
The soldier takes his last breath as he faces the menacing glare of the beast known as the enemy gun. Emotions run through him as he awaits the final blow that will determine his destiny. Memories flash through his mind, none of which will be of any significance once he leaves this world. Out of the barrel of the gun, had suddenly come terror, murder, and chaos, all at once. "I say it's rotten. Jesus Christ, I say it's rotten." (Hemingway 35) Summarized in two sentences is Ernest Hemingway's personal attitude towards World War I.
In A Farewell to Arms by Hemingway, the characters criticize the war and views it as the source of their misery. Instead of finding the patriotic and courageous hero engaged victorious battle scenes, this novel portrays the so-called hero as a brazen who lacks any ambition. This is the story of war seen through the cynical eyes of a Red Cross ambulance driver who lived the horrors. Through a combination of ironic, cynical and apathetic tones, Hemingway's contempt towards World War I is reflected in the nature surroundings and the voice of his characters.
Primarily, Hemingway attempts to expose the truths behind the war through his characters by using a tone of cynicism. In the dialogues and streams-of-consciousness, characters repeatedly avow their reprobation for the war.
"Abstract words such as glory, honor, courage, or hallow were obscene." (185) These words that once held meaning has now lost its significance. No longer is the war about patriotism or courage; instead it is replaced by a certain crookedness, the national glories lost somewhere in-between the madness. War is now where the soldiers ...
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...; and to achieve national glory, spirits are broken repeatedly until the point where they only wish to die. The result is war, an outcome of the cruel and senseless world where violence is the backslash of violence. There is no glory here; there is only condemnation. The cynical words of Hemingway's characters are his own, the apathetic attitude of Fred is meant to represent himself, and the irony of the destruction on nature, is just one more reason why Hemingway opposes the war. Hiding behind his characters, it's the diary of Hemingway himself.
Works Cited
Hemingway, Ernest. A Farewell to Arms. 1929. New York, NY: Scribner Paperback Fiction, 1995.
Nagel, James. "Catherine Barkley and Retrospective Narration." Critical Essays on Ernest Hemingway's A Farewell to Arms. Ed. George Monteiro. New York, NY: G. K. Hall & Co., 1994. 161-174.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Hemingway, Ernest. "Soldier's Home." The Bedford Introduction to Literature, 6th Edition. Ed. Michael Meyer. New York: Bedford/St. Martin's. 2002. 152-57.
The World War One novelist Ernest Hemingway once wrote, “There were many words you could not stand to hear and finally only the names of places had dignity. Abstract words such as glory, honor, courage, or hallow were obscene” (Hemingway, ‘A Farewell to Arms’, 1929). Hemingway knew the horrors of war. He was a veteran of World War One. This was a war where 65 million troops were mobilized, and 37 million were killed, wounded, or went missing. War was seen as glorious until these views were brought in. Hemingway became famous for his writing as a member of the ‘Lost Generation’ of American writers. He, along with writers such as Gertrude Stein, F. Scott Fitzgerald, and T. S. Eliot made up the great American writers of the time. However, they did have their European
As a famous author Ernest Hemingway has been credited for the creation of multiple critically acclaimed books. One in particular, A Farewell to Arms, while having received its fair share of approval, has also received multiple threats throughout the years to be banned by certain organizations and school systems. As respectful as I am on these groups’ opinions, I myself cannot help but disagree with their statements and viewpoints. In my point of view the book should not be banned because while it may contain some undesirable components, it is overall a moderate work of literature that has a deep foresight into heartfelt issues such as war, life, and love.
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
Trogdon, Robert W. Ernest Hemingway: A Literary Reference. New York: Carroll & Graf, 2002. Print.
Ernest Hemingway was born on July 21, 1899, in Oak Park, Illinois. His mother, Grace Hall, was a trained opera singer and later on, a music teacher. His father, Clarence Hemingway, was a doctor and an avid naturalist ("Ernest Hemingway: An Inventory”). Just after graduating high school, at the age of eighteen, Hemingway enlisted in the army to fight in World War I ("The Big Read"). After being severely wounded in the war, he moved to Paris in 1921, and devoted himself to writing fiction (Baker). It is said that, “No American writer is more associated with writing about war in the early 20th century than Ernest Hemingway” (Putnam). Hemingway’s book A Farewell to Arms was published in 1929, and was based off of the events that happened to him in the war and what happened in his love life. Fredrick Henry, the protagonist, is an American ambulance driver fighting for the allies during World War I. He is introduced to a nurse named Catherine, who he later on falls in love with. Henry was hit by a trench mortar shell and was very badly injured. He is then sent to Milan, where Catherine later on comes to help nurse him to health. The two fall in love and Henry no longer is involved with the war, so they try and have a child, but both Catherine and the child die during labor, and Henry is left alone. Psychoanalytical approach views the psychological motivations of characters, which refer to the dynamics of personality development and behavior based on the unconscious motivations of a person ("Psychoanalytic Theory”). Hemingway’s writing was greatly impacted by his real life tragedies, which consist of witnessing the gruesomeness of war and his discovery and loss of love, this helps exhibi...
Stewart, Matthew C. "Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War." Papers on Language & Literature 36.2 (2000): 198-221.
The word "war" is always horrible to man especially with who has been exposed to. It is destruction, death, and horrible suffers that has been with all man's life. In the short story "In Another Country", Ernest Hemingway shows us the physical and emotional tolls of the war as well as its long-term consequences on man's life. He also portrays the damaging effects that the war has on the lives of the Italians and even of the Americans.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
A Farewell to Arms, by Ernest Hemingway, is a story about love and war. Frederic Henry, a young American, works as an ambulance driver for the Italian army in World War I. He falls tragically in love with a beautiful English nurse, Miss Catherine Barkley. This tragedy is reflected by water. Throughout the novel Ernest Hemingway uses water as metaphors. Rivers are used as symbols of rebirth and escape and rain as tragedy and disaster, which show how water plays an important role in the story.
The short story “In Another Country” by Earnest Hemingway is a story about the negative effects of war. The story follows an unnamed American officer and his dealings with three other officers, all of whom are wounded in World War I and are recuperating in Milan, Italy. In war, much can be gained such as freedom and peace, however war also causes a plethora of negative consequences. Cultural alienation, loss of physical and emotional identity, and the irony of war technology and uncertainty of life are all serious consequences of war that are clearly shown by Hemingway.
middle of paper ... ... so provided the reader with realistic descriptions of the warfront. Ernest Hemingway’s A Farewell to Arms realistically explores the inglorious and brutal truths of war, and idealistically analyzes the power of true love. Works Cited “A Farewell to Arms Essay – A Farewell to Arms, Ernest Hemingway.”
There are indications in each of the novel’s five books that Ernest Hemingway meant A Farewell to Arms to be a testament against war. World War One was a cruel war with no winners; ”War is not won by victory” (47). Lieutenant Frederic Henry, the book’s hero and narrator, experiences the disillusionment, the hopelessness and the disaster of the war. But Henry also experiences a passionate love; a discrepancy that ironically further describes the meaninglessness and the frustration felt by the soldiers and the citizens.